A police S.W.A.T. team investigate a mysterious VHS tape and discover a sinister cult that has pre-recorded material which uncovers a nightmarish conspiracy.A police S.W.A.T. team investigate a mysterious VHS tape and discover a sinister cult that has pre-recorded material which uncovers a nightmarish conspiracy.A police S.W.A.T. team investigate a mysterious VHS tape and discover a sinister cult that has pre-recorded material which uncovers a nightmarish conspiracy.
- Awards
- 1 win & 1 nomination total
Gina Louise Phillips
- Camille (segment "Storm Drain")
- (as Gina Phillips)
Thiago dos Santos
- Raatma (segment "Storm Drain")
- (as Thiago Dos Santos)
Sean Patrick Dolan
- Skateboarder (segment "Storm Drain")
- (as Sean Dolan)
Featured reviews
BUT YOU CAN'T SEE ANYTHING !!!!!
Why bother creating a movie. We lived through the 'VHS' years and they were never as bad as this. Why bother filming something if you have it either, jumpy, dark or add effects to make you NOT SEE ANYTHING.
So frustrating.
Why bother creating a movie. We lived through the 'VHS' years and they were never as bad as this. Why bother filming something if you have it either, jumpy, dark or add effects to make you NOT SEE ANYTHING.
So frustrating.
The V/H/S series has always been incredibly hit or miss. The first one, V/H/S, was interesting in that a lot of the shorts challenged (at the time) what the idea of found footage could be and used unconventional cameras (glasses cam, webcam, etc) to provide a different perspective on what a horror film was. While interesting, it didn't always work in practice as those segments had myriad issues (too slow, too much filler, too much obnoxious camera glitching, etc) which kept them from being all that good or entertaining. Thankfully V/H/S 2 significantly improved the formula, and it is still imo the best of the bunch. Things sadly took a nosedive in the highly forgettable V/H/S: Viral, but I'm happy to say that they've rebounded in the 4th offering and V/H/S94 is more or less good all around.
Wraparound story - "Holy Hell" - the idea of this one is really cool, with a SWAT team going into the abandoned compound of a death cult. Unfortunately this is one of the weakest segments due to the extremely poor film quality, cheap effects, and some of the worst acting I've ever seen committed to film which manages to get worse the longer the segment goes on. I would've liked to see a more expanded story as it definitely had potential, but I feel like I never had any idea what they were supposed to be doing.
"Storm Drain" - this one starts off kind of slow and between that and the lame wraparound intro, I was thinking this whole anthology would be a bust. However, this one gets significantly better as it goes along and ends up being pretty good. The sewers provide interesting, dark, and very creepy atmosphere-- vaguely reminiscent of As Above, So Below. This very much feels like what you'd expect from a found footage vhs horror film and I think nails what the series is all about.
"The Empty Wake" - this one also starts off slow as well, most of it is a lady sitting around at a somewhat unsettling wake, but it gets pretty good when it picks up. It's rather short and you get almost nothing in the way of story or development, but there are some cool visuals & gore, and it's suitably creepy.
"The Subject" - holy crap, this one is absolutely INCREDIBLE. This is by far the longest and most detailed of any of the segments, and the film quality is a lot better than everything else. The Subject is on par with "Safe Haven" from v/h/s 2 (the indonesian death cult one) as undoubtedly the best of the entire series...which makes sense as it turns out that the writer/director Timo Tjahjanto also wrote Safe Haven (along with The Raid's Gareth Evans). You get a mad scientist turning people into robots whose secret lab gets raided by the police - lots of really good body horror, violence, and gore. This one gets a little cheesy and video game-y at times, but overall it's incredible - very engaging and well made. Also, by far the least likely to have ever been transferred to a vhs tape lol.
"Terror" - this one had potential, but never fully realized it. You have a group of extremist militia guys who have some kind of secret weapon and are going to attack a federal building. I found this to be entertaining; it was realistic enough while also being suitably tongue-in-cheek. It had a decent build up, but it kind of fizzled out before ever hitting a satisfying crescendo. I think this one needed more time to develop the story and it could have been significantly better; once the "action" starts, it feels like they kind of rushed to end it which leaves you feeling like "oh...that's it?". I will say that this one felt very "vhs-y" and definitely nailed the vibe of what this whole series is about, however it's still the weakest segment other than the wraparound.
Overall, this is an enjoyable anthology. It offers one of, if not the, best segments of the entire film series, and 3 other segments ranging from decent to pretty good. And while the wraparound was quite weak (and generally they always are), it had a couple redeeming qualities. These found footage films aren't for every horror fan, but if that's your thing than it's definitely worth a watch and it's definitely better than VHS: Viral.
Wraparound story - "Holy Hell" - the idea of this one is really cool, with a SWAT team going into the abandoned compound of a death cult. Unfortunately this is one of the weakest segments due to the extremely poor film quality, cheap effects, and some of the worst acting I've ever seen committed to film which manages to get worse the longer the segment goes on. I would've liked to see a more expanded story as it definitely had potential, but I feel like I never had any idea what they were supposed to be doing.
"Storm Drain" - this one starts off kind of slow and between that and the lame wraparound intro, I was thinking this whole anthology would be a bust. However, this one gets significantly better as it goes along and ends up being pretty good. The sewers provide interesting, dark, and very creepy atmosphere-- vaguely reminiscent of As Above, So Below. This very much feels like what you'd expect from a found footage vhs horror film and I think nails what the series is all about.
"The Empty Wake" - this one also starts off slow as well, most of it is a lady sitting around at a somewhat unsettling wake, but it gets pretty good when it picks up. It's rather short and you get almost nothing in the way of story or development, but there are some cool visuals & gore, and it's suitably creepy.
"The Subject" - holy crap, this one is absolutely INCREDIBLE. This is by far the longest and most detailed of any of the segments, and the film quality is a lot better than everything else. The Subject is on par with "Safe Haven" from v/h/s 2 (the indonesian death cult one) as undoubtedly the best of the entire series...which makes sense as it turns out that the writer/director Timo Tjahjanto also wrote Safe Haven (along with The Raid's Gareth Evans). You get a mad scientist turning people into robots whose secret lab gets raided by the police - lots of really good body horror, violence, and gore. This one gets a little cheesy and video game-y at times, but overall it's incredible - very engaging and well made. Also, by far the least likely to have ever been transferred to a vhs tape lol.
"Terror" - this one had potential, but never fully realized it. You have a group of extremist militia guys who have some kind of secret weapon and are going to attack a federal building. I found this to be entertaining; it was realistic enough while also being suitably tongue-in-cheek. It had a decent build up, but it kind of fizzled out before ever hitting a satisfying crescendo. I think this one needed more time to develop the story and it could have been significantly better; once the "action" starts, it feels like they kind of rushed to end it which leaves you feeling like "oh...that's it?". I will say that this one felt very "vhs-y" and definitely nailed the vibe of what this whole series is about, however it's still the weakest segment other than the wraparound.
Overall, this is an enjoyable anthology. It offers one of, if not the, best segments of the entire film series, and 3 other segments ranging from decent to pretty good. And while the wraparound was quite weak (and generally they always are), it had a couple redeeming qualities. These found footage films aren't for every horror fan, but if that's your thing than it's definitely worth a watch and it's definitely better than VHS: Viral.
V/H/S franchise started during the found-footage phenomenon and has been noteworthy for offering new, up-n-coming horror filmmakers an avenue to demonstrate their creative talent. This anthology series has always been a mixed bag as a whole but there's no denying that it has a cult following. Having spawned a few sequels since its inception, V/H/S/94 is the latest entry in the saga.
The film features four short segments connected by a frame narrative that follows a police raid being conducted at an abandoned warehouse which contains remnants of a ritualistic cult mass suicide. It has a grittier, gorier & more unholy feel than its predecessors and also features shorts that are collectively in closer proximity in their tone n mood, which makes it better than its predecessors.
The first short is Storm Drain, written & directed by newcomer Chloe Okuno, and follows a news reporter & her cameraman as they investigate an urban legend. It has a grainy, dirty aesthetic that adds to its uneasy vibe, plus the film just takes its absurd premise and runs with it. The old-school creature effects are done well and it definitely evokes the early 90s feel while offering some splendid scares.
The second short The Empty Wake is written & directed by franchise returnee Simon Barrett and unfolds at a funeral home where a young woman is assigned to host a wake as a severe thunderstorm rages outside. It's a simple & straightforward segment with predictable scares that are routine and has got nothing new or refreshing to offer. But the interest doesn't fizzle out at least and that's the only good thing about it.
The third segment is hands down my favourite and single-handedly makes this sequel worth the price of admission. Written & directed by Timo Tjahjanto (The Night Comes For Us & May the Devil Take You), The Subject is a crazy blend of body horror, sci-fi & action that splatters the screen with blood, guts & metal and is crafted with glee & passion. Tjahjanto lets his love for excess take over and brings his short to life with brain & brutality.
The final short is Terror, written & directed by Ryan Prows, and concerns a white supremacist group plotting to blow up a government building and take back America. It aptly captures the brainwashed vision of such losers but is also unsettling when demonstrating their devotion to the cause. But once it escalates into a mayhem, it's just fun, hilarious & entertaining to watch and culminates on a bloody good note even if the scares are by the numbers.
Overall, V/H/S/94 makes for a better evolved & more fulfilling entry in the infamous franchise and features a better collection of short segments that keeps the entire ride tense & thrilling for the most part. The acting is all over the place but the 90s video culture vibe & aesthetics are carried out with finesse. It's the frame narrative actually that turns out to be the weakest of all but it doesn't derail the good portions. Worth viewing for madman Tjahjanto's segment alone.
The film features four short segments connected by a frame narrative that follows a police raid being conducted at an abandoned warehouse which contains remnants of a ritualistic cult mass suicide. It has a grittier, gorier & more unholy feel than its predecessors and also features shorts that are collectively in closer proximity in their tone n mood, which makes it better than its predecessors.
The first short is Storm Drain, written & directed by newcomer Chloe Okuno, and follows a news reporter & her cameraman as they investigate an urban legend. It has a grainy, dirty aesthetic that adds to its uneasy vibe, plus the film just takes its absurd premise and runs with it. The old-school creature effects are done well and it definitely evokes the early 90s feel while offering some splendid scares.
The second short The Empty Wake is written & directed by franchise returnee Simon Barrett and unfolds at a funeral home where a young woman is assigned to host a wake as a severe thunderstorm rages outside. It's a simple & straightforward segment with predictable scares that are routine and has got nothing new or refreshing to offer. But the interest doesn't fizzle out at least and that's the only good thing about it.
The third segment is hands down my favourite and single-handedly makes this sequel worth the price of admission. Written & directed by Timo Tjahjanto (The Night Comes For Us & May the Devil Take You), The Subject is a crazy blend of body horror, sci-fi & action that splatters the screen with blood, guts & metal and is crafted with glee & passion. Tjahjanto lets his love for excess take over and brings his short to life with brain & brutality.
The final short is Terror, written & directed by Ryan Prows, and concerns a white supremacist group plotting to blow up a government building and take back America. It aptly captures the brainwashed vision of such losers but is also unsettling when demonstrating their devotion to the cause. But once it escalates into a mayhem, it's just fun, hilarious & entertaining to watch and culminates on a bloody good note even if the scares are by the numbers.
Overall, V/H/S/94 makes for a better evolved & more fulfilling entry in the infamous franchise and features a better collection of short segments that keeps the entire ride tense & thrilling for the most part. The acting is all over the place but the 90s video culture vibe & aesthetics are carried out with finesse. It's the frame narrative actually that turns out to be the weakest of all but it doesn't derail the good portions. Worth viewing for madman Tjahjanto's segment alone.
The shorts here are great. Tjahjanto, Prowse, and Okuno bring very unique tales that are genuinely scary. Barrett's segment is adequate and on par with segments in previous the previous films. However, the wraparound by Jennifer Reeder is awful and taints the pros of the individual segments. The last 3 minutes of the film close the wrap segment and is the worst part of the film by far. Though not as bad as the wraparound in VHS Viral, this film didn't do much better for its framing device. Overall the film sits around the quality of the first two.
6/10.
6/10.
Well I've waited for this for a very long time. I love the first one, second one was decent ("Safe Haven" the best of them all), Viral was not good, and by the trailer I expected more.
The first segment was ok, didn't really scare me, even though it was a bit creepy, so I'll give it a pass. The one with the doctor and robots was the best one of the whole movie!! So cool and futuristic! He's done it again.
The other segments were.. well.. boring and not good. The entire general plot was not good. Too bad, the vibe did remind me of the first one but the first VHS has so many good and scary stories, you just can't compare. Please - if you do another one, do BETTER stories, not just strange monsters.
The first segment was ok, didn't really scare me, even though it was a bit creepy, so I'll give it a pass. The one with the doctor and robots was the best one of the whole movie!! So cool and futuristic! He's done it again.
The other segments were.. well.. boring and not good. The entire general plot was not good. Too bad, the vibe did remind me of the first one but the first VHS has so many good and scary stories, you just can't compare. Please - if you do another one, do BETTER stories, not just strange monsters.
Did you know
- TriviaThe amateur sketch of "the Ratman" is a reference to the amateur sketch of a leprechaun sighting in Alabama circa March 16th 2007.
- GoofsA piece of graffiti in the tunnel clearly says "2018" in the first segment.
- Crazy creditsThe copyright notice at the end of the credits ends with "Don't make us unleash the Raatma. HAIL RAATMA." Referencing the segment "Storm Drain".
- SoundtracksV/H/S/94
Written by Greg Anderson
Performed by The Lord
Published by Sabbath Rehash BMI
Courtesy of Southern Lord Recordings
- How long is V/H/S/94?Powered by Alexa
Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- V/H/S/94
- Filming locations
- Hamilton, Ontario, Canada(location)
- Production companies
- See more company credits at IMDbPro
- Runtime1 hour 43 minutes
- Color
- Aspect ratio
- 1.78 : 1
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