Sur les Traces de Ma Soeur

Glad Lifetime are finally making better quality films. The cast is better and the quality of the scripts have improved. Seems to be more thought put into their films now thankfully. Chelsea Vale is a stand out as is Christina DeRosa and Alec Nevin. If your bored this is a good option.

This is at least a 7. The ending could be have been better but it has a strong storyline and some really upcoming talent like Chelsea Vale and Alec Nevin to name a few. It's a weekend, i'm bored type of movie.

I was thirty minutes in and still nothing really interesting happening. Guess that happens when you just come off of watching those three Lifetime "Predator Obsession" Lifetime movies with the psycho stalker and his pet sharks, then everything else is going to seem pretty boring for a while.

Still, most of the other Lifetime movies made this year have been pretty good.

Vague, laughably bad with a ridiculously corny ending. It tries to set the mood of a small town with secrets with a lead character that hates coming home for reasons that they don't bother really telling us. She left her family behind and is now back bc her sister is missing. So now she must confront her demons to figure out what happened to Maya. Womp Womp. The potential was there, but the movie fell short. I was hoping for a vibe like the shows Bloodline, Deception, and Revenge, and this movie was none of those.

At a certain point, the movie starts dragging and you're going to wonder, "what is this even about?" Is it about a troubled business, a reckless son, or an affair that will cause a political scandal (spoiler: it's not)? Who cares? The characters spend too much time lurking around corners, whining, not looking for evidence of anything related to the three scenarios I mentioned, even though everything is supposedly wrapped in mystery. Who is really the one in trouble here? Misha (protag) or Maya (missing sister)? Misha is supposedly this well-loved person, yet she has no friends in this movie that are happy she's home. All of the friends are her sister's. No childhood best friend, no ex-boyfriend that is happy she's back, etc. We have no reason to care about this family.

The only reason I watched this was because of Cody from Baywatch and Jason London (although I get the twins confused even now). Both were wasted. The lead actress had no personality. The Peyton guy was channeling Cillian Murphy in the worst way. The business partner who started a relationship with his business partner's widow (Misha and Maya's mother) was weasel-like even without knowing if he was up to something.

There's an over-the-top car chase scene with a predictable ending, and since it involves characters in our story, how is it NEVER addressed? The police chief (I don't think he was a sheriff) should literally have known about it same day and it never factors into the events. The next time the decedent is mentioned, it's a slam designed to prop up the protagonist.

By the climax, if you're still watching, you will ask "all this for that?" Couldn't figure out what kind of prizes any of these people were. For me, this movie telegraphed who the villain/s was/were, and we were just waiting for their motivations to be revealed. It wasn't worth it.

One of the worst of 2022 so far. I'm trying to do better about too many spoilers in my reviews otherwise, I'd be more specific to save you some time.

In real life the "mother" in this film is 4 years older than her "daughter" the main character. The woman playing Misha is far too old for this role, and I just couldn't get past it. Typically I can deal with the standard lifetime cliches, but less than a half hour in and I couldn't stand another moment.