The picaresque and touching story of the politically incorrect, fully lived life of the impulsive, irascible and fearlessly blunt Barney Panofsky.The picaresque and touching story of the politically incorrect, fully lived life of the impulsive, irascible and fearlessly blunt Barney Panofsky.The picaresque and touching story of the politically incorrect, fully lived life of the impulsive, irascible and fearlessly blunt Barney Panofsky.
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- Stars
- Nominated for 1 Oscar
- 18 wins & 19 nominations total
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- (as Massimo Wertmuller)
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Featured reviews
Barney's Version is very well-made, always attractively photographed with striking locations and the film contains some of the best ageing make-up I've ever seen on film. The soundtrack consists of some interesting and varied songs that match the film well, particularly good was the poignant use of Leonard Cohen's Dance Me to the End of Love. And while the script mayn't be for everyone's tastes(admittedly it does ramble on at times), it certainly worked for me. The dialogue is literate and subtle but also snappy and hilarious, the best lines coming from Hoffman and Pike, while the book understandably does a better job balancing smart comedy, insight into relationships and emotional tragedy the film also balances them successfully with an often poignant second half. The story is not hard to follow at all, is well-paced on the whole and is interestingly and beautifully told, again the comedy and tragedy being well-balanced(the scene with Miriam being handed Barney's wallet with the wedding seating card with her words is incredibly emotional).
It's solidly directed and while the characters are not likable as such that was not the intention. What's more important is if they're interesting and in Barney's Version they are, Barney while seemingly irredeemable is a compellingly real character that I found myself relating to in the latter stages of the film. Even other characters are seemingly placid on the surface there is a great deal of complexity, particularly Miriam. The acting is superb, especially from a truly outstanding Paul Giamatti in a performance that in his career has only been bettered in Sideways. In support, particularly good are a hilarious Dustin Hoffman and Rosamund Pike who radiates visually(she's rarely looked more beautiful on film, although she is one of the most naturally beautiful living actresses) and gives a performance that is snappy and enchanting. Scott Speedman and Bruce Greenwood do just fine too, and Minnie Driver while with not much screen-time and a caricature character looks like she is enjoying herself, making the most of her humorous lines.
To conclude, a very good film that is especially so for the acting. 8/10 Bethany Cox
Giamatti has mastered the role of cynical, self-absorbed, frumpy schlub and his Barney is every bit that. The story is told through extended flashbacks after we learn a detective has written a book accusing Barney of killing his best friend (Scott Speedman). No charges were brought and it's not until the end in an extremely creative reveal that we understand what really happened that day at the lake. Unfortunately, we aren't sure if Barney ever understands, but that's a whole different topic.
Barney's first marriage comes about because his girlfriend gets pregnant. This one ends in tragedy and betrayal and allows Barney to spend much of his life on the path of cynicism, alcoholism and cigar-chain-smoking. He is no pretty sight - from inside or out. He stumbles into his second marriage, this one to Minnie Driver. Ms. Driver is wonderful as the Jewish princess with a Master's Degree. How do we know? She continually reminds us of both facts. Ever known anyone that just constantly reminds you of how smart they are? How this marriage ends leads to the whole suspicion of murder and loss of best friend for Barney.
The real key to the story occurs at the wedding. Instead of worshiping his new bride, Barney watches hockey, does shots with his Dad (Dustin Hoffman) and experiences love at first sight ... not with his bride, but with a guest played by Rosamund Pike. This encounter puts Barney on a singular mission of winning over Ms. Pike, despite his marriage to Driver. Can't really give anything away here other than the story is very clever in how it handles the pursuit, failed marriage and subsequent true love story.
Only thing is, Barney never really "gets" what true love is. Pike has a wonderful scene where she explains that life and love are in "the seconds, the minutes, the routines". Barney nods but is clearly in over his head in so many ways.
What I really appreciate about this story is how there are so many relationships that seem to spring from reality ... people we know in situations we've been in. The title, of course, refers to Barney's version of reality. How he sees things. We could each replace his name with ours for a movie on our life. Do we see reality, or is reality how we interpret these seconds, minutes, routines? The answer seems pretty clear.
The film is directed by Richard J. Lewis (not the comedian) but is really a product of the amazing story and talented cast led by the extraordinary performance of Giamatti. Dustin Hoffman's scenes are all excellent, and his real life son Jake, plays his grandson in the film. Don't miss the quick scenes featuring standout directors Atom Egoyan, David Cronenberg and Ted Kotcheff. It's also character actor extraordinare Maury Chaykin's final film. And I certainly can't omit mention of the fabulous soundtrack featuring T-Rex, JJ Cale, Donovan and others. Leonard Cohen's "I'm Your Man" plays over the closing credits so don't leave early!
Did you know
- TriviaJake Hoffman plays Dustin Hoffman's grandson. In real-life, he's his son.
- GoofsOn the radio Miriam introduces the song "I Don't Want to Hear It Anymore" by Dusty Springfield. The recording played is the version by Shelby Lynne which was recorded in 2008.
- Quotes
Barney Panofsky: ...and I'm just gonna keep talking here, 'cause I'm afraid that if I stop there's gonna be a pause or a break and you're gonna say 'It's getting late' or 'I should get going', and I'm not ready for that to happen. I don't want that to happen. Ever.
[they pause]
Miriam: There it was. The pause.
Barney Panofsky: Yeah.
Miriam: I'm still here.
- ConnectionsFeatured in Breakfast: Episode dated 8 December 2010 (2010)
- SoundtracksBang a Gong (Get It On)
Words & Music by Marc Bolan
Performed by T. Rex (as T Rex)
Courtesy of Muscadet Productions, Inc./Straight Ahead Productions Ltd.
Published by TRO - Essex Music International, Inc. (ASCAP)
- How long is Barney's Version?Powered by Alexa
Details
Box office
- Budget
- $30,000,000 (estimated)
- Gross US & Canada
- $4,439,201
- Opening weekend US & Canada
- $65,241
- Jan 16, 2011
- Gross worldwide
- $12,106,921
- Runtime2 hours 14 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1