4.3.2.1

Noel Clarke showed a lot of promise as a independent British film maker with the excellent Adulthood, the second part of Kidulthood of which he also wrote. Both films had an honest and frightening portrayal of youth culture today. What made these films stand out was the depth of the characters he created not seen in others films trying to portray the same subject of youth gone wrong, the audience actually cared about where these people's lives would lead to. Clarke is a film maker with something bold to say and has his own style with plenty of potential to be one of uk's top film makers. Unfortunately his latest film 4.3.2.1 doesn't confirm this.

4.3.2.1 is a film that promises a lot with poster tagline says 4 girls, 3 days, 2 cities, 1 chance, its an exciting set up. 4 friends stories and lives told separately all of which become linked through a diamond heist with some rough characters in pursuit. This type of story telling has worked very well for Tarantino's classic Pulp Fiction and Doug Limans "Go!". In fact this film has more in common with "Go!" in terms of plot. You only have to see both these films to know that when done right this type of story telling can be exciting, fresh and damn good fun but Clarke just doesn't seem to have a grip of the story and where its going, it could have done with a better edit, each of the girls stories are overlong and drawn out where they could have been fast, sharp and snappy with only Shannon's story (the first to be shown) showing excitement and gripping an audience, such a shame as this was a promising start. The New York sequence felt poorly executed and unexplained, a poor attempt at a cross over potential with cameo's from Kevin Smith (which was more irritating then funny) and Eve (quite pointless).

The performances from the four leads do save the film from being a total failure, particularly from Ophelia Lovibond and Emma Roberts. Clarke clearly shows his gift for writing strong and rich characters. Some people have cried stereotype's for the four leads, with this i disagree in fact i feel all four of them were girls you could route for and were the strongest aspect of the film The sad part is i really wanted to love this film, i had high expectations and hoped it could be a winning cross over for Clarke. This film overall failed to give me the same excitement i had for his previous films. The plot and pacing felt uneven, the whole film was half an hour too long and more importantly not fun at all making 4.3.2.1 feel like a wasted opportunity to wider Clarke's audiences. I believe the best is yet to come from the award winning film maker but this is not the best example of his talent only showing a small amount of his potential. Maybe go back to basics next time!

Noel Clarke's 4.3.2.1 is well… okay.

The story is simple: 4 friends find some stolen gems and the thieves want them back.

The movie is split into four separate time lines one for each girl which Clarke uses to explore their lives, relationships and personalities over 3 days while they work out how to deal with being thrust into this situation.

The four leads, Emma Roberts, Tamsin Egerton, Shanika Warren-Marland, and Ophelia Lovibond give up great performances and Michelle Ryan, clearly relishes her role as chief baddie gives us a really awful performance. Clarke fans will be disappointed to learn that he only appears for few scenes. Cameos from Mandy Patinkin, Nick Briggs, Ben Stiller, Kevin Smith and Camille Coduri.

The direction is okay and the action has the usual music track to make it all look like things are moving, the script contains a couple of crap lines but in general it's an okay movie. And that is that. 5 out of 10.

Considering how awful Sex & The City 2 was, I liked the way that 4321 mimicked it in its marketing campaign because it was quite clever in the way it offered a different story of 4 women in the city. However the comparison ends there as 4321 is a sort of crime caper where 4 women get caught up with a low-level group of thugs who are moving a bag of stolen diamonds. The story starts with the 4 girls together in a coffee shop before they go on their separate ways for a couple of days – we know the point where they will come together (on a bridge, bloodied, with guns and diamonds) and the coffee shop is the point where we split and follow each story separately, each time flashing back to start again on a different girl.

As a structure it works pretty well as each tells a semi-stand alone story while also linking up (a little) with the overall whole and, while not an original idea, it is one that works well. On top of this I thought joint directors Clarke and Davis did a great job with the style of the film. The 4-way split at the coffee shop looks cool and generally the film has a glossy look and feel to it despite where it is set – it isn't high art by any means but it allows the film to retains Clarke's usual "hoodie" target audience and perhaps expand to those just looking for a glossy caper.

OK, so that's the good out of the way, now let's talk about the bad. The plot(s) are mostly terrible and they are backed up with a script that is full of clunky unrealistic dialogue that just hurts my ears. Although the film sounds good in a tagline summary, the reality is that all of it is poorly written and filled with convenient devices, coincidence and contrivances that rob of it any flow. The side-plots make up the majority of the film and it isn't really that each of the four strands "come together" so much as 3 of them fill time and the fourth one contains the majority of the diamond plot. This puts a lot of pressure on the side plots and mostly they are nonsense – although young boys may get a kick out of the amount of toned young flesh on display – in particular the most brazen of the 4 characters is a lesbian (seemingly for the sole reason of getting some girl/girl action into the mix). The dialogue is the sort of stuff that probably looked great on paper with its tough monologues and swagger but when it starts being spoken it just doesn't work. It doesn't help that the cast are not that great.

It is not that they are bad but just that they are let down here and, without any material to work with they match the base elements being asked for. Lovibond mopes around the place without any reason – the film needs her to be the heart but neglects to give her much to help her (or indeed have any interest in substance or heart) so she just looks depressed most of the time. Egerton is leggy and blonde and that is what the film plays to. I did quite like her segment though, even though it was also nonsense. Roberts is quite fun – although I think that is because I found her cute rather than anything else. Warren-Markland overplays her aggressive sexuality to the point of being tiresome – sure she has a great body (the film shows it to you lots) but her character is annoying and she offers nothing to counter that. The various Clarke regulars are all here doing their thing (whether hoodie or parent) while cameos from Ben Miller, Kevin Smith, Mandy Patinkin and Eve mostly seem to have been a "branching out" or marketing-friendly piece of casting from the point of view of Clarke getting to a wider audience.

For a British film, 4321 has aspirations in the style and energy it has and, in fairness it does work well in this regard. However once you go even a hair below the surface, there is nothing else to be had as the writing is weak and the substance is lacking. A shame but ultimately this great looking film is essentially a messy plot and the only function it serves is to Clarke as he attempts to expand his reach and career. The conclusions leaves the door open for a sequel (54321) but that won't happen.

4.3.2.1, is a British-teen aimed film with standard Brit ingredients of guns, sex etc. I went with my mum as she (like me) enjoys gritty street Brit flicks such as Kidulthood, Adulthood, Bullet Boy etc.

Admittedly, my mum was the oldest in the premiere screening, and it was a feisty atmosphere, but I was used to this from when I went to the opening screening of Adulthood.

It started off slow. It was just quite a lot of things happening, with little sense or links between them, but as the characters divided off into 4, the story really kicked in. It was similar in style to Pulp Fiction in the fact it follows the individual stories of the characters, all of which have links that connect them together throughout. This was very, very well done throughout and included flashbacks between the switching of characters so the audience could remember what had happened.

It was very well directed, had a good flow to it, and had lots of comedic parts, all of which were subtlety put in to it so to not make it into a predominately comedic film.

The film was well rounded off, with me actually leaving quite surprised. The ending left scope for a sequel (which I know looks to be in the pipeline) and I actually enjoyed it far more than I expected.

Most films I see at the cinema, I leave thinking I don't want to see it again, not because it was rubbish, but because I felt I'd enjoyed it enough not to need to re-watch it. This, however, was simply brilliantly made, had a strong plot and left me wanting more. My mum even enjoyed it more than me, and she's 40 :P Although not my highest rated film this year so far, this does go down as probably the most enjoyed and well worked film I've seen this year.

I had high hopes for this film. British films tend to have depth to them and I like Noel Clarke. However, this was almost embarrassing to watch. The writing is on par with those terrible Olsen movies and the plot isn't much better. The film seemingly was just written to string together various scenes of the girls in their underwear, sex scenes and lesbian kissing. The girls are beautiful and the cinematography is cool but the actual film is crap. Noel Clarke is fun to watch as an actor, but his writing leaves a lot to be desired. It really is like something the Disney channel would write just littered with swear words. Its a shame. I really did want to like this film but I was left so disappointed.