In 2199, the crew of the space battleship Yamato embark on a dangerous journey to the planet Iskandar to acquire a device that will rejuvenate the war-ravaged Earth.In 2199, the crew of the space battleship Yamato embark on a dangerous journey to the planet Iskandar to acquire a device that will rejuvenate the war-ravaged Earth.In 2199, the crew of the space battleship Yamato embark on a dangerous journey to the planet Iskandar to acquire a device that will rejuvenate the war-ravaged Earth.
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In the year 2199 earth is under attack by planet Gamiras and is hopelessly contaminated by radiation. One day they receive a transmission from planet Iskandar with a plan for warp engine and a wave cannon. In their last hope, people of Japan uses this information to transform battleship Yamato - a world war II relic that is now exposed out of a dried up sea bed into a spaceship. They set out to Iskandar which exists in the great Magellan nebula in hopes of finding an answer to earth's problem.
I see touch of Babylon 5 and Battlestar Galactica in the overall looks and feel of the props, ships and the battle sequences, but it's certainly the very best special effects science fiction I've ever seen to come out of Japan. I'd say that Japanese sci-fi have finally come of age in this movie.
The final sequence of this movie is very Japanese in my opinion, and might be over melodramatic for the international audience, but the movie was made for the Japanese viewers, so I don't have any problems there.
Takuya Kimura has a habit of stretching out the ending of a word when calling out orders, and speaking dramatically which sounded odd at times, and the dead pan acting of Meisa Kuroki could have been more charming, but overall things were believable and didn't mess up the story.
Beautifully done movie with real feeling of being out there in space, with unbelievable special effects considering its budget. This is certainly the best sci-fi movie to come out of Japan, and is Toho's new masterpiece.
The source material is given many judicious "updates" which largely made sense to me from a story, if not production, stand-point: e.g. the talking robot "Analyzer" is now a "SIM" module which you can load into other devices and the aliens are now truly "alien" with technology and energy signatures which humans have difficulty detecting or understanding.... And the writing is smart enough to make light of the "old-schooled" stuff they keep-- like their costumes ("we're still wearing this?") and one-liners. In fact, there is so little "fan-service" or "sequel baiting" that non-fans probably won't realize that this is an adaptation of a 1970s TV animation series (using the ORIGINAL music)!
P.S. To anyone who thinks that the characters' reactions to the movie's apocalyptic story is unrealistic (taking time to make decisions, say farewells, mourn/salute the dead)-- just look at how real Japanese people deal with their earthquakes and tsunamis.
Owing to the fact that the Japanese "general movie audience" is not that much larger than the Japanese anime/manga audience, there is no faux issue of "re-imagining" the source material for a "new/larger" audience-- and the writers rise to the monumental task of "condensing" many epic, if episodic, story-arcs (which should have taken a trilogy, if not a series of 7/8 movies) into a single feature film... by focusing on the STORY! In fact, this movie is so tightly structured that the only really unexplained or implausible thing in it is probably all of the actors' great hair... and the secret lies in using sci-fi movie tropes (most of it actually originating from their source material), NOT explaining them-- since no amount of techno-babble will turn a plot device into reality.
Which is where, I believe, this movie will divide audiences into fans and non-fans of the source material (or sci-fi/anime in general)-- a downside of all this emphasis on story is, of course, a relative lack of characterization.... Though thankfully, anime stereotypes have at least one more dimension than their Hollywood counterparts and the casting is mostly SPOT-ON (you who believe skinny anime characters with fluffy hair do not exist in Japan, repent!) And some inevitably heavy narration and exposition which might have been risible were thankfully short, focused and well-delivered-- with a touch of self-awareness (*eye-rolling*) by the characters themselves. And as expected, veteran actors deliver their lines and inhabit their characters without batting an eyelid, while younger cast members are less convincing with their histrionics.
So while this might seem like a pretty generic space adventure to "general audiences"; it is and has always been intended as a treat for the fans. And this movie won me over for the simple fact that, after decades of Star Wars and Star Trek, it could still make me go "WOW..." every time an alien or a space-ship appeared, for all of 3/4 of a second-- because it's not what you have, it's how you use it!
For this is low-budget movie-making by Hollywood standards, so there is absolutely no "pimping" of expensive special effects-- which means that the only time you get to see the aliens/space-ships is when they are actually doing something ESSENTIAL to the plot. And sci-fi fans might also note that they got the relative speeds of capital-ships (bigger = slower) vs fighter-ships, missile-fire, warp-effects (almost instantaneous by comparison) RIGHT-- so there is no such rubbish as waiting for "visual confirmation" (which is meaningless in the vastness of space) or capital-ships "dodging" long-range fire (which would hit almost as soon as they are "detected").
All this means going back to the "bridge battles" of submarine/battleship warfare (this Yamato looks/works more like a submarine with a skeletal crew, than some cruise-boat or flying-city) which rely more on having good scripts/actors than special effects-- and people who don't think this can't be nerve-wrecking should see how they "set-up" the Yamato's SPLIT-SECOND "warp-maneouvers"!
The budgetary limits really start showing up near the end of the movie-- but if the money is lacking, the heart is not: the relatively simple yet distinct special effects design (transforming "2-stage" fighter-ships!) is always a pleasure to behold, even when very tight (or wide) shots are used in order to avoid rendering very expensive details. It may be just a few frames of CGI, but the "impact" will leave you re-playing it in your mind...
The real only disappointment for me, if any, would be how the human and environmental issues (Living with irradiated earth? Leaders making up "white lies"?) ever-present in the best of Japanese anime is left in the background-- as both the challenges and solutions presented in the story are essentially alien-related. I mean, I'm ashamed to admit to one of the more touching moments for me was when "Analyzer" finally took on its robot-form (hey, it had more lines than the "red shirts")....
Boy was I surprised! The movie does leap right into things without the background development of the main 'spaceship' or real character introductions, but to enjoy the movie, especially if you have any familiarity with the source cartoon, it really didn't hinder it that much. When the 'Yamamoto' took off and the special effects were introduced, I almost crapped my pants! It looked FANTASTIC!! Exactly like my 9 year old mind pictured as if it were brought to life!
This movie is FAR from Shakespeare, but for an action space romp, popcorn munching entertainment vehicle... it sure impressed me silly... especially compared to the dreck coming out of Hollywood these days.
If you have fond memories of 'Starblazers', this is a MUST SEE... even if you never saw the cartoon, I'd highly recommend this as a decent time waster.... you could do far worse!
Excellent work, excellent movie, please film more of such Sci-Fi movies, this is great. More more more ! I just can't believe that we could get for instance 16 movies of such quality e.g. 12 milion per movie = $200 million, and one US movie costs $200 million(Transformers). I could watch 10 movies instead of 1, that would be superb ! Blu-ray's here I come :-)
I mean Transformers for example are ALL about mambo-jumbo folks, some teen "superstars" and we have a movie - WRONG ! Quality movie doesn't requires superstars, it requires good story, great directing and great production. 'Yamato' movie showed us that.
Now about the movie, effects, robotics etc only Japanese can do that, nice stuff guys. Love the sound, and sound effects.
Enjoy watching this !
I'm not familiar with the original series or comic so i can not attest to its being good or bad in that sense. What i am familiar with is the historical significance of the battleship Yamato and the symbolism and slight role it played in WWII for the Japanese People. Japan had one of the most powerful navies (and arguably the most powerful)in the world at the beginning of hostilities in the Pacific theatre of WWII. By the 6th of April 1945 when the Yamato left port for the last time, the Japanese navy had been ravaged, they had lost most of their carriers and cruisers with only about 10% of its original naval forces remaining. The Yamato and a few escorts were to attempt to attack the now Allied occupied Okinawa in a near-futile attempt to deal a blow to the US fleet. She was destroyed en-route to the battle by relentless air attack by the US and never got to use her 9 46cm batteries, the largest in existence at the time. This story is about hope, honour, and the tenacity of the Japanese people as a whole. Of course it was corny, they raised the hulk of the ship out of the ground! And besides bearing a resemblance in spirit its clearly not the actual ship, its about 5 times as large. The acting was perfectly appropriate for the type of story this was and despite a few drawn out scenes i was still very entertained. Sure, some of the CGI at the end was, to quote another review, "dodgy", but for the most part actually pretty good. But, thats not what this movie is about.
Its about the symbolism of a desperate mission which only a Japanese navy would have taken, its about remembering history, and its about transferring it to a modern setting of hope prevailing in a time of despair. Enjoy the CGI, enjoy the space battles, don't worry about the inconsistencies with weapons and apparent inept "Gamillas" forces towards the end (maybe new recruits?),and instead enjoy the heroes and unmistakable, "fight to the last man" mentality and Japanese spirit which comes through in every scene.
Did you know
- TriviaAnalyzer, Dessler and Starsha are voiced by Ken'ichi Ogata, Masatô Ibu and Miyuki Ueda, who voiced these characters in Uchû senkan Yamato (1974).
- Quotes
Juzo Okita: Attention, all remaining ships and battle groups. We will retreat. We no longer have a single ship that can prevail.
Mamoru Kodai: Captain Okita, this is Yukikaze, Captain Mamoru Kodai! I cannot obey your command to withdraw! I could never show my face to the friends I've lost!
Juzo Okita: Whether you agree with it or not, the withdrawal is my order, Kodai. We're all that's left to defend the Earth. A true man bears the humiliation of today for the sake of tomorrow.
Mamoru Kodai: I don't think so! Even if it's hopeless, we can still take our enemies with us! Isn't that what a man does?
Juzo Okita: Kodai! Hear my order: Withdraw!
Mamoru Kodai: I'll fight while you withdraw, Captain Okita!
Juzo Okita: Kodai, don't say such a stupid thing!
Mamoru Kodai: Captain Okita... we're proud to have fought with you.
- Alternate versionsExtended cut is about 138:36 min long
- ConnectionsFeatured in Starfilm (2017)
- SoundtracksLove Lives
Lyrics, Composed and Performed by Steven Tyler
Produced by Marti Frederiksen
Courtesy of Columbia Records
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- Space Battleship : L'Ultime Espoir
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- Budget
- $12,000,000 (estimated)
- Gross worldwide
- $49,827,298
- Runtime2 hours 18 minutes
- Color
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- Aspect ratio
- 2.39:1