The Possessed

The writing and acting are pretty bad in this film. The main character overacts constantly, and the poor acts must have a broken wrist from all the silly hand waving he had to do. The story does not have a real arc, but is jut a series of events with no clear silver thread through them all. The characters do not really develop at all, and the settings are boring.

All that being said, the effects are really good, like, almost Holly-wood quality good! The demons look fantastic and truly frightening. The possession effects, including sound, are great, too.

That's why I call this movie weird and contradictory: terrible acting and writing, but great effects. Weird.

Based on a true life story, it tells of how an "accidental exorcist" battles the evil supernatural forces around us, and helping to "cleanse" those who become possessed by these entities.

The effects both practical and CG, are effective and very well done, but I thought the film could've had added more atmosphere, dread and intensity with a more potent film score, combined with better character writing and story elements. But, overall a decent genre film. 7/10.

This would have been a lot better if it hadn't been presented as a "true story" based on "actual events." As a Catholic, I have no doubt the existence of demons and evil spirits. This guy makes exorcists look like circus sideshow freaks. For those of you who already hold that belief, go ahead and feel free to skip this movie altogether. It's not for you.

Having said that, it's an interesting work of FICTION as is perfectly entertaining as far as that goes. The problem comes when you try to associate this with reality. When they show the guy on whom this was based at the end, you lose all interest in everything you just watched. You're better off watching this as entertainment and stopping the movie as soon as the credits begin to roll. You'll feel much better about having spent an hour and a half watching this.

+ It's like an australian Buffy the Vampire slayer + decent practical FX /makeup + they probably could have made a decent TV series out of this, but not shoot it as a movie seeing how they become a ghostbusting demon-slaying team at the end.

This is indeed belongs to the comedy-horror genre, but the practical effects are absolutely stunning here! Overal it would be great as a miniseries, because each part could be a skit of its own if given time and background to develop itself and the acting would be okay for a TV-like short series where the audience and the actors are both in-on-it and don't take it all too seriously.

While most might think exclusively of "Wolf Creek" when they think of Australian horror films, Chris Sun has done a great job of ramping up his efforts within the genre. His latest, "The Possessed", is clearly the next chapter in that evolution.

Starring "Wolf Creek"'s John Jarratt and Lincoln Lewis, the movie follows accidental exorcist Jacob as he rids Australia of some pretty nasty demonic possessions. After going through a few harrowing "clearings", the film has its climax in a spooky house where the previous owners may have performed some rituals to summon a very powerful demon. I won't spoil the ending but it's quite a surprising take indeed.

Jarratt and Lewis carry the film pretty well. I found Jarratt's affectations a bit odd at first, but when you see the person this story is based on (Mark Gardener; they show clips of his real life clearings during credits) it's pretty spot on. Lewis plays the straight man roped into this strange work by his uncle, and while he doesn't have a LOT of room to spread his wings, his performance is even and gives Jarratt a good foil to work from. The other actors were strong as well, though the character of Orion (Jade Kevin Foster), who serves as very capable comedic relief, did feel overused in the climax, drawing away from what would have otherwise been a terrifying sequence.

A lot of the film's strength comes from the demons and their design. They are differing, terrifying, and grotesque in equal parts. While they are largely glimpsed or shown in shadow, their appearances are startling and stomach churning. On top of that, the FX makeup for those suffering possession is very well done too.

All of that would be for not if the film wasn't shot as well as it was. Andrew Conders work is excellent. The framing and exposition, especially during the possession sequences, enhanced the moments. It felt clean, colourful and easy on the eyes, despite the content.

For a modestly budgeted horror flick, this one is pretty fun to watch and, while not perfection, has a lot going for it.