IMDb RATING
5.9/10
11K
YOUR RATING
An heiress who's been shut inside her apartment building for nearly two decades is forced to confront her fears after one of her neighbors is killed and a detective arrives to begin the inve... Read allAn heiress who's been shut inside her apartment building for nearly two decades is forced to confront her fears after one of her neighbors is killed and a detective arrives to begin the investigation.An heiress who's been shut inside her apartment building for nearly two decades is forced to confront her fears after one of her neighbors is killed and a detective arrives to begin the investigation.
Bubba Ganter
- Doorman
- (as Leon Ganter)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
A good watch...not academy material but very entertaining. The plot may not exactly shine but the accomplished actors make up for its shortcomings. Only the directing could have made this a better film. Character development could have been better as well but is average considering the run time.
This won't exactly be on rotation in my movie library but I could stand to watch this more than once.
I don't know why this hasn't gotten better reviews. I hear all the complaints but if you actually watched this movie and LISTENED to what the actors said you might have enjoyed it more.
This won't exactly be on rotation in my movie library but I could stand to watch this more than once.
I don't know why this hasn't gotten better reviews. I hear all the complaints but if you actually watched this movie and LISTENED to what the actors said you might have enjoyed it more.
A collection of good, underused actors and actresses have been assembled in "Columbus Circle". It's the type of place that is described as anything can happen there. I'll take their word for it. The events that occur in the movie get increasingly far-fetched as we go along, and unfortunately, to the detriment of the enjoyment of the film.
An old woman is found dead in her apartment. The simple answer is that it was an accidental fall but the police are there investigating it as a homicide. The main character, Abigail (Selma Blair) lives across the hall. When a detective questions her, we are supposed to believe that is the very first time she has opened her door for anyone.
Abigail isn't really Abigail. She's a wealthy heiress who disappeared from home when she was a teenager, never to be seen from or heard from again. Her family doctor (Beau Bridges) is her only confidante, and she communicates via letters with the Columbus Circle doorman. The detective is curious about her because he sees her as a victim. If this were a better film that would have been a very intriguing element.
It's not a bad film per se, it's just that the characters that interested us at first start acting in unrealistic ways and we're left scratching our heads over the point of it all.
After the old woman's body is removed, Abby wants to buy the place just for her peace of mind, but instead it goes to a young savvy couple (Jason Lee and Amy Smart) who are constantly at physical odds with each other. Apparently, Abby is so distraught over the welfare and safety of her new neighbour that she invites her into her apartment. As you can likely guess a whole host of problems, crimes, double-crossings and shady connections come with her.
The actors were all good. The characters could have been good if there was a bit more development. The plot moved fine for its short run time. I was mostly impressed with Jason Lee and Giovanni Ribisi. This is one of Lee's only dramatic ventures in his filmography and it's a great divergence for him. Ribisi played a smart, shrewed and caring detective which is a welcome change to his usual parade of drugged-out dopey teenagers. If the other actors more closely portrayed characters that resembled real people with normal or interesting traits and attributes, then I could have appreciated them too.
An old woman is found dead in her apartment. The simple answer is that it was an accidental fall but the police are there investigating it as a homicide. The main character, Abigail (Selma Blair) lives across the hall. When a detective questions her, we are supposed to believe that is the very first time she has opened her door for anyone.
Abigail isn't really Abigail. She's a wealthy heiress who disappeared from home when she was a teenager, never to be seen from or heard from again. Her family doctor (Beau Bridges) is her only confidante, and she communicates via letters with the Columbus Circle doorman. The detective is curious about her because he sees her as a victim. If this were a better film that would have been a very intriguing element.
It's not a bad film per se, it's just that the characters that interested us at first start acting in unrealistic ways and we're left scratching our heads over the point of it all.
After the old woman's body is removed, Abby wants to buy the place just for her peace of mind, but instead it goes to a young savvy couple (Jason Lee and Amy Smart) who are constantly at physical odds with each other. Apparently, Abby is so distraught over the welfare and safety of her new neighbour that she invites her into her apartment. As you can likely guess a whole host of problems, crimes, double-crossings and shady connections come with her.
The actors were all good. The characters could have been good if there was a bit more development. The plot moved fine for its short run time. I was mostly impressed with Jason Lee and Giovanni Ribisi. This is one of Lee's only dramatic ventures in his filmography and it's a great divergence for him. Ribisi played a smart, shrewed and caring detective which is a welcome change to his usual parade of drugged-out dopey teenagers. If the other actors more closely portrayed characters that resembled real people with normal or interesting traits and attributes, then I could have appreciated them too.
this is one of those stories we want to see with never ending unexpected surprise twist and turns in the plot. this movie is not that!! BUT as an entertaining film it cooks on all four burners!
the story is predictable and at one point even silly (doctors house in garden) --- but so what. even if you can guess what will happen next what will keep you watching is to see how they will achieve it. the acting is good and there are a few truly suspenseful scenes. the setting is lavish and a treat for the eyes. you can even find yourself becoming emotionally involved with the recluse.
so if you want a story without too much to have to watch and remember so you will understand what exactly is happening in the story - this is your flick.
the story is predictable and at one point even silly (doctors house in garden) --- but so what. even if you can guess what will happen next what will keep you watching is to see how they will achieve it. the acting is good and there are a few truly suspenseful scenes. the setting is lavish and a treat for the eyes. you can even find yourself becoming emotionally involved with the recluse.
so if you want a story without too much to have to watch and remember so you will understand what exactly is happening in the story - this is your flick.
Considering the initially negative but not very eloquent comments about this movie but the promising trailer, I figured I might be in for a pleasant surprise.
Unfortunately, that was not really the case. And I would usually not review a movie like this because it is neither something I would recommend, nor something I would recommend to stay away from.
Yes, the premise is nothing new (but how many movies each year does one see where that is really the case?) and the acting is cringe-worthy in a lot of places (I especially could not believe the performance in some of Selma Blair's and Amy Smart's scenes - both of whom I found great in virtually every movie I've seen them in) but still, I think it is a nice little story.
I find it ironic how people reviewing this call various elements stupid while at the same time lacking the ability to comprehend Selma Blair's character. Especially considering that it is really very simple from a logical point of view. I don't see a point writing a review that contains spoilers, so I won't say anything more about this. But as always, a little empathy goes a long way and will make the viewer realize the motivations for certain things happening. Although I will not deny that some of them seem odd, rushed, out of character at first glance, many of these can be explained if given just a bit of thought.
Overall, I would say that it is a mildly amusing but pretty forgettable movie that is probably best experienced when not paying full attention to it.
Unfortunately, that was not really the case. And I would usually not review a movie like this because it is neither something I would recommend, nor something I would recommend to stay away from.
Yes, the premise is nothing new (but how many movies each year does one see where that is really the case?) and the acting is cringe-worthy in a lot of places (I especially could not believe the performance in some of Selma Blair's and Amy Smart's scenes - both of whom I found great in virtually every movie I've seen them in) but still, I think it is a nice little story.
I find it ironic how people reviewing this call various elements stupid while at the same time lacking the ability to comprehend Selma Blair's character. Especially considering that it is really very simple from a logical point of view. I don't see a point writing a review that contains spoilers, so I won't say anything more about this. But as always, a little empathy goes a long way and will make the viewer realize the motivations for certain things happening. Although I will not deny that some of them seem odd, rushed, out of character at first glance, many of these can be explained if given just a bit of thought.
Overall, I would say that it is a mildly amusing but pretty forgettable movie that is probably best experienced when not paying full attention to it.
When I accessed the reviews for Columbus Circle, I couldn't believe all the negativity surrounding this production. Apparently, after this was made, there was no studio willing to release it theatrically. It went straight to video. I sometimes don't listen to the multitude of reviews that surround a certain film, preferring to make my own opinion. After viewing this, I found it to be a surprisingly good and watchable film with a good story, good acting and good directing. This was an original story which had a good denouement, very satisfying. I suppose that there was not enough sex and violence in this production to serve the prurient tastes of the mass audience. Tastes have changed much in recent years and I guess that there isn't much of an audience for a film that does not rely on CGI effects or gratuitous sex and violence. I even liked the main title sequence, which would not have been out-of-place on a suspense film made in the fifties or sixties. Maybe I'm in the minority here, but I liked this.
Did you know
- TriviaIn the scene where Helen's doctor told the detectives she had cancer, he should not have said that. He was correct in asking for a subpoena to release the records. The Hippocratic Oath dictates that, even after a patient has died, their medical history is protected. Doctors can confirm that someone is a patient, but he still wouldn't have been allowed to tell the detectives she had cancer unless forced by a judge.
Source: pre-med and student reading of "ethical guidelines for medical professionals".
- Goofs(at around 14 mins) When "Abigail" is speaking with the bank manager about closing her account he asks her what her passcode is. For security purposes no bank employee would never ask someone to tell them what their passcode is (even if they are closing the account) since they could then use it themselves. They would ask them to enter it on a keypad with it showing up hidden on the screen.
- SoundtracksBlues For Sancho
written by Ken Stange & Bob Hackl
performed by George Gallo and Ken Stange
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- Prisonnière de la peur
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- $10,000,000 (estimated)
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