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A block of flats is quarantined off as a result of a deadly virus that is sweeping the world. The inhabitants quickly succumb to psychological deterioration as paranoia and claustrophobia set in.

This Argentinean epidemic movie is pretty impressive. Its setting is necessarily limited but the film-makers make the most of it. The narrative is powered mainly by a decent array of characters, well played by the entire cast. The dramatic tensions in Phase 7 come not so much from the virus but from the interactions between the neighbours. As time goes on the microcosmic society of the tower block breaks down and primal instincts begin to take over. The scenario is not unlike one you would imagine J.D. Ballard coming up with, with its look at social norms deteriorating rapidly as they are tested under unusual conditions. The movie benefits too from a nice moody soundtrack that recalls the work of John Carpenter. There is at least one very well executed – and unexpected – gore scene too. In fact, the movie moves into some quite tense thriller territory in the final third. So overall, it tries to make the most of its basic set-up and deliver some suspense and atmosphere along the way. Phase 7 is a very worthwhile psychological sci-fi thriller.

I really wanted to like this movie more. I feel like it comes close to being great, but then falls down below the sub-par level due to the plodding first-half.

The biggest issue is the doofus main character who really is a moron. The movie reminds us of this often through the dialogue of other characters, but it's frustrating to a fault.

Oftentimes the character fails to investigate or communicate properly, and seems to go out of his way to be aloof.

Now the highlight of Phase 7 is that there's a lot of suspense and you're never really quite sure what's going on, but when you have a main character with below room temperature I.Q., it turns into an exercise of frustration.

Thankfully the second half of the film picks up quite a bit thanks to the best character in the film, Horatio, moving the pace along.

I sort of wish the movie had reached that point sooner and focused a bit more on the discovery of what was going on rather than the day-to-day antics of the main character and his wife.

Even still, I think the second half of the film really makes it worth watching, especially for Horatio. The only problem is that you have to sit through the first half of the film to get there. Hence the 5 out of 10 rating.

I just came out of the cinema, had dinner with a girl, and we started talking about Fase 7, we are both Argentinian, she didn't like it, i thought it was very good. Daniel Hendler is a very good actor, who I've seen in other Argentinian movies, he acts really well and is always funny, even without trying. At some point it resembles the movie QUARANTINE, but with a totally different approach, im not saying it is a masterpiece, but you really won't be disappointed. Yayo surprised me in a very good way, here we are used to see him perform in some funny sketches, in Fase 7 he is hilarious but you really can not tell he is an amateur in the movies. Anyway, if you are guy, you will probably be at the edge of you seat waiting to see what happens next, or the next part where you will laugh, if you are girl, please don't try to overthink it, don't relate it to the society or anything like that, just seat back and enjoooooy.

Main character more pitifull than fun. Too slow to not be boring and sometimes it even leads nowhere. Some nice camera shots and light (car park scene) and interesting characters but it fall as flat as a zombie heartbeat. Cut at least 30 min out of it you got a good short movie though.

Clearly the movies about the end of the world and global epidemics have saturated theaters, some time from North America, through Europe to reach South America. Phase 7 does not look nor intended to be a lot more of, since we are surrounded by family and neighborhood relations around the quarantine of a building, caused by the global epidemic that plagues the general population. Coco a sleepy and sometimes awkward man is taking complicity with his neighbor, who is fully prepared for this kind of apocalyptic scenarios, while 7 months pregnant pipi, coconut couple remains ensconced in his apartment, completely ignoring coconut scans with his neighbor Horacio through the building. Zanutto, another neighbor of coconut, is clearly the veteran stereotype that leaves no doubt of brutality when shooting in cold blood to other neighbors who came to claim him for alleged Zanutto symptoms presented; eventually come and go shotgun Zanutto by Horacio him and for his, accompanied by a coconut increasingly takes the weight of the situation. Gradually being dead most condo owners in an atmosphere of survival. When there is no more that Zanutto and Horacio with coconut, is a kind of final duel between the two sides, where every action is delimited on the end of the frame, not tell.

Positives: the relationship coconut and pipi, is almost a radiograph to current relationships with differences of character and decisions. Makes history entertaining and takes the pressure of the plot, for the situation that we are experiencing. Maintains a dark thriller that sometimes keeps one alert, but only at times. Negatives: some loose ends. Slow start to reach the climax of the story, perhaps one a bit more than usual so dynamic that exists. Character semi achieved with little justification for their actions. The end deflates a bit, but the plot does not give more.

I saw this film as part of the "Imagine" film festival 2011 in Amsterdam. The story gets very close to a post-apocalypse situation. An apartment building is quarantined due to an unnamed disease. Apart from the initial appearance of health care personnel, and some helicopters we see and hear circling above the building, there are no interactions with the outside world. What we see happening is completely contained within the apartment building.

Initially I was afraid that the story would focus too much on the seven month pregnant couple with their internal struggles, tensions and mood changes. I was relieved that this was not the case at all. Dramatic developments came from interactions with various kinds of neighbors. Most of them were to be considered potentially hostile. This is not unusual when it comes to survival issues, harvesting food and weapons, and suspecting others from spreading the disease that started the quarantine.

When leaving the theater, I gave an "excellent" score for the public prize competition. As an after burner, the film makes you think how you and your neighbors would act in such a situation. It gives an extra meaning to the name of this festival.

COMMENTS: Coco (Daniel Hendler) and Pipi (Jazmin Stuart) are a naive, happy couple who do normal kinds of things, like go to the grocery on Saturday morning. This Saturday morning is different however. On their way back, people begin swarming the streets in a panic. An epidemic has broken out and if the media is to believed, it's becoming worse by the minute. Monitoring the situation from home, Coco and Pipi's evening is interrupted by floodlights and loudspeakers. Their building's been quarantined and the emergency respondents are cordoning it off under a huge plastic tent, as if the tenants are termites to be exterminated. They find themselves sealed into their own apartment complex, forbidden to leave. They can only watch from their windows as the outside world turns to bedlam around them.

Bedlam is not confined to the outside for long. Inside, resources dwindle, utilities are cut off, and fellow residents get cabin fever and panic. Coco does his best to keep his head, protect Pipi, and hold down the fort.

It's not easy. It turns out that doomsday scenarios aren't necessarily like fast-paced action movies. Caught in the doldrums, Coco and Pipi are stuck waiting, waiting, waiting... Instead of excitement and contingency, the experience for the group of tenants is more about nagging spouses, running out of lightbulbs and toiletries, and putting up with annoying neighbors, i.e. each other -for awhile that is.

As the situation outside increases in severity, tension mounts. Pipi unwittingly works against Coco by innocently leaking critical personal information about their situation to an untrustworthy neighbor. Tenants fraction into factions. Coco must decide whether to go along with the prevailing group or stay out of it. The situation inside the complex degenerates further when under the auspices of moving a possibly infected neighbor off their floor, it becomes clear that the do-good members of the "apartment association" cell are out for their own gain. One thing leads to another and they attempt to force their way in on a fellow resident to loot his provisions.

The bodies begin to pile up. Residents are dying, but is it from a hemorrhagic plague, or are they being murdered? Sadly, Coco's best option seems to be to join forces with his paranoid but gregarious, survivalist upstairs friend Horacio (Yayo Guridi). He's a nice guy, but maybe insane. Horacio's apartment turns out to be a high-tech, reinforced bunker complete with an armory of automatic weapons, electronic surveillance equipment, maps, and stacks of classified government information. Horacio wants Coco to join forces with him, and offers him a CBR protective suit and a firearm. Then he invites Coco on patrol with him through the darkened stairwells and corridors of their massive apartment building. The neighbors are up to some monkey business of their own and these nightly sojourns through the edifice's labyrinthine passages turn out to be enlightening in an upsetting and disturbing kind of way. Maybe Horacio isn't so paranoid after all. He seems to know an awful lot about what's going on, more than anyone else. But can Coco trust him? Blackly comic but subtly so, Phase 7 combines suspense, grim social commentary, and unsettling insight into human nature in a thriller format which is interrupted by moments of horror. Artfully shot and well paced, Phase 7 makes dramatically good use of camera angles and framing. Lighting is alternately glaring and sterile, and gloomily claustrophobic. This emphasizes the film's thematic contrast; the delineation between the bright, logical, outside world of society, authority and officialdom, versus the insular, isolated, inner world of sanctuary and retreat. Yet as the film goes on, we begin to detect a double meaning; authority is questionable. Society is reasonable strictly on its surface, and only so long as everything is going well. Safe refuge, once cut off from the outside world, can quickly degenerate into an insular den of suspicion, irrational fear, and schizophrenia.

It's the cinematography that accomplishes this. Our sickening epiphany arrives not just from Phase 7's dialogue and action, but from a dual interpretation made possible by the very lighting and camera work itself. Ultimately, Phase 7 is about masquerade; how things -people and situations -can turn out to be something very different from their daily representations.

In Phase 7, Coco discovers that he can't trust anyone or anything other than his own judgment and instincts, but the trouble comes from not knowing for sure whether his personal interpretations are sound. Under the circumstances, with little reliable input to go on, and multiple variables and potential explanations for what's happening, every course of action is a gamble. Coco must do his best to make the right choices to deliver himself and Pipi from myriad dangers which mount behind every turn of their complex's twisting stairwells, foreboding cavernous parking garage, and eerily dimmed corridors.

I stumbled upon the 2010 Argentine movie "Fase 7" (aka "Phase 7") by random luck in 2021. And since it was a movie that I wasn't familiar with or hadn't already seen, of course I sat down to watch it.

Sure, I didn't know what the movie was about, but I must say that writer and director Nicolás Goldbart definitely surprised me with this movie. "Fase 7" had something really working for it, and while it wasn't a zombie movie as per se, it definitely had that dystopian thing going on. And I must say that this movie definitely felt like something that belonged right up there with the movie "Rec". In fact, "Fase 7" is so well-constructed that it could very well have been an alternate story told in the area where "Rec" took place.

The storyline in "Fase 7" is entertaining and it is one that you quickly get submerged in. And director Nicolás Goldbart definitely did a good job in keeping the movie fast paced and gradually building up the storyline.

"Fase 7" is carried by some very good and believable acting performances. Now, I can't claim to be familiar with the cast, as I haven't watched all that many Argentine movies. But I will say that the actors and actresses in "Fase 7" definitely put on good performances and carried the movie quite well.

This was a rather nice surprise of a movie. And if you haven't already seen "Fase 7", and if you like movies such as "Rec" or the American remake "Quarantine", then you will definitely also like "Fase 7".

My rating of "Fase 7" lands on a six out of ten stars. This was a very enjoyable and watchable movie. Personally I would have liked for zombies to show up here, but hey, wishful thinking.

I still remember the time when the influenza pandemic made us all paranoids. This is a microcosm sample of that time. A few neighbors isolated in quarantine fighting each other for survival. Great gags, performances and music with moments of extreme stress. It is great to see Argentinian cinema renewing and betting on risky products. Ironic and somewhat bizarre at times, Fase 7 is a fantastic story that might not like everybody, though. But the discerning viewer can not deny that seldom has been so great production on this land and from now on we should not doubt about our filmmakers' abilities. This is an Opera Prima with a stomping debut that it's well worth seeing!

So imagine if in Shaun of the Dead, Liz was 7 months pregnant, they'd just done their monthly supermarket shop and instead of going out, they'd decided to hole up in her block of flats. And the zombies don't bother to attack (there are no zombies in Phase 7, but it has the feel of a zombie film). But the rest of the apartment block goes a bit mental. That would kind of be along the lines of this film. It's funny (most the humour is pretty subtle but there are a few real laugh out loud moments) and it is quite bonkers but in a really enjoyable way. It's maybe not fair to compare it to SotD, it's not quite in that league, but it is a really enjoyable film with some great fun performances that's worth checking out if you get the chance.

While indeed the topic of a world-wide virus that kills everyone is a threadbare because so much bad movies that are based on it (so much!), this very one film is EXCELLENT, in the line of REC, a must see movie you like the genre.

I first caught it on I-SAT (www.isat.tv), an Argentine cable channel that specialize in non-mainstream productions, one Wednesday at 1:30 AM and since the characters where suited in bio-hazard suits and spoke in Spanish, rioplatense Spanish actually, and one of them with cordobés accent, I think the movie was actually related to El Eternauta (meaning Eternauta 'ethernal astronaut', a well known sci-fi and political comic of Argentine's seventies) soon to realize it was a totally different story.

The best think of the film are without doubt the acting and the oppressive atmosphere created by a well taken camera viewpoints and background music and the special effects were pretty cool too, I absolutely buy that everything on the movie was actually happening, the guns shooting, the sick people, the dead bodies, everything.

I'm giving ten stars to this movie because it actually hypnotize me to the point of stop zapping, sit down, sharap and watch and for the euphoria I feel for the next hour after the movie ended.

This is a great movie that will have you in a tense suspense for more than an hour and I hope you enjoy it as I did! BTW, this is definitely not a chic movie, so if you are a woman (little girls may still enjoy it) and you don't like it please don't rate it down, this movie it isn't for you.

The plot: A goofy slacker and his pregnant wife attempt to survive a pandemic after their apartment complex is quarantined.

Phase 7 doesn't bother being coy about its influences. It's basically the plot of Rec, music from John Carpenter's minimalist synth scores, and style of Shaun of the Dead. By itself, that sounds enjoyable enough, if you're into high concept, low budget B movies. However, it's really well done. I'm a bit surprised that the rating is so low, though I can understand why some people might dismiss it as derivative.

Phase 7 isn't overly concerned with traditional horror movie tropes, though it does toy with them. Instead, it focuses on social satire and black comedy. There are very few infected people, but, unlike movies such as Rec and 28 Days Later, the effects tend to be a bit more subtle. Similar to The Signal, people tend to become more extreme in their behavior, though you're often left wondering if people are infected or your average crazy neighbor. In the end, I think the effect is the same, and this is one of the themes of the movie. There's a bit of gore and violence, but it's sparingly used. If you're looking for a vicious bloodbath, you're sure to be disappointed. Most of the scenes are played for humor, rather than tension or horror.

I liked the characters quite a lot. Most of them were flawed in some major way, but they were all fairly likable despite it. The ways that they react to each other and the situations were quite often rather amusing, even if it did play out a bit predictably at times. If you like Shaun of the Dead, Re-Animator, Army of Darkness, and other comedy/horror movies, you'll probably enjoy Phase 7. If you're looking for something original or gory, maybe you should try a different movie, however.

This exciting, low-budget Argentine film by Nicolas Goldbart revolves a young couple, Coco (Daniel Hendler) and Pipi (Jazmin Stuart) living in a small, high middle class apartment complex in present-day Buenos Aires City. Suddenly, the whole edifice where they live is under quarantine due to a strange high-mortality epidemic that affects the lungs of its victims. Thus, Coco and Pipi find themselves prisoners of their own apartment. The same goes for their colorful neighbors. All residents, the local sanitary authorities declare, must remain in their apartments until the quarantine is over. None knows how long would that be. Soon food supplies start to run short. Internet is down; so is television. Things take a turn for the worse and the disease becomes a global pandemic. Authorities everywhere –we learn-- are overwhelmed in a matter of days or perhaps weeks. As millions of thousands of people begin to die worldwide, a state of complete chaos and anarchy follows. A maximum stage alert (Phase 6) is declared by the World Health Organization. Yet things get even worse. The apartment complex mirrors society as a whole as the desperate and paranoid neighbors start making alliances and turning on each other with deadly intentions . . .

2020, nice moment yo watch this film. Greetings from Argentina.

In PHASE 7, the residents of an apartment building discover that their world has changed dramatically, when a deadly virus is apparently released.

Caught in the middle of the ensuing madness are the mild-mannered Coco (Daniel Hendler) and his pregnant wife Pipi (Jazmin Stuart), who must suddenly do whatever is necessary to stay alive. Being a pacifist makes it especially difficult for Coco, but his survivalist neighbor is ready to educate him!

Filled with dark humor, political satire, and sudden violence, PHASE 7 is a supremely entertaining bit of apocalyptic horror. The plot is particularly relevant right now (as of the writing of this review), in the midst of the seemingly endless C-19 pandemic...