Scarlett Johansson is gearing up to make her dino debut in Jurassic World Rebirth next week, but another project from the former Marvel star just got an exciting new look. Johansson stars alongside Sienna Miller in My Mother’s Wedding, which was formerly titled North Star. The film follows three sisters who return home for the third wedding of their twice-widowed mother, but the trio are forced to dive into parts of their past they’d rather not revisit. Vertical Entertainment has released the first official trailer for My Mother’s Wedding, which has been in distribution limbo since premiering at the Toronto International Film Festival nearly two years ago. However, Vertical Entertainment has put these rights issues to bed and set the film for release on August 8.
John Micklethwait and Kristin Scott Thomas wrote the script for My Mother’s Wedding, and Thomas also stepped behind the camera to direct the film.
John Micklethwait and Kristin Scott Thomas wrote the script for My Mother’s Wedding, and Thomas also stepped behind the camera to direct the film.
- 6/23/2025
- by Adam Blevins
- Collider.com
Speaking at the American Film Market about his second feature film as writer-director, “Lost and Found in Paris,” Rupert Everett says: “Sex is quite an important feature [of the movie], but I’m not a big fan of full on sex in films. And so, even though there’s a lot of sexual content in this movie, I want it to be glimpsed at rather than seen full on.”
Everett gives an example, involving the central character, adventurous teenager Rupert, a sex worker called Danny who he falls in love with, and Delphine, a transsexual sex worker who works out of a truck in the Bois de Boulogne in Paris. “The first big love scene between Rupert and Danny is really only seen through a rearview mirror of Delphine’s truck: Odd snatches of bodies intertwining, clumsy embraces. The sex is inferred rather than seen.”
Everett sketches an outline of the semi-autobiographical story:...
Everett gives an example, involving the central character, adventurous teenager Rupert, a sex worker called Danny who he falls in love with, and Delphine, a transsexual sex worker who works out of a truck in the Bois de Boulogne in Paris. “The first big love scene between Rupert and Danny is really only seen through a rearview mirror of Delphine’s truck: Odd snatches of bodies intertwining, clumsy embraces. The sex is inferred rather than seen.”
Everett sketches an outline of the semi-autobiographical story:...
- 11/3/2021
- by Leo Barraclough
- Variety Film + TV
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