Quislings siste dager

Quislings siste dager attempts to delve into the psyche of one of Norway's most infamous historical figures, yet it struggles to bring his inner turmoil to life in a truly cinematic way. The film presents a compelling subject-Quisling's fears, loathing, and psychological unraveling in his final days-but fails to fully capitalize on its potential for visual storytelling.

While the script aims for introspection, the execution leans too heavily on dialogue, making it feel more like a staged theater production than an immersive film. The editing lacks dynamism, often slowing the pacing rather than enhancing the tension or emotional weight of the story. Likewise, the cinematography is competent but uninspired, doing little to elevate the film beyond a functional historical reenactment.

The performances, while dedicated, are hampered by the film's restrained approach. Quisling's descent into paranoia and despair should have been an intense and harrowing experience, but the film's stylistic choices mute much of that potential. There are moments where the film hints at something deeper-a fleeting glance, a subtle hesitation-but these are often undercut by the theatrical blocking and over-reliance on exposition.