Who Killed the KLF?
- 2021
- 1h 28m
IMDb RATING
7.2/10
1.1K
YOUR RATING
"Who Killed the KLF?" explores the rise and fall of the KLF in the 1980s and 1990s, touching upon themes that perfectly capture the 21st century zeitgeist. A tale as intriguing as it is bonk... Read all"Who Killed the KLF?" explores the rise and fall of the KLF in the 1980s and 1990s, touching upon themes that perfectly capture the 21st century zeitgeist. A tale as intriguing as it is bonkers""Who Killed the KLF?" explores the rise and fall of the KLF in the 1980s and 1990s, touching upon themes that perfectly capture the 21st century zeitgeist. A tale as intriguing as it is bonkers"
- Awards
- 1 nomination total
Bill Drummond
- Self
- (archive footage)
Jimi Cauty
- Self
- (archive footage)
Paula Yates
- Self
- (archive footage)
Pete Waterman
- Self
- (archive footage)
Kerry Wendell Thornley
- Self
- (archive footage)
- (as Kerry Thornley)
Janet Street-Porter
- Self
- (archive footage)
Tony Wilson
- Self
- (archive footage)
The KLF
- Themselves
- (archive footage)
Tammy Wynette
- Self
- (archive footage)
Storyline
Did you know
- TriviaAccording to director Chris Atkins, The KLF was initially against the film but eventually approved it after seeing it - but pointed out two minor inaccuracies: Cauty had a complaint about one of the prop synths used in the reenactment scenes, while Drummond indicated that he was the production designer of the Illuminatus! stage play, not the stage manager as the film says.
- GoofsIn one reenactment a Roland MC-202 is used to trigger samples. The MC-202 does not have that capability.
- ConnectionsEdited into 23 Seconds to Eternity (2023)
Featured review
I don't believe a word of the 'put together from previously unheard tapes' claims and am hugely suspicious of the provenance of this film, some of the participants claims, and some of the footage. It feels like an attempt to retrofit legendary status to a band and art movement that never really fortified its message, I suspect by the band themselves...but perhaps that's the point.
Having spent four years at art school in the eighties and danced through the nineties in my twenties I don't recall The KLF as much more than a curious novelty act who also happened to have a couple of decent tunes, and certainly not 'the hottest band on the planet with the music world in their hands' as this film claims. The horns, the wheelchairs the money burning etc always seemed an eye-rolling-inducing cry for attention to me, but like all art, good or bad, that's a bit subjective I suppose. I certainly don't remember them being the legends that this film claims them to be, but perhaps that's the point too.
The world definitely needed the KLF and their kind of pop-situationist nihilism should always have a place in the world but they were definitely of their time and this film is too meta to draw any reassuring, or even insightful, conclusions. Perhaps that's the point too.
So I can't help feeling cheated and slightly insulted by this film. They were good, but they weren't THAT good; after all these years, and in a more self-referential and cynical world, I think it would have been more interesting to get something a little more witty and perceptive from Drummond and Cauty rather than an exercise in trying (and failing IMO) to galvanise the myth, and the 'legend', especially when they seem to be saying ultimately, through a haze of regret (whether real or unreal), that their modus operandi was without purpose or any real meaning. The idea of sowing chaos, for instance, is a lot more interesting when viewed though the prism of today's world, but this is never explored.
A missed opportunity, but maybe that was the whole point. Either way, I hope the re-released back catalogue gives them a bit of a pension; just try not to 'burn it' this time.
Having spent four years at art school in the eighties and danced through the nineties in my twenties I don't recall The KLF as much more than a curious novelty act who also happened to have a couple of decent tunes, and certainly not 'the hottest band on the planet with the music world in their hands' as this film claims. The horns, the wheelchairs the money burning etc always seemed an eye-rolling-inducing cry for attention to me, but like all art, good or bad, that's a bit subjective I suppose. I certainly don't remember them being the legends that this film claims them to be, but perhaps that's the point too.
The world definitely needed the KLF and their kind of pop-situationist nihilism should always have a place in the world but they were definitely of their time and this film is too meta to draw any reassuring, or even insightful, conclusions. Perhaps that's the point too.
So I can't help feeling cheated and slightly insulted by this film. They were good, but they weren't THAT good; after all these years, and in a more self-referential and cynical world, I think it would have been more interesting to get something a little more witty and perceptive from Drummond and Cauty rather than an exercise in trying (and failing IMO) to galvanise the myth, and the 'legend', especially when they seem to be saying ultimately, through a haze of regret (whether real or unreal), that their modus operandi was without purpose or any real meaning. The idea of sowing chaos, for instance, is a lot more interesting when viewed though the prism of today's world, but this is never explored.
A missed opportunity, but maybe that was the whole point. Either way, I hope the re-released back catalogue gives them a bit of a pension; just try not to 'burn it' this time.
- duncan-160
- Jul 7, 2022
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Details
- Release date
- Country of origin
- Language
- Also known as
- Vem dödade the KLF?
- Production companies
- See more company credits at IMDbPro
- Runtime1 hour 28 minutes
- Color
- Aspect ratio
- 1.78 : 1
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