A family on the run from a corrupt state takes refuge in a safe house with an evil past.A family on the run from a corrupt state takes refuge in a safe house with an evil past.A family on the run from a corrupt state takes refuge in a safe house with an evil past.
Rhonda Johnson Dents
- Trudy
- (as Rhonda Dents)
Bodhi Brazy
- Benny
- (as 'Bodhi' Brazy)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This movie made No sense. Absolutely no sense at all. There was no flow to it. Nothing scary, nothing mind bending, nothing that made you think. It was just a bunch of jumbled confusing nonsense.
I found myself fast forwarding all parts that had no spoken dialogue (which made no difference cause it was all so slow and boring, and nothing made any sense.) Can't believe two good actors - one from vampire diaries and one from Orange is the New Black - actually agreed to be in this pile of hot garbage.
It was comical putting your hand on a picture of a bible on an iPad. Lol. What was that !?
It was a poor cliche mix of a wanna be future apocalypse that I still don't understand any part of.
Why was the female a wanted fugitive? Why was she being hunted ? Why was the house they squatted in supposed to be scary?
I'm a big horror fan - so listen to me when I tell u-- MOVE ON-- SKIP this !!! It was not horror, not thriller , it was annoyingly stupid and boring., and a waste of time.
I found myself fast forwarding all parts that had no spoken dialogue (which made no difference cause it was all so slow and boring, and nothing made any sense.) Can't believe two good actors - one from vampire diaries and one from Orange is the New Black - actually agreed to be in this pile of hot garbage.
It was comical putting your hand on a picture of a bible on an iPad. Lol. What was that !?
It was a poor cliche mix of a wanna be future apocalypse that I still don't understand any part of.
Why was the female a wanted fugitive? Why was she being hunted ? Why was the house they squatted in supposed to be scary?
I'm a big horror fan - so listen to me when I tell u-- MOVE ON-- SKIP this !!! It was not horror, not thriller , it was annoyingly stupid and boring., and a waste of time.
I have to preface this by saying I'm not the biggest horror movie fan. However, I really wanted to give this one a shot. While the atmosphere is quite intense throughout the movie and the plot moves reasonably fast, there were some big flaws with the characters.
The couple has barely any chemistry even in the beginning of the movie and the mother seems quite uninterested in her daughter. Therefore, it's really hard to be invested in their story, feel sorry for them or root for any of them.
The movie had potential, but it was executed quite poorly. Even so, it's not the worst movie out there and if you really just want to watch something I say you can give it a try.
The couple has barely any chemistry even in the beginning of the movie and the mother seems quite uninterested in her daughter. Therefore, it's really hard to be invested in their story, feel sorry for them or root for any of them.
The movie had potential, but it was executed quite poorly. Even so, it's not the worst movie out there and if you really just want to watch something I say you can give it a try.
"History of Evil" boasts significant potential, drawing inspiration from Stephen King's "The Shining." The film excels in creating an eerie atmosphere with commendable cinematography and sound design. The actors deliver strong performances, enhancing the suspenseful narrative. However, the movie falters in its conclusion. The ending feels rushed and leaves many questions unanswered, undermining the buildup. Despite its promising start, the film's inability to deliver a satisfying resolution diminishes its overall impact. "History of Evil" offers a thrilling journey but ultimately fails to provide a fulfilling destination. Overall History of Evil literally has the same idea as one of my ongoing horror films. This is because of its small nature, cannot use the idea properly. The dystopic idea is quite intriguing, but past struggles, which is the main subject, cannot be exercised well enough. The kills were offscreen which reminds me of 80's slashers.
Living in a dystopian society, a group of refugees trying to hide out from the totalitarian government trailing them manage to seek shelter at a remote house in the wilderness until they can complete the next step of their escape, but when they come under the houses' grisly history must try to stop it from spreading.
This was a mildly disappointing if somewhat still enjoyable genre effort. One of the better elements here is the solid starting point to everything which manages to provide some rather intriguing starting point to everything. The main setup of the totalitarian state that's found here with just enough of a preamble to get an idea of the type of setup at play here and the need for the secrecy in their operation to the safe house and the concurrent dangers that are in place with staying there. That's given quite a fine balance with the qualities involving how they're trying to remain out of sight of the authorities as they wait for the pick-up to get them to safety which is a great enough touch to be had even without the introduction of the supernatural qualities. It's the introduction of the supernatural qualities that tends to show where the film starts wavering from what it really wants to be. The idea of the house being haunted and the father coming under the spell of the ghost involved in the house' history that starts to bring about a strong series of scenes featuring his behavior change in front of others white staying there, but this just turns into a colossal bore with hardly any kind of rational build-up for what's going on or why no one seems to notice the change. This leads to a decreased sense of terror involving the ghost who is much more hands-on and noncommittal to doing anything as the majority of the scenes consist of horribly-misguided advice and logic that doesn't come off in the least bit frightening, much less worthy of being followed. This type of identity crisis is what's the biggest issue facing this one overall.
Rated Unrated/R: Graphic Language and Violence.
This was a mildly disappointing if somewhat still enjoyable genre effort. One of the better elements here is the solid starting point to everything which manages to provide some rather intriguing starting point to everything. The main setup of the totalitarian state that's found here with just enough of a preamble to get an idea of the type of setup at play here and the need for the secrecy in their operation to the safe house and the concurrent dangers that are in place with staying there. That's given quite a fine balance with the qualities involving how they're trying to remain out of sight of the authorities as they wait for the pick-up to get them to safety which is a great enough touch to be had even without the introduction of the supernatural qualities. It's the introduction of the supernatural qualities that tends to show where the film starts wavering from what it really wants to be. The idea of the house being haunted and the father coming under the spell of the ghost involved in the house' history that starts to bring about a strong series of scenes featuring his behavior change in front of others white staying there, but this just turns into a colossal bore with hardly any kind of rational build-up for what's going on or why no one seems to notice the change. This leads to a decreased sense of terror involving the ghost who is much more hands-on and noncommittal to doing anything as the majority of the scenes consist of horribly-misguided advice and logic that doesn't come off in the least bit frightening, much less worthy of being followed. This type of identity crisis is what's the biggest issue facing this one overall.
Rated Unrated/R: Graphic Language and Violence.
The film starts as a knock-off of "Civil War." The year is 2045. America is a fascist nation and has taken over Mexico but not Canada. They form the North American Federation. States form militias to hunt down people of the resistance who have not bowed down to what appears to be White Christian Nationalism. People swear oaths on Bible apps. Resistance leader Allegra Diah Rodriguez has escaped the Louisiana prison and is on the run with her family and Trudy (Rhonda Johnson Dents) of the resistance. They hide out at an old abandoned home the locals claim is bad and stay away. We quickly discover the house is haunted by the former residence. Cain (Thomas Francis Murphy) was a Klansman who killed his wife and child because they didn't like his politics. Cain gets inside the head of husband Ron (Paul Wesley) to "take back your power." Their daughter also sees ghosts of the dead family, but it doesn't play any real part in the plot.
The mashing of genres didn't work well. There were things we missed, like what did the cellar look like. The plot went nowhere. Characters are not well developed. Dialogue was poor.
Guide: F-word. No sex or nudity.
The mashing of genres didn't work well. There were things we missed, like what did the cellar look like. The plot went nowhere. Characters are not well developed. Dialogue was poor.
Guide: F-word. No sex or nudity.
Did you know
- SoundtracksI Like it That Way
written by Lester Neville Norton and Teri Feaser Norton
performed by Lester Norton
- How long is History of Evil?Powered by Alexa
Details
- Runtime1 hour 38 minutes
- Color
- Aspect ratio
- 2.39:1
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