A police officer looks to talk down a young man lured by his lover's husband to the ledge of a high rise, where he has one hour to contemplate a fateful decision.A police officer looks to talk down a young man lured by his lover's husband to the ledge of a high rise, where he has one hour to contemplate a fateful decision.A police officer looks to talk down a young man lured by his lover's husband to the ledge of a high rise, where he has one hour to contemplate a fateful decision.
- Awards
- 1 nomination total
- Chris
- (as Chris Gorham)
- Frank
- (as Dean West)
- Housekeeper
- (uncredited)
- Detective
- (uncredited)
- Cameraman
- (uncredited)
- Patricia Wilson
- (uncredited)
- …
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
One of the marks of this film's fascination is that it can be read in many different ways--essentially a thriller, it is also a story that questions the nature of human love, of our place in the universe, as well as the human relationship to whatever God might be worshiped. It features some outstanding ensemble acting by a quartet of four, each of whom defines a character with both strengths and flaws...rather perversely, one waits out the film to see a possible suicide, and as Hitchcock so often implicates members of the audience as voyeurs, one feels similarly (if willingly) manipulated here.
I have a tear in my mind, I'm slightly outraged; no predictable film should have such an effect on me. And yet...
Viewers of the film may nitpick the details, but they must stop at the fringes to be concerned with the superficial-alities. The meat of the film lies in debate and action - what the characters do, not blowing things up kind of action. Are you willing to put action to your most devout beliefs?
Fine acting, a fine plot; I wholeheartedly recommend this film.
There is a massive delusion among Christians that fundamentalism and religiously inspired bigotry only manifest in a small percentage of extremists. This just isn't true. If it was, I'd feel dramatically safer and more comfortable in public discussing atheism with a stranger!
The atmosphere is very realistic, and the uncomfortable (at times) dialog is accurate to the reality of proselytism in the guise of philosophical discussion. The movie even captures how many atheists feel when observing prayer, and this is very rare to see in the spot light.
I really wasn't convinced by any of the characters' back-stories. They seemed unnecessarily extreme in a movie that is driven by its subtleties. They really contrasted with the rest of the writing, and broke the illusion of realism. I also didn't find the acting convincing on this level. In particular: Given Shauna's history, she seemed to be unrealistically open and trusting towards Gavin—their interactions felt a bit contrived and very rushed.
Unfortunately the film doesn't explore its topics at much depth, while presenting more rudimentary/common arguments. However, this only added realism to the dialog for me. I feel it has more intellectually to offer symbolically than literally.
The Ledge displays a psychological perspective of an atheist through its atmosphere, and that alone makes it unique and worth seeing.
Did you know
- TriviaThe film's premise is somewhat similar of the Stephen King short story, also called "The Ledge".
- GoofsAt 1:12:27 into the movie, as the camera pans to Gavin on the ledge talking to Hollis, the sun is high casting only a partial shadow ton the gray building in the background. The camera then switches to just Hollis looking out of the window, and when it goes back to show Gavin again, the shadow on the gray building behind him covers it almost completely. But the next two times we see Gavin at the same spot the shadow moves back and forth, revealing that the scenes were shot earlier but cut in for the sake of the narrative.
- Quotes
Gavin Nichols: [after Shana tells Gavin she and Joe are going to a new church that does missionary work in Uganda, that's against smoking, drinking, immodest dress for women and secular music]
[scoffs]
Gavin Nichols: Jesus Christ. Restrings your guitar one day, stops you from playing it the next.
Shana Harris: You're so flippant, aren't you? You have no idea what it's like to lose everything and to try and put it all back together again.
- ConnectionsFeatured in Conan: An Atheist Named Faith (2011)
- SoundtracksEverything
Written by Nathan Barr and Lisbeth Scott
Performed by Lisbeth Scott
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Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- Au bord du gouffre
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $10,000,000 (estimated)
- Gross US & Canada
- $9,216
- Opening weekend US & Canada
- $5,176
- Jul 10, 2011
- Gross worldwide
- $1,345,871
- Runtime1 hour 41 minutes
- Color
- Aspect ratio
- 1.85 : 1