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6.6/10
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A dead body is found on a roof in Kazakhstan: it belongs to Anthony Kurz, an American astronaut currently on the ISS. Anna Zarathi, a French astronaut, and Isaak Turgun, a Kazakh cop, set ou... Read allA dead body is found on a roof in Kazakhstan: it belongs to Anthony Kurz, an American astronaut currently on the ISS. Anna Zarathi, a French astronaut, and Isaak Turgun, a Kazakh cop, set out to solve this mysterious paradox.A dead body is found on a roof in Kazakhstan: it belongs to Anthony Kurz, an American astronaut currently on the ISS. Anna Zarathi, a French astronaut, and Isaak Turgun, a Kazakh cop, set out to solve this mysterious paradox.
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This series is brilliant not only for the amazing storyline, but the scenery of the Steppe and Kazakstan, I can't find out where it was filmed, and maybe it's a substitute place but you certainly get the idea of a vast landscape, some of it damaged by previous nuclear testing and still radioactive. There are also amazing scenes of planet Earth taken from space. Infiniti is definitely recommended. I didn't worry too much about some of the difficult accents as subsequent narrative made it clear. Great acting from all the cast, really strong female leads too. I feel a bit sad it has ended, perhaps they'll give us a second series. It does require your full attention though (no looking at your phone) and I would describe some of the dialogue as "spare" - that is there are few long explanations about what is going on, you have to work it out for yourself, but after a while you will. Loved it.
I love shows that transport you into new realms and artfully mix genres. But this is nothing like any Star Trek episode. With fantastic acting and an obvious big budget, it spins a carefully unraveling mystery that mostly takes place in the wilds of Kazakhstan. The filmmakers should be congratulated for taking a narrative risk and stepping out of the box to create a unique, absorbing series.
I don't know whether this was an unusually high budget production for a European series in this genre, or whether the cinematographers and set crew just made strong stylistic choices allowing exceptional work within their resources, but the end result is a seamless cinematic piece of work. At various times scenes reminded me of S. O.2001 in it's sparse beauty, at other times of unusually realistic sci fi, while the terrestial action in Kazakhstan is wide screen panoramic arthouse.
The action unfolds slowly enough to allow the viewer to drink in the atmosphere of the locations and keep dialogue at a natural pace but not so slowly that it becomes art for art's sake. The narrative isn't always spelled out in all caps and if you approach it paying the same low level of attention needed for a lot of TV, you're likely to miss cues. The central conceit of the story might not necessarily be all that groundbreaking or climactic, but the execution is so good that it papers over a few cracks.
Alshinov in particular delivered a charismatic performance here, although to be fair, there's nothing sub par about the entire cast. Hopefully we'll see more of him and the team who made this production.
The action unfolds slowly enough to allow the viewer to drink in the atmosphere of the locations and keep dialogue at a natural pace but not so slowly that it becomes art for art's sake. The narrative isn't always spelled out in all caps and if you approach it paying the same low level of attention needed for a lot of TV, you're likely to miss cues. The central conceit of the story might not necessarily be all that groundbreaking or climactic, but the execution is so good that it papers over a few cracks.
Alshinov in particular delivered a charismatic performance here, although to be fair, there's nothing sub par about the entire cast. Hopefully we'll see more of him and the team who made this production.
I have to speak as I find and what I found was a series that is half in heavily-accented English. Despite the virtual impossibility of being able to follow what some of the actors were saying in that language, there were no subtitles for the English parts. I sat right by the television and it didn't help at all in many scenes.
EDIT NUMBER ONE
//The proficiency of some of the cast in English was variable. There was a couple of real stinkers. However, virtually none of the cast was what I'd call completely fluent. So often it seemed that they were reciting their lines and not acting them. Dialogue was stilted and unconvincing. This even affected those whose first language was English - or maybe they were just useless actors. //
A further disadvantage was that someone had decided to use a small off-white font for the subtitles provided for the non-English parts. Due to the terrain of Kazakhstan, vastnesses, deserts and bright sun, this meant that they often could not be read.
EDIT NUMBER TWO
//I found subs for just the English parts that I added. These were actually better than the hardcoded subs as they had a black background. So at least I was able to follow the entire plot//
Both of these defects conspired to irritate me and finally forced me to switch off. This was a shame as so many of the reviews are good.
EDIT NUMBER THREE
//So, I managed to get it all seen. I was really pleased to see Daniyar Alshinov in a leading rôle. I'd seen him in A Dark Dark Man a couple of years ago and he was just as good here. In fact, the Kazakh and Russian actors were far more convincing when speaking their own languages. Alshinov though was good in both languages having proper fluency in English.//
EDIT NUMBER FOUR
//I'd left a mark of four last time and I'm not going to change it. The plot was pretty ridiculous and the philosophical flights of fancy did not convince. I wanted to find out what happened but it was perfectly ludicrous.
Can I recommend this? Not really. //
EDIT NUMBER ONE
//The proficiency of some of the cast in English was variable. There was a couple of real stinkers. However, virtually none of the cast was what I'd call completely fluent. So often it seemed that they were reciting their lines and not acting them. Dialogue was stilted and unconvincing. This even affected those whose first language was English - or maybe they were just useless actors. //
A further disadvantage was that someone had decided to use a small off-white font for the subtitles provided for the non-English parts. Due to the terrain of Kazakhstan, vastnesses, deserts and bright sun, this meant that they often could not be read.
EDIT NUMBER TWO
//I found subs for just the English parts that I added. These were actually better than the hardcoded subs as they had a black background. So at least I was able to follow the entire plot//
Both of these defects conspired to irritate me and finally forced me to switch off. This was a shame as so many of the reviews are good.
EDIT NUMBER THREE
//So, I managed to get it all seen. I was really pleased to see Daniyar Alshinov in a leading rôle. I'd seen him in A Dark Dark Man a couple of years ago and he was just as good here. In fact, the Kazakh and Russian actors were far more convincing when speaking their own languages. Alshinov though was good in both languages having proper fluency in English.//
EDIT NUMBER FOUR
//I'd left a mark of four last time and I'm not going to change it. The plot was pretty ridiculous and the philosophical flights of fancy did not convince. I wanted to find out what happened but it was perfectly ludicrous.
Can I recommend this? Not really. //
It's a slow burner, no doubt about that, but a very well developed project until the fifth installment when the bubble bursts and from then on, it's just formalities.
I do not know anything about the French female lead, but her Kazakh counterpart is excellent with his film noire like behaviour, sad, disillusioned and basically broken. The story develops slowly but becomes compelling overtime. The production value is excellent and the camera work is quite spectacular sometimes. I adore that the home video style shaky camera work is absent all together.
All in all, this is a good show - if you a sci-fi fan.
I do not know anything about the French female lead, but her Kazakh counterpart is excellent with his film noire like behaviour, sad, disillusioned and basically broken. The story develops slowly but becomes compelling overtime. The production value is excellent and the camera work is quite spectacular sometimes. I adore that the home video style shaky camera work is absent all together.
All in all, this is a good show - if you a sci-fi fan.
Did you know
- TriviaWhen asked to sum up the entire series in a few sentences, producer Eric Laroche said: "After a complex mooring manoeuvre at the ISS, ground control lost contact with the station and the crew is in distress. At the same time, a decapitated and wax-covered body is found on a roof in Kazakhstan. The identification leaves no room for doubt: the body belongs to Anthony Kurz, an American astronaut who is currently in the ISS, in orbit 400 km away, in space. The French astronaut, a French astronaut, who had been dismissed from the space program, was convinced that Kurz called her for help from the ISS. She is teaming up with Isaak Turgun, a Kazakh policeman disavowed by his superiors, to resolve this mysterious paradox: Could Kurz be living in space and dead on Earth?"
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