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Janie Jones

  • 2010
  • Not Rated
  • 1h 54m
IMDb RATING
6.6/10
2.4K
YOUR RATING
Janie Jones (2010)
A young girl who has been abandoned by her former-groupie mother informs a fading rock star that she is his daughter.
Play trailer2:02
4 Videos
16 Photos
BiographyDramaMusic

A young girl who has been abandoned by her former-groupie mother informs a fading rock star that she is his daughter.A young girl who has been abandoned by her former-groupie mother informs a fading rock star that she is his daughter.A young girl who has been abandoned by her former-groupie mother informs a fading rock star that she is his daughter.

  • Director
    • David M. Rosenthal
  • Writer
    • David M. Rosenthal
  • Stars
    • Abigail Breslin
    • Alessandro Nivola
    • Elisabeth Shue
  • See production info at IMDbPro
  • IMDb RATING
    6.6/10
    2.4K
    YOUR RATING
    • Director
      • David M. Rosenthal
    • Writer
      • David M. Rosenthal
    • Stars
      • Abigail Breslin
      • Alessandro Nivola
      • Elisabeth Shue
    • 18User reviews
    • 28Critic reviews
    • 52Metascore
  • See production info at IMDbPro
    • Awards
      • 1 nomination total

    Videos4

    U.S. Version
    Trailer 2:02
    U.S. Version
    Janie Jones: You Have A Daughter
    Clip 1:29
    Janie Jones: You Have A Daughter
    Janie Jones: You Have A Daughter
    Clip 1:29
    Janie Jones: You Have A Daughter
    Janie Jones: Ethan And Janie Meet
    Clip 1:42
    Janie Jones: Ethan And Janie Meet
    Janie Jones: Laundrymat Guitar Lesson
    Clip 1:44
    Janie Jones: Laundrymat Guitar Lesson

    Photos15

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    Top cast48

    Edit
    Abigail Breslin
    Abigail Breslin
    • Janie Jones
    Alessandro Nivola
    Alessandro Nivola
    • Ethan Brand
    Elisabeth Shue
    Elisabeth Shue
    • Mary Ann Jones
    Brittany Snow
    Brittany Snow
    • Iris
    Peter Stormare
    Peter Stormare
    • Sloan
    Joel David Moore
    Joel David Moore
    • Dave
    • (as Joel Moore)
    Frances Fisher
    Frances Fisher
    • Lily Brand
    Frank Whaley
    Frank Whaley
    • Chuck
    Rodney Eastman
    Rodney Eastman
    • Billy
    David Lee Smith
    David Lee Smith
    • Officer Dickerson
    Michael Panes
    Michael Panes
    • Ulysses
    Robert Goodwin
    • Smoking Door Man
    Guy Van Swearingen
    Guy Van Swearingen
    • Gil
    Adam Shalzi
    Adam Shalzi
    • Creepy Goth Kid
    Katie Rich
    Katie Rich
    • Brassy Girl
    • (as Katie Riccio)
    Richard Cotovsky
    Richard Cotovsky
    • Club Manager
    Douglas Tyler
    • Good Ole Boy #1
    Ed Flynn
    • Good Ole Boy #2
    • Director
      • David M. Rosenthal
    • Writer
      • David M. Rosenthal
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews18

    6.62.4K
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    Featured reviews

    10Jdick1-848-803651

    Great acting and story

    Very well acted and solid story line. Actors worked very well together with believable emotion.well directed...flowed well Breslin was exceptional Story believable Good locations Interesting sequences Strong emotions Great music Solid singing Connects with audience...will go to see it again. I will encourage others to go see also. Music flowed very well in the story line. Janie Jones character could have more negative qualities to make her more believable. Movie will be popular with multiple age segments. Girls under 18 will connect with the main character easily. Sequel might be interesting to see how Janie Jones character grows up. I plan to take family members to the film. Goos family picture. Sound track should be popular especially with teen girls.
    7TanteWaileka

    odd ball but good movie -- grows on you

    The lead character is excellent in this movie. I thought she was a very sweet young girl with a lovely singing voice too. They could have developed her character more, but then it probably would have overpowered the other characters in this ensemble movie. I liked it, even though it started out rather slow.

    Like another reviewer, I too think there could be a good sequel set 'five years later'. Enjoyable, 'almost' family movie, not quite... too much pot smoking.

    Elizabeth Shue must have had some money invested in this movie, because she didn't have a big part. It was almost like a 'pilot' for a TV series, actually. I loved it when the girl says she learned how to bail out her dad by watching "Dog the Bounty Hunter",
    6meghensley20

    Cute and heartfelt.

    I saw this film for the first time in a little theater in Des Moines, Iowa called The Varsity. It is one of my favorite spots. I thought that it was only right that I see it in an Iowa theater since thats where it was shot. A lot of my friends had worked on this and I was excited to see it! Overall I thought that the story was pretty good. I really felt for abigail's character. She is always so great in everything she does. I also heard that she was a joy to be around, so that probably helped too! This films progression was done really well. The character development was awesome! The only thing I would change would be how quickly we get to the end. I wish that I could've been led a little longer. Anyways, great film. Proud to have it shot in Iowa!
    6fernandoschiavi

    "Janie Jones" reminds that despite life's difficulties, human connection and the ability to grow and change are powerful elements that can lead to healing and transformation

    "Janie Jones," directed by David M. Rosenthal in 2010, is a cinematic work that stands out for the depth of its plot and the meticulous development of its characters. The story introduces us to Janie Jones (played by Abigail Breslin), a teenager whose life takes a turn when she meets Ethan Brand (played by Alessandro Nivola), a musician in decline. The revelation that Janie is, in fact, Ethan's daughter is the starting point for a journey that encompasses much more than the simple acknowledgment of paternity. The film unfolds gradually, allowing viewers to witness the growth and transformation of the characters as they navigate challenges, adventures and emotional discoveries.

    "Janie Jones" is a film that explores themes that resonate universally. One of the central themes is that of the family, and how it can be a source of support, reconciliation and love, regardless of the circumstances. Ethan's journey from reluctant father to devoted father is moving and inspiring, showing how people can change and grow when faced with parental responsibilities. The film also sheds light on the life of a teenager who faces a series of challenges, including a search for her own identity amidst the chaos. This is a film that makes us reflect on the complexities of family relationships and the importance of mutual love and support in building true bonds.

    The journey and relationship between the protagonists, Janie and Ethan, is the emotional core of the story. They evolve in deep and complex ways, providing a richly developed narrative. At the start of the film, Janie is a confused and vulnerable teenager who appears backstage at a concert by Ethan, a fading musician. The revelation that Ethan is her father takes her by surprise, and she is met with indifference by him. Their relationship begins at a point of distrust and estrangement. Afterwards, the film enters a road journey phase, in which Janie and Ethan travel together in a van. This journey is crucial to the development of their relationship. During their time together, they share moments of genuine connection and discover aspects of each other that were previously hidden. Music plays a key role in this process. Ethan, a talented musician, plays songs for Janie on his guitar, and music becomes a common language that unites them. Janie also reveals a natural talent for music, demonstrating her own ability on the piano. As the journey continues, the bonds between Janie and Ethan grow stronger. They share personal stories, laugh together and support each other during difficult times. Ethan begins to take a more active role in Janie's life, not just as a father, but as someone who genuinely cares about her well-being. This transformation is especially evident in the scenes where Ethan protects her from harm and encourages her to express herself musically.

    In the third act, their relationship faces significant challenges. There are moments of conflict and emotional confrontation, in which both express their frustrations and insecurities. These moments of tension are essential for the characters' growth, as they force them to face their own mistakes and limitations. However, these conflicts also reveal how much they care for each other. The film culminates in a moving scene of reconciliation and closure. Without giving away too many spoilers, this scene involves a musical performance by Ethan and a final connecting moment between him and Janie. This is the culmination of the characters' emotional journey, where they fully recognize and accept their place in each other's lives.

    The film's highlight is the extraordinary performances by Abigail Breslin and Alessandro Nivola. Breslin, in particular, captivates us with her masterful portrayal of Janie Jones. She masterfully captures the complexity of a teenager who has faced many adversities in her life, demonstrating an impressive range of emotions. Her performance is moving and genuine, providing an undeniable depth to her character. For his part, Alessandro Nivola delivers an equally remarkable performance as Ethan Brand, revealing his character's journey of redemption and self-acceptance in a deeply engaging way. The chemistry between the two actors is palpable, creating an emotional connection that becomes the film's beating heart.

    Some scenes set the tone and journey presented here well. The scene that establishes the film's central dynamic occurs when Janie Jones (played by Abigail Breslin) appears backstage at an Ethan Brand (played by Alessandro Nivola) concert. The revelation that Janie is Ethan's daughter is fraught with tension, and their meeting sets the tone for the development of the father-daughter relationship; after some run-ins between Ethan and his band, Janie and Ethan's road trip begins. As they travel together, they share moments of connection and discovery, often involving music. These scenes illustrate the evolution of their relationship, showing how they begin to understand each other and enjoy each other's company.

    Ethan is a talented musician, and several scenes feature his musical performances. One of the most notable is when he plays Janie a song on his guitar. Music serves as an expression of their emotions and a form of communication between them, creating moving moments. There's an emotionally charged scene where Janie and Ethan confront their own weaknesses and past mistakes. This scene is an important turning point in the narrative, as both characters begin to confront their own limitations and seek redemption. The film's final scene is one of the most touching. Without giving away too many spoilers, it involves a musical performance by Ethan and a final connecting moment between him and Janie. It's a scene that encapsulates the characters' emotional arc and offers a sense of closure and hope. Each of these scenes plays a key role in building the emotional narrative of "Janie Jones." They not only advance the story, but also reveal the complexities of the characters and their journeys of self-discovery and growth.

    David M. Rosenthal's direction is adept at capturing the characters' emotional journey. He uses music as a universal language that connects Janie and Ethan, creating a soundtrack that not only complements but amplifies the narrative. The choice to shoot in real locations adds an additional layer of authenticity to the story, making the audience feel immersed in the world of the characters. The film's often raw and stripped-down atmosphere helps convey a sense of realism and accentuates the characters' emotions, making the cinematic experience even more immersive.

    The film reaches a conclusion that is, at its core, a celebration of reconciliation and building family bonds. Janie and Ethan, who start out as strangers, find a genuine connection and learn to support each other. This evolution is a testament to the power of love and family, even if it is unconventional. The film reminds us that family can be formed not only by blood, but also by love and a commitment to care for each other. Another key theme in the conclusion is personal growth and self-discovery. Both Janie and Ethan go through developmental journeys throughout the film. Janie discovers herself as a talented musician and finds a father figure in Ethan, who transforms himself from a self-destructive musician into a devoted father. This change of both characters emphasizes the idea that people have the ability to evolve and redeem themselves, regardless of their past mistakes.

    The conclusion also brings a sense of acceptance and closure to the characters. They accept the challenges they've faced and the choices they've made, and this allows them to move forward with hope and determination. The film's final scene, which involves a musical performance by Ethan, serves as an emotional culmination that encapsulates the entire story arc and characters' journey. Ultimately, the conclusion to "Janie Jones" is a mixture of emotion and hope. She reminds us that despite life's difficulties, human connection and the ability to grow and change are powerful elements that can lead to healing and transformation. The film invites us to reflect on the complex nature of family relationships and the importance of accepting and loving those around us, regardless of circumstances. This impactful conclusion reinforces the film's core message about the redemptive power of love and music, making "Janie Jones" an emotionally rich and rewarding cinematic experience.
    Preraphaelite-1

    Beautiful

    I don't understand this low rating. Completely believable- very well acted, directed, written. Abigail Breslin was so natural and lovely, Alessandro Nivola (Why doesn't he work more?) absolutely pitch perfect, Peter Stormare created a nuanced manager needing to support creatives in trouble and still make money, Frank Whalley is always awesome, Francis Fisher doing another sophisticated turn as an intelligent, cold woman who wants to warm up-all wonderful. The music affecting and unusual. Having been personally behind the scenes for independent music work- spot on. I guess this is what is called a sleeper- but I advise that you try it for the family/responsibility/addiction/creative ideas. See this movie- you won't regret it.

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      The film's dedication is "For Julia", who is director's David M. Rosenthal real daughter and his assistant director for this film. They first met when he was 30 and she was 11.
    • Quotes

      Ethan Brand: [woken in his bunk] Where are we?

      Chuck: We just arrived at douche-ville. This is your stop!

    • Connections
      Featured in Ebert Presents: At the Movies: Episode #2.16 (2011)
    • Soundtracks
      Back From the Dead
      Written by Conor O'Neill, Joseph Turner, Marc Philips, Alexander Gomez

      Performed by Your Mom

      Courtesy of Blanket Party Music (ASCAP), One Ill Music (ASCAP), Cram It in Music Music (ASCAP), Pound You Into the Ground Publishing (ASCAP)

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    FAQ19

    • How long is Janie Jones?Powered by Alexa

    Details

    Edit
    • Release date
      • September 17, 2010 (Canada)
    • Country of origin
      • United States
    • Official site
      • Official site
    • Language
      • English
    • Also known as
      • Джэни Джонс
    • Filming locations
      • Des Moines, Iowa, USA
    • Production companies
      • Unified Pictures
      • Absurda
      • Industrial Entertainment
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • $3,000,000 (estimated)
    • Gross US & Canada
      • $6,840
    • Gross worldwide
      • $6,840
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      1 hour 54 minutes
    • Color
      • Color
    • Sound mix
      • Dolby Digital
    • Aspect ratio
      • 2.35 : 1

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