Knights of Badassdom

Rarely do immature comedies get approval or good ratings. There are a few: Dumb and Dumber or There's Something About Mary….or anyone of Will Farrell's movies. But perhaps viewers take themselves too seriously. This film is centered around a LARP (live action role-playing game) battleground where characters do often take themselves seriously in some sense. Often costumes are makeshift and battle scenes are amateurish. Authenticity is mixed since imagination takes precedence. The movie takes the same approach, hence, the goofy dragon and monster from hell. Peter Dinklage as Hung is a fun, atypical hero and Summer Glau is slinky as Gwen (isn't every medieval female lead named Gwen, short for Guinevere?). Watch it for fun, light humor. It is funny, geeky and goofy. The subtitles are cute/creative, direction is average, acting is average (actors usually shouting), script is good at times, flat at other times and some gag just doesn't work. It's a slightly above average comedy but you have to appreciate the geekiness and lightness of the film. I'd give it a 6.2-6.3 rating…round off to a 7 just to counter the critics. Just unserious fun to bring a smile and chuckle but maybe not for everyone.

Knights Of Badassdom exists in a mystical confluence, equal parts Monty Python & The Holy Grail, Animal House, Galaxy Quest and Friday 13th but never quite rises to the brilliance of its forebears.

Having just been dumped by his girlfriend, wannabe doom metal singer Joe (True Blood's Ryan Kwanten) is 'kidnapped' by his two best friends - hardcore LARPers Eric (Steve Zahn) and Hung (Game Of Thrones' Peter Dinklage) - to the site of their next big event, The Battle Of Evermore.

Joe is reluctantly talked into joining the Live Action Role Playing game - helped by the presence of the lovely Gwen (Firefly's Summer Glau) - but, unfortunately, in his quest for authenticity Eric has purchased a magical tome off eBay that turns out to be a long lost book belonging to the famous Elizabethan sorcerer John Dee.

When Eric reads a page at random as a mock spell, he unknowingly summons a succubus from Hell that proceeds to feed on the souls of the LARPers.

Soon after that Joe and Gwen realise that people are dying for real and take up arms to strike back at the monstrous demon and try to save their friends.

Knights Of Badassdom starts very promisingly, with plenty of loving nods to both LARPing and Dungeons & Dragons (this certainly isn't a mockery of geeks), but once the horror aspect enters the mix, the film doesn't really know where to go.

Now, I'm pretty certain that I read a ways back that this release of the film was not the director's vision of the story but a cut put together by the producers. This might explain the feeling that after a while the story is just spinning its wheels.

What starts off as belly-laughing funny (very much in the style of The Big Bang Theory, but with more swearing) that had me thinking this might one day equal The Holy Grail as geeks' go-to game quote movie eventually lapses into mildly amusing, by-the-numbers fare.

There are plot holes a-plenty and a lot of undeveloped characters (for instance, what was the deal with the redneck paint-ballers and their major hate-on for the LARPers? Outside of explaining why the police didn't turn up at the camp site when the slaughter began, they were totally redundant to the plot), which again suggests to me to retrospective re-cutting of the film for whatever reason, making do with what footage was on-hand.

Don't get me wrong, it's good and certainly clever in parts, but there's an inescapable feeling that it could have been much better. There are some great characters, and great "in-story" world-building by the LARPers, but it all degenerates into a big slug-fest with a rubber-suit monster.

Depending on your mood - and your attitude to random absurdity in movies - the climax of Knights Of Badassdom will either have you smirking at its ridiculousness or reaching for the remote control to turn off the television.

It's such a shame because I genuinely believe this could have been - if done right - a cult classic. As it is, I fear it will simply be swept under the carpet as a missed opportunity and promptly forgotten about.

Of course, the film's biggest mistake: not enough Dinklage.

OK, if you were expecting Lord of the Rings or Game of Thrones.... did you even watch the trailer? This was meant to be on the same level as Army of darkness (Good ol' Bruce) and Role Models. I find most of the complaints of the other reviewers shine more negative light on them than the movie.

Why do the rednecks hate the nerds? If you've made it to middle school, you already know the answer to this question. And yet someone presented this as if it was a major plot hole. :roll: Why does the one nerd know a dead language? If you know any nerds, you know the answer to this question. Most the reviewers here seem to be more "nerdy" than any of the "nerds" in the film.

In the end, most of the "flaws" the other reviewers complain of fall into these two categories: A) you didn't realize its SUPPOSED to be a B-flick or B) you're playing dumb to miss the obvious social interactions that most people live with from grade school on up.

Now, for the movie itself: yes the effects are B level. And not bad, if you expect that. The plot is kinda simple. Not only is that normal for a B flick, and indie films on the whole, there isn't too much you can do in a film thats supposed to cover a weekend. you get enough "character development" to care who dies, and not much more. "Gone with the Wind" this ain't, nor was it intended to be. Dinkle had to shoot this during the short break from his real gig. Many of the others had similar constraints.

If you want a funny, Saturday afternoon waster, this is great. Its even better if you LARP or some sort of reenactor, and can point out people you know like (X).

LARP's on a lark get chewed up and spit out for laughs in "Knights of Badassdom" (BTW: a terrible title!). The elaborate medieval role players are nothing but gore fodder, the production values are surprisingly high (the costumes are brilliant) and one of my favorite actresses (Summer Glau) is a highlight as she vamps it up in a pretty-good bad movie. This movie is made to order for Riff Trax, or just gather your nerdiest friends for a night of (deliberately) cringe-worthy dialogue and as fine a rednecks vs. nerds battle as has ever been filmed.

I would compare this movie to "Sharknado" in that both give the impression of being movies that were originally written as serious genre films (disaster and horror respectively) and someone had the sense to make them so over the top as to become entertaining camp.

There's something refreshing about a film that is only made for a certain, small audience. They usually know precisely what they are, and therefore the audience ends up enjoying themselves all that much more when they watch it. But every once and a while, there are movies of the sort that have so much potential and yet the end up squandered and falling short. While not the complete case here, "Knights of Badassdom" definitely needed another draft or two on its script. As much as I wanted to love this movie, I just couldn't. At least, not fully.

"Knights of Badassdom" is about a group of friends whom, after one of the three getting dumped by his girlfriend, go to a LARP festival for the weekend to get his mind off her. What is LARPing? Live-action-role- playing. Imagine a bunch of dudes in armour and robes with foam weapons playing out scenarios from Dungeons and Dragons. This alone was enough to get me interested in the film. I've always considered attending one of these events, if just for the experience. The money and passion some people put into this stuff is out of this world. And even the most anti- fantasy person could get down with swinging around a sword of any type against other people without consequence. It taps into a child-like imagination that I think really ups the enjoyment in the film for me. Had this been any other type of event where the plot happened, I wouldn't have enjoyed it as much I think.

The second things that got me into wanting to watch this knight's tale is the cast. "Game of Thrones"' Peter Dinklage (who also produces this film) and Summer Glau of "Firefly" and "Terminator: The Sarah Connor Chronicles" (two of my favourite TV shows) are both featured. No matter what these two do, I'll always watch it. And they are without a doubt the best parts of the movie. Not just from a fan-based perspective, but they have the two most interesting characters in my opinion. Dinklage is an accidental millionaire who is a regular attendee and enthusiast of LARPing, while Summer Glau plays chaperone to her hardcore LARPing cousin whom she watches after, due to him having a mental disability. Quite touching for a movie that didn't really require any emotional depth to the characters, but it's highly welcomed and appreciated that the film actually took this next step and made it more logical for a drop-dead gorgeous woman to attend something like this. Not to say LARP women can't be attractive, it's just in media, the stereotype works against that.

So how is the acting in the film? Well, it's hit and miss. Some characters are great, others aren't. Our main hero is Joe; a heavy-metal singing guy who just wants to live a normal life, despite his eccentric friends. Actor Ryan Kwanten does him decently, but his characters archetype is so clichéd that I can't help but barely care for him. I don't know if he didn't do as great of a job because of the weak nature his portions of the script were, or because Kwanten himself just isn't that great an actor. Either way, mediocre to say the least. For me, the biggest disappointment was Steve Zahn as Eric, the most dedicated of the company. I like Zahn in what I've seen him in, especially the highly underrated (in my opinion) "A Perfect Getaway". Here, however, his character was flat, annoying and expendable. I think this fault is more on the writers and director Joe Lynch, as whenever Eric makes a joke it always falls flat and I wind up hoping for his scenes to end.

The two final things I want to address here are the special effects and the climax. I feel like with a film like this, it's important to point out how impressed I was with these elements. The special effects are almost all practical, with a little bit of low-quality CGI. However that kind of works with the half-assed nature of LARPing and the characters costumes in general, so I can run with it. In the end of the film, there is a giant monster that goes on a killing spree. And I was so joyed to see it was rubber suit. Too many low-budget horror films use almost all their spendings on terrible CG to make their creatures, or they try to make sure the monster is in the film, but just rarely or never show it to "add mystery". It's so refreshing to see this art has not completely died out. Considering the nature of this film, I think they nailed this perfectly. Also, the climax of this film is great. It's a fun little field battle, speeches and all. The comical nature of legions of grown people waving foam swords around had me thoroughly entertained and I think it was the best part of the whole film. Also, the way the monster is defeated completely lives up to the title of 'badassdom' and is one of my favourite film kills as of late.

In the end, I didn't completely love nor hate "Knights of Badassdom". I'll say it was worth the watch, but I'm unsure whether I'd buy it. Maybe if I saw it for $5, as Dinklage and Glau definitely add rewatchability to it and the overall premise is amusing. Not as good as it could have been, but it didn't fail in its purpose either. Now, if these knights select to go on a second quest, I would most certainly accompany them once more.