Cold Weather

This film was described by Spin Magazine (in a 3-and-a-half star review) as a mystery that takes its time. I'm all for that. But did it have to take SO MUCH time to resolve a mystery that was UNINVOLVING and BORING? Just another bunch of aimless 30-somethings in the damp upper Northwest who apparently never shave or wash their hair, mumbling their way through life and never doing anything even remotely interesting. Believe me, I've sat through plenty of quirky indie films with little complaint, but I was literally shouting at my TV screen when this DVD ended. An hour and forty minutes of my life utterly wasted. I will avoid this talentless filmmaker like the plague for the rest of my days. SKIP THIS MOVIE!!!!!

This is an interesting indie film by auteur Aaron Katz. I had not seen any of his previous work but had heard the film was well received at SXSW in 2010. Similarly, I had seen a review that compared it to the film Brick (2005) that I had enjoyed immensely.

Plot wise the film introduces us to a forensic science college dropout Doug who idolizes Sherlock Holmes and his Slacker sister Gail as they move into an apartment together in Portland Oregon. Doug lays about and searches for some direction in life, eventually finding a menial night job at an ice factory. We are then introduced to one of Doug's co-workers Carlos and Doug's ex-girlfriend Rachel who is in town for business. The four start hanging out together, playing cards and board games, drinking coffee, going to clubs and enjoying each other's company. Rachel's sudden mysterious disappearance from her hotel room spurs the other friends to action and ignites Doug's inner Sherlock Holmes.

This film is considered by many critics to be part of the mumblecore movement. As such it has lots of long shots, a slowly evolving plot and realistic dialogue between lots of slackers. In some respects this film is more about the brother sister relationship between Doug and Gail than it is about the mystery of Rachel's disappearance. It has an arty independent feel to it and it was obviously shot on a low budget. Cold Weather is certainly not going to be for everyone's taste, especially the abrupt ending. However, I really liked its quirkiness and indie feel probably because I've got thing for overly educated layabouts.

Since this is available on Netflix instant streaming I would suggest you give it a viewing. That is if you enjoy small independent films with a grungy vibe. I found it inspiring that the writer/director was able to get this made, I plan on checking out some of his previous films. O and I think I would like to take a trip up to check out Portland Oregon it looks amazing.

On one hand, a local guy came back to Portland and made a feature film set in the city I live in and love; he made it on a low budget, wrote it and directed it himself, got it made and *released*! (And Portland looks gorgeous in the film.) This is an impressive achievement any filmmaker should be commended for. Many aspiring filmmakers never get their film finished let alone released.

On the other hand, the film is woefully lacking in basics like character development and an interesting story. Many plot points simply don't ring true or seem plausible; even character interactions seem forced and a bit scripted, giving the audience precious little to relate to or care about in these people; we're almost *begging* for something to latch on to as we watch the film, but there's almost nothing. The dialog is usually wooden and forgettable, and it's hard to see how it advances the story much or helps us understand the relationship between the characters (or makes us laugh). And there's rarely any tension between characters (hint: *conflict* in movies is interesting!).

I get that it wasn't supposed to be a thriller but it isn't effective as a "relationship film" either. Too much "reading between the lines" and "willing suspension of disbelief" is required. "Cold Weather" kind of plods along to an unexpected conclusion, making us wonder what kind of movie it *could* have been. Unfortunately, it compares poorly to similar films made on a low budget by young directors.

Cold Weather (2012)

Indie films with their low budgets can turn a couple of basic directions to distinguish themselves. One is sheer inventiveness or surprise. The other is low key realism making ordinary people seem relatable, and that is where this movie goes. There are dozens of these, often with young casts appealing to the twenty-something generation somewhere between college and career.

So we have a young man, Doug, living with his sister in Portland just as he finds a job in an ice factory. And then his ex-girlfriend arrives in town on business, and they see each other as old friends. The fourth character is a co-worker at the factory who befriends Doug and falls for the ex-girlfriend. And we see the basis of a relationship drama, not quite a romantic movie but not a serious probing drama, either.

But then the movie turns abruptly, and the comic aspects get interwoven with an apparent crime that these amateur Sherlocks can't quite get their finger on. But their efforts make a great game. It's super low key, and any other movie would hype up the facts with guns and scary soundtrack music and real (or cheesy) fear. Not this kind of Indie film. This is about the people, and the "crime" they are pursuing is a just way to learn more about the protagonists.

Which is pretty fun. The acting holds together pretty well, regular people being regular people without affectation. Easier said than done, but also leaving the audience less to really work with or care about than you'd prefer. By the very end, the last few moments, there is a final realization that's rather sweet and rewarding, and the movie turns back to what it's best at.

See it? If you have an open mind for lower budget but reasonably well made modest movies (known as Indie films), you might just find this one clicks. Within its limitations.

Both written and Directed by Aaron Katz (Dance Party USA, Quiet City) Cold Weather tells the story of an underachieving forensics graduate, Doug (Cris Lankenau), who upon moving in with his sister, Gail (Trieste Kelly Dunn), quickly finds himself thrust into a real life who-done-it when his ex-girlfriend suddenly vanishes. Being an admittedly big fan of Sherlock Holmes, Doug, along with his his sister and his new bestie, Carlos (Raul Castillo), set out to play real life detectives in a case that just might be a little over their heads.

The film is described as a thriller, which I though I was going to see. To be honest, the film wasn't that thrilling at all, at least when compared to good thrillers. I mean, it's no Polanski. My first impression upon leaving my seat was actually that of disappointment. It wasn't until I was on the bus heading home when it suddenly hit me.

The point of the movie had little to do with the thriller aspects and everything to do with the brother and sister relationship. It's like one of those 3-D puzzles that were popular in the mid-90's. You know, the ones where in order to see the complete picture you had to let your eyes relax, otherwise all you would see would be squiggly lines and repetitive shapes.

Here the squiggly lines were clearly the missing girlfriend subplot masquerading itself as the film's main design. The full picture however, was Aaron Katz's beautiful portrait of one sibling's bond at a particular moment in time.

I recommend this film to anyone who likes to laugh just as much, if not more than they liked to be thrilled, or just simply anyone who has a lot of love their sibling