Empire of Light

The movie "Empire of Light" is filled with metaphors about human relationships. Writer and director Sam Mendes does a beautiful and sensitive job of bringing two socially marginalized individuals together through the art of film, music, and poetry.

Hilary (Olivia Colman), a movie theater manager is suffering from mental illness and Stephen (Micheal Ward), a movie theater helper is suffering racial discrimination in the community. Two worlds apart that together manage to understand each other's pain.

Olivia Colman's interpretation is once again absolutely perfect, she manages to convey all the pain of her character without uttering a word, only through her body language.

A beautiful soundtrack that helps enhance the mood of the movie.

...Well... at least that's what could have been. When the movie opens and sets us back into the late 70s and early 80s, seeing a classic cinema, with some craftsmanship behind it, that we forgot how to appreciate. With beautiful cinematography and lighting, this really makes you melancholic... that's the good part...

Unfortunately I checked my watch so many times during this movie, wondering when it would finally reach the 2h mark and therefore the end. It's easily 30mins to long and while it has a VERY important message that is still relevant today unfortunately, it somehow get's lost in its own melancholia, but not in a Lars von Trier way, just in "are we there yet?" way.

While it surely has its beautiful moments and lovely dialogues along the way, it did only drag me in for about 2, 3 mins and had me lost in the other scenes for some reason. It feels like this movie wants to be to many things at the same time and can't decide where to put its focus point.

At times, it's intimate and intricate. At others, it's strikingly hollow.

Firstly, highest praises must be given to Roger Deakins' lush cinematography and Reznor & Ross's ethereal, atmospheric musical score. Both these elements added such a rich sensory element to the film that elevates the experience high above what's on the page.

Because what's on the page is a disjointed collection of individually compelling pieces.

Olivia Colman and the rest of the cast really do give it their all and bring a great deal of life to their half-baked characters. Nearly all of them have backstory and struggles introduced, but not much, if anything, is ever done with it.

The "story" is made up of runtime-padding dramatic beats that always begin in a very strong manner but are always either resolved without any real struggle or conflict or are abandoned entirely. No consequences are ever seen or felt, and it dampens the impact of the whole film. I felt nothing when the credits rolled.

Also, Colin Firth is woefully miscast as the cinema manager; not because he's bad in the movie, he's great in the movie. But because he has such limited screen time and has such a thankless, undemanding roll. It's far beneath an actor of his calibre and experience. He's tragically under-utilised.

And that's how I would describe just about every element of this film: not bad, but under-utilised.

Empire of Light grapples with a lot of different themes and issues but struggles to do them all justice resulting in a mixed bag that at least offers an emotionally investing love letter to the power of cinema that remembers to show the problems of the time.

Olivia Colman gives a great lead performance that plays to her strengths with plenty of incredibly dramatic moments. Micheal Ward is really good with a calmness and earnestness that makes the romance more believable. Toby Jones is excellent in his small part, with a wholesome nature that hides a real sadness.

Despite a muddled screenplay as first time solo screenwriter, Sam Mendes' direction is still technically impressive with Roger Deakin's gorgeous cinematography enhanced by a typically evocative score by Trent Reznor and Atticus Ross.

I almost didn't go after reading the marmite reviews, not wanting to be disappointed with a film that the fantastically talented Olivia Coleman was in.

We were booked to see The Menu but due to a last minute technical hitch our tickets were cancelled and we decided since we were there we might as well watch it.

Olivia knocks it out the park again, she's ridiculously good. I loved every little understated detail about this film from the snow crystals on her boots at the beginning to the lipstick on her teeth later on. It was like going to Disneyland and realising there wasn't a crack on the pavement that wasn't meant to be there. The cinematography was exceptional. Such a talented cast - Michael Ward, Toby Jones, Colin Firth all created very credible characters that drew you in and made you sad, happy, and laugh.

Don't believe the negative reviews this is a really beautiful, poignant film. At the end we just kept repeating "I'm so glad we came to see this"