In 1920s China, a bandit arrives in a remote provincial town posing as its new mayor, where he faces off against a tyrannical local nobleman.In 1920s China, a bandit arrives in a remote provincial town posing as its new mayor, where he faces off against a tyrannical local nobleman.In 1920s China, a bandit arrives in a remote provincial town posing as its new mayor, where he faces off against a tyrannical local nobleman.
- Awards
- 30 wins & 38 nominations total
Featured reviews
At the time of this writing, this is listed as China's highest-grossing domestic film. I went into it expecting some kind of action-packed blockbuster (especially with the title "Let the Bullets Fly," got me expecting stylish John Woo style gunfights or something). I should have known that this film couldn't be identified by blockbuster terms; it's actually a pretty weird and goofy film, with far less emphasis on action and much more on setting up intricate dialogues and intricate plot points. On its own merits, the film is very fast-paced and dense; it has some gunfighting and action, and a few rather violent scenes, but most of it is focused on the storytelling.
The storytelling is satisfying. Even though the comedy can be a huge hit-or-a-miss, and there are a few unbelievable scenes, the characters shine through and dominate the spotlight. It's hard not to enjoy the antics of the bandits and the thugs, and their complex interactions. It's especially hard not to appreciate the complexity of the plotting and counter-plotting that both gangs go through; with the rapid-fire pacing, it may be convoluted for some viewers, but I was never fully lost. Each scene is set up to advance the plot in strange new directions, leading up to a rather fun climax. In the end, I enjoyed watching the chemistry between the characters and their intricate mind games, more than the action.
This film has quality photography, and some really fast editing. Acting can be very over-the-top, but Chow Yun-Fat and Jiang Wen both put on iconic performances. Writing is quite witty and sharp. This production has fine-looking period sets, props, and costumes. Certain special effects look awful, but they are few and very far between. Music for this picture is okay (it includes a pretty odd use of drums and chanting toward the end).
Chances are that some folks will find the comedy, fast pacing, and complex plot a little hard to follow, so I'd recommend it as a rental. Connoisseurs of Asian cinema will probably enjoy this a little more easily than average western audiences.
4/5 (entertainment: 4/5, story: 4.5/5, film: 4/5)
The storytelling is satisfying. Even though the comedy can be a huge hit-or-a-miss, and there are a few unbelievable scenes, the characters shine through and dominate the spotlight. It's hard not to enjoy the antics of the bandits and the thugs, and their complex interactions. It's especially hard not to appreciate the complexity of the plotting and counter-plotting that both gangs go through; with the rapid-fire pacing, it may be convoluted for some viewers, but I was never fully lost. Each scene is set up to advance the plot in strange new directions, leading up to a rather fun climax. In the end, I enjoyed watching the chemistry between the characters and their intricate mind games, more than the action.
This film has quality photography, and some really fast editing. Acting can be very over-the-top, but Chow Yun-Fat and Jiang Wen both put on iconic performances. Writing is quite witty and sharp. This production has fine-looking period sets, props, and costumes. Certain special effects look awful, but they are few and very far between. Music for this picture is okay (it includes a pretty odd use of drums and chanting toward the end).
Chances are that some folks will find the comedy, fast pacing, and complex plot a little hard to follow, so I'd recommend it as a rental. Connoisseurs of Asian cinema will probably enjoy this a little more easily than average western audiences.
4/5 (entertainment: 4/5, story: 4.5/5, film: 4/5)
"Pocky" Zhang is a notorious bandit who robs trains and any other soft target. When a train robbery turns up no loot, a different prize is sought as it does contain a con artist (Tang) who was on his way to Goose Town to pose as their Governor for a while then make off with the taxes. Zhang agrees to spare Tang in exchange for the role and together they head to Goose Town, however once there they discover that the role of Governor is secondary to that of Godfather – a role held by Master Huang.
I came to this film having heard that I wouldn't "get it" because it was a Chinese film which was not for the international market. Whether this is the case or not I do not know, but perhaps regardless of nationality, the film only partially worked for me. The plot and the characters weren't an issue for me and I enjoyed the back and forward of the various twists and turns of the story. The action was not quite as good and those coming here for the action suggested by the title will almost certainly be disappointed since it doesn't deliver on that front as much. The comedy aspect is a strange mix and maybe this is the thing that I wouldn't "get" by being from Northern Ireland.
At times it is quite playful and witty but then at the same time it is pretty violent . In and of itself, I don't have a problem with this because it can work but in this case I didn't feel like it did as the violence was almost too jarring and too heavy or serious to really be able to be darkly funny in the way needed. The direction is a little bit excessive in the same way – not making its different extremes really work together particularly well, but it does still have some things about it which I enjoyed and mostly the tone of the film is consistent. The winner for me was the performances from the lead actors because they sold their characters better than the material did. Chow overplays it perhaps but he is a good foil for the rather calmer playing from Wen Jiang (who I really liked here). Xiaogang Fen is fun too in support as Tang.
Although I am not Chinese, I did still quite enjoy this film even if I didn't think it totally worked. The comedy aspect is odd and the violence doesn't always work with it as it should, although the playful spirit of most of the film combines well with the delivery of Chow and Wen to make it better than it otherwise would have been.
I came to this film having heard that I wouldn't "get it" because it was a Chinese film which was not for the international market. Whether this is the case or not I do not know, but perhaps regardless of nationality, the film only partially worked for me. The plot and the characters weren't an issue for me and I enjoyed the back and forward of the various twists and turns of the story. The action was not quite as good and those coming here for the action suggested by the title will almost certainly be disappointed since it doesn't deliver on that front as much. The comedy aspect is a strange mix and maybe this is the thing that I wouldn't "get" by being from Northern Ireland.
At times it is quite playful and witty but then at the same time it is pretty violent . In and of itself, I don't have a problem with this because it can work but in this case I didn't feel like it did as the violence was almost too jarring and too heavy or serious to really be able to be darkly funny in the way needed. The direction is a little bit excessive in the same way – not making its different extremes really work together particularly well, but it does still have some things about it which I enjoyed and mostly the tone of the film is consistent. The winner for me was the performances from the lead actors because they sold their characters better than the material did. Chow overplays it perhaps but he is a good foil for the rather calmer playing from Wen Jiang (who I really liked here). Xiaogang Fen is fun too in support as Tang.
Although I am not Chinese, I did still quite enjoy this film even if I didn't think it totally worked. The comedy aspect is odd and the violence doesn't always work with it as it should, although the playful spirit of most of the film combines well with the delivery of Chow and Wen to make it better than it otherwise would have been.
I'm shock no one talked about the political satire and representation towards Mao, this was the whole point of this film, Jiang Wen grew up in Beijing, with a military family background and he is best at the discrete and obscure political representation in his films. The character Jiang Wen plays is a distortion of Mao, and his sidekicks are the political friends Mao had, just watch this film with this information in mind, you'll get what this is truly about. At the end, the protagonist is betrayed, he left alone, but still pursuing his dreams. A tragic ending just like Mao's. Btw, Jiang Wen is a big fan of Mao if that wasn't clear.
Review: What a brilliant movie but I must admit, I missed a lot of the plot because the subtitles are going too fast. With that aside, the witty script and brilliant performances from Chow Yun- Fat, (Master Huang) and Wen Jiang, (Pocky Zhang), made this crazy, unique, and definitely unpredictable ride, a joy to watch. When I heard that this movie had a western backdrop, I thought that it was going to be, more like a Cowboys & Indians type of storyline but once the movie gets going, it's a funny political comedy about a ruthless bandit who steals from the rich to give to the poor. The script is top class but it does get a bit complicated after a while, mainly because you have to concentrate on the annoying subtitles. The cinematography and costumes are authentic and the real governor, who wouldn't stop going on about losing his wife, cracked me up. The clever mind and coolness of Pocky Zhang is truly something to watch and the few action scenes were also impressive. Anyway, I thoroughly enjoyed the movie, even though I lost the plot but it's definitely worth a watch, for its originality and crazy storyline. Enjoyable!
Round-Up: When this movie was released in December 2010, it broke several box office records in China, and has received critical acclaim. It became the highest grossing domestic film until 2012, when it was beaten by Painted Skin: The Resurrection, which grossed $140million worldwide. The movie was directed by Wen Jiang, 53, who also played the leading character, so he really did give this movie his all. He also contributed his directing skills to New York, I Love You in 2008, which had a top cast, and he brought you Devil's on the Doorstep, The Sun Also Rises and Gone with the Bullets. This movie definitely has something for everybody but you have to be a fast reader to keep up with it.
Budget: N/A Worldwide Gross: $104million
I recommend this movie to people who are into their action/comedy/westerns starring Chow Yun-Fat, You Ge, Wen Jiang, Carina Lau and Jon Hu. 7/10
Round-Up: When this movie was released in December 2010, it broke several box office records in China, and has received critical acclaim. It became the highest grossing domestic film until 2012, when it was beaten by Painted Skin: The Resurrection, which grossed $140million worldwide. The movie was directed by Wen Jiang, 53, who also played the leading character, so he really did give this movie his all. He also contributed his directing skills to New York, I Love You in 2008, which had a top cast, and he brought you Devil's on the Doorstep, The Sun Also Rises and Gone with the Bullets. This movie definitely has something for everybody but you have to be a fast reader to keep up with it.
Budget: N/A Worldwide Gross: $104million
I recommend this movie to people who are into their action/comedy/westerns starring Chow Yun-Fat, You Ge, Wen Jiang, Carina Lau and Jon Hu. 7/10
This is a movie that I thought would have a simple story and a lot of shoot em up. But it was actually the other way around. In fact this movie sort of reminded me of Quentin Tarantino movies. And wouldn't be shocked if Quentin got some ideas from this movie for "Django Unchained". One thing I was disappointed with this movie is how it has Yun-Fat Chow is shown holding a pistol in the back cover of the DVD for this movie. And was hoping for a dual pistol wielding showdown with Yun-Fat Chow and Jiang Wen but that never happens. In fact Jiang Wen is the one that shoots the most in this movie. Chow Yun-Fat and Jiang Wen is just excellent with the roles they are given and are charismatic while also giving off strong impressions. Even is one is the sharp shooting cool anti-hero guy and the other one is a bit obnoxious and yet dominant bad guy. The plot is cleverly crafted although it might have few plot-holes and don't make sense during few scenarios. It's just a very small gripe because everything else is just entertaining to watch. From the dialogue, the acting and the way Pocky Zhang(Jiang Wen) and Huang(Chow Yun-Fat) try to beat each other with mind games and strategy. Overall this is a well crafted movie and clever one as well. It's a movie well worth checking out and I personally will check out more past and future Jian Wen movies.
8.1/10
8.1/10
Did you know
- TriviaAt its release, was the all-time highest grossing domestic film in China but has since been passed by a number of films.
- ConnectionsFeatured in Ebert Presents: At the Movies: Episode #2.15 (2011)
- How long is Let the Bullets Fly?Powered by Alexa
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Let the Bullets Fly
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $18,000,000 (estimated)
- Gross US & Canada
- $63,012
- Opening weekend US & Canada
- $11,287
- Mar 4, 2012
- Gross worldwide
- $104,731,450
- Runtime2 hours 12 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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