A by-the-book detective investigates the death of her father and follows a clue to a remote tropical island, only to find out his true identity as a leader of a group of assassins. Now hunte... Read allA by-the-book detective investigates the death of her father and follows a clue to a remote tropical island, only to find out his true identity as a leader of a group of assassins. Now hunted by his enemies, she has to team up with the crooks her father had trained - four retired... Read allA by-the-book detective investigates the death of her father and follows a clue to a remote tropical island, only to find out his true identity as a leader of a group of assassins. Now hunted by his enemies, she has to team up with the crooks her father had trained - four retired, down on their luck assassins itching to get back in the game.
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All of this plays into the film's screenplay and character decisions. But, who can look past the fun action choreography? Every time a set-piece breaks out, you know it's going to surprise you in more ways than one. That's the beauty of watching a Timo Tjahjanto actioner. It's deranged and atmospheric, with Batara Goempar's camera constantly on the move, either capturing gory kills or exciting knife/gun/fist fights. The cast make most of the emotional bits work, and while you wouldn't consider anything here as deeply moving, it's good enough to make you care for their happy ending. Timo leaves room for a sequel, and although The Big 4 is no The Night Comes for Us, it offers exactly what it says it does.
The tone never gets serious with constant funny lines thrown around. Many jokes don't land correctly, but the loud comedy somehow carries the story forward while the bloody action set pieces take care of the rest. Much of the jokes fall under the silly category but the action set pieces gets more fun whenever they get silly which should be credited for the innovativeness. The story is built up for a sequel so the main reason for the conflict is still kept unrevealed.
Sometimes comedy is very unique to certain cultures and doesn't really translate well. I don't know if that's the case here or if it was just not well-written, but most of the comedic parts (which make up the bulk of the film) are really cringe-inducing and not entertaining. The parts where the comedy mixed with the action were somewhat more successful. But overall there is just not enough action here.
At almost 2 and a half hours, the film is simply too long. They could have cut half an hour and it still would have been excessive. Tonally, the film is all over the place, and not in a way that was very satisfying. The best parts were those in which the violence was hilariously and intentionally over-the-top. But there were really only a couple of scenes like that in the entire film, and the "down time" between those moments was frankly difficult to sit through.
They clearly set this up for a sequel. I do think there's potential there, but only if it's a lot more focused than this first film and better prioritizes the action over the silly character moments that don't really work.
If you are in the mood for good action, you can watch the film, but expect that you may be bored until the next action scene and that the story won't really catch you.
Did you know
- ConnectionsReferences La Petite Sirène (1989)
- SoundtracksWelcome to My Paradise
Performed by Steven N. Kaligis and Coconut Treez
Written by Steven N. Kaligis
Courtesy of 267 Records
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- The Big Four
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- Runtime2 hours 21 minutes
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- Sound mix
- Aspect ratio
- 2.00 : 1