La Couleur des sentiments

Oscar Oscar Oscar – Kathryn Stockett's beautiful book is Oscar worthy in this film -- for editing, screenplay, supporting actress (several deserving) – Emma Stone just shines – at just 22 years old, this film proves she is a force to be reckoned with in Hollywood. There are so few roles written for black women and I was thrilled to see such great roles filled by Viola Davis (Abigail) and Octavia Spencer (Minnie) - both should be nominated for supporting roles although in my opinion, along with Emma Stone, all three share top billing.

The character development in this movie is really outstanding – I hate movies with flat single dimension characters and these from the lowest to those with the most screen time are just remarkably developed – even the newspaper editor, the lines they chose for him to keep gave you enough information that even he is a memorable character with only three scenes, maybe 4 in the entire movie. Same for Stuart, Skeeter's love interest – you actually like him then hate him and he only has maybe 3 minutes of air time. Great great job. Sissy Spacek with so few speaking moments is great as is Cicely Tyson who speaks volumes even in scenes with no words. Admittedly, being based on an amazing book the background story was already set out and tracks the book closely without some of the details but they have done a great job of putting it to film –

This movie sets out beautifully a terrible time in our history that unfortunately is not over – it is better, but not over by a long shot. Being a child of the south and coming up during that time, being raised by such bigoted grandparents and parents, it leaves me pause to wonder how I avoided this rabid virus of hate and takes me back to long hot lazy days in the deep south before every building was air conditioned – such attention detail right down to the Jesus fans they waved in church – awesome flick. You FEEL the heat, the tension, the pain, the injustice of the time but still you laugh with them even as you cry for them - both races - ignorance is to be wept over.

However, I think this movie does more, goes further in its exploration of the behavior of the privileged during that time. They were rabid toward blacks but were not that much better toward anyone who did not share their socio-economic status (the way the "Junior League" treated Celia) and the enormous peer pressure they put on one another (the club encouraging Skeeter's mother to make a poor decision). It visits the sins of the parents passed on to their children – the bigotry and injustice that is learned at the knee of our elders. OMG it is just an awesome, poignant, moving, NOT TO BE MISSED film.

Mesmerizing from start to finish – never once drags – just an easy easy easy 10

I just returned from seeing a special preview of "The Help," which is due out in theaters this summer.

Okay, so here's the truth: I'm a middle-aged, white male... I didn't read the book and I assumed, based on the fact that this is a virtually an all-female cast, that this was some sort of chick flick. Boy, was I wrong!

This is an incredible film that not only pays justice to the bestseller on which it's based (according to those who have read the book AND seen the film), but is phenomenally cast, with exceptional performances by Viola Davis, Emma Stone, Octavia Spencer, Bryce Dallas Howard and Allison Janney. Veteran actresses Sissy Spacek and Cicely Tyson also deliver incredible performances. While Tyson's character is central to the storyline, her role comprises what seems to be a few, precious minutes of the 2:20 running time, she delivers, in my opinion, one of the most powerful and moving moments in the film...one in which she doesn't even utter a line (trust me, you'll know when you see it.)

The Help also delivers some very funny moments and will make you laugh. I'll go so far as to say that this film and a few of its cast members will draw some Oscar nominations. I certainly think this takes Stone into a whole new level.

The racial imbalances of 1963 are well illustrated in "The Help," and will, no doubt, underscore how far America has come, as well as how little progress we've made in the last 50 years. Either way, this is a powerful movie that needs to be seen on the big screen as soon as you can get a ticket.

I grew up in the 60's, the setting for The Help, a story of Southern prejudice and cruelty toward African Americans, who were chattel of the Southern rich treating their servants as expendable and marginal. I can say that as a Northerner with a black maid for our household, there was love but always a barrier, a carryover from the strict separation still prevailing after reconstruction.

Director Tate Taylor keeps the race relations taut but not strident, as if we were living through the emerging civil rights movement slowly but inevitably aimed at equality, not "separate but equal." Skeeter (Emma Stone) graduates, returns to Jackson, Miss., and decides to write about the black help, whose "perspective' needs to be told. As more maids join in the writing of the manuscript, the more possible it is to counter the assassination of Medgar Evers and eventually that of Martin Luther King.

While we have grown used to the base scatological humor of the Hangovers, Change-UP, and other rom-coms, the fundament motif in The Help is as low-key as will ever be depicted in film. Not only is the idea of the bad guys "eating s—t" effective, it is funny and poignant.

A note about the performances—Bryce Dallas Howard as the conservative, prejudiced Hilly, is remarkably successful, making her a full-fledged actress and not just a famous director's daughter. Jessica Chastain as the ditzy but big-hearted Celia Foote cements her place as a great modern actress following her memorable role as the compliant wife in Tree of Life. Emma Stone no longer need rely on rom-coms, for she stars in The Help with a performance nuanced and underplayed, just the way I like it, albeit a bit too hip for the times.

Although the film tends toward the simplistic, e.g., there are no bad blacks and most whites are obtuse, Viola Davis as maid Aibileen Clark successfully carries the film displaying the ambivalent nature of slavery ready to burst out of its chains.

The Help is set in the 1960's where colored people had little to no rights and mainly focuses on the colored maids working for the "white" people.I didn't really want to see the movie but it got great reviews so I decided to check it out. I must say this movie was quite touching and very well done.

The cast is excellent with award worthy performances from Viola Davis, Emma Stone and Octavia Spencer - the main cast. The acting was amazing and there was great chemistry among the respectful classes of people in the film ( the whites and the blacks).

The script was well written and I love the balance of comedy and drama. There are some intense scenes however the comedy makes the movie more enjoyable rather than just a movie to make you feel sad all the way through. There was a perfects balance there and I loved that. The film also took you on a roller-coaster of emotions. Sometimes you were sad, extremely happy, angry or laughing. Its also one of those movies that can hold your interest from beginning to end.

With great performances, a brilliant script and a film so touching and inspiring, The Help is definitely a must-see!

I took our 12 year old daughter to see this movie and we both loved it. She was not thrilled when I told her we were going to see a film that told a story from the civil rights era but when we left she said she loved it because of the women's courage, their humor and the power of their friendships. We had never seen most of the actors which was refreshing and the acting by the entire cast made it easy to get totally involved. I laughed out loud and shed quite a few tears in The Help, and will remember it and recommend it to my friends. It was wonderful to see so many scenes in which the actors related to each other so perfectly. Even the vilest characters showed moments of conflict within themselves as they played out poor behavior that had long been inbred in them. I am especially grateful to the team who provided a film that told an engaging story about human relationships with important lessons for my daughter. That is a rare occurrence in today's movies.