Driving to a wedding in Los Angeles through the Mojave Desert, Paul and his girlfriend Adrienne pull off the highway and into a Motel-Cafe. This roadside artifact proves to be a strange and ... Read allDriving to a wedding in Los Angeles through the Mojave Desert, Paul and his girlfriend Adrienne pull off the highway and into a Motel-Cafe. This roadside artifact proves to be a strange and surreal place with an unsettling mix of travelers, who force our couple to discover the se... Read allDriving to a wedding in Los Angeles through the Mojave Desert, Paul and his girlfriend Adrienne pull off the highway and into a Motel-Cafe. This roadside artifact proves to be a strange and surreal place with an unsettling mix of travelers, who force our couple to discover the secret hidden between.
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The production is great, the acting top notch, characters, direction all good.
The most notable quality of this movie though is the pace, it is very slow and considered. The characters are examined in massive detail but you never really get to know them. This is how the plot is disguised so well.
If you have patience and you don't mind a film that takes its time then this is definitely for you. For me it was a little slow and void of substance.
Okay, maybe the story is not completely original; and maybe people may be put off by the VERY MILD spiritual overtones. BUT... and it is a BIG BUT like Mariah Carey's... the film was very well directed and written, and it is one of the rare cases where it is acted even better. The main dude Josh was like a younger, milder version of Sean Pen; the guy was COOL personified. And the Black Dude, MAN! I don't know where they found him, but he was bloody PERFECT! The acting alone was so well done and blessedly NOT over the top or overdone in ANY way what so ever, that that alone merits a 7 or more. That is EXTREMELY rare these days; usually, the acting is one of THE worst parts of these kinds of films.
In my lowly and wretched opinion, many of these other Indie Horror films can be a bit rough and are DEEPLY into 'B' territory, but THIS baby here frigg'n ROCKED with much better quality than usual. I have to say that this is one particular case where I am truly disgusted with what people have rated this film; it really almost makes me lose total hope for the taste of the movie going / watching public. I'm not gonna add snide comments about how mindless people are who have rated this low or how horrible their taste is, etc., etc., like you usually hear all the time in cases like this. No... But, I WILL say that PLEASE remember that the purpose for reviewing and rating films here is NOT just to trash these films because of our individual little petty and pissy likes and dislikes. NO... The primary reason why I come here myself is to get an HONEST and OBJECTIVE view of the Quality of the film itself REGARDLESS OF WHETHER YOU COMPLETELY LIKED IT OR NOT. Man, it's like if a movie doesn't just make you explode in your pants, you're gonna give it a crap rating (of course, if a movie DOES indeed make you explode in your pants, that probably would merit a '10' : )
Let's remember here people that sometimes we may not personally like a film for one reason or another, but if it is well made and of high quality, it would really be appreciated if ones would temper their ratings and reviews and try to be a little more OBJECTIVE and include that information for those of us who just MIGHT damn well appreciate a movie that is well done like this, despite the fact that YOU didn't like it...
THAT is precisely why we come here...
If you think you've seen it before, likely you have. Beneath the Dark has strong echoes of the 2003 John Cusack film Identity, though it pales in comparison. Ahh, what to say about this movie? I enjoyed watching it, but then I am a fan of the suspense genre which has been in a serious state of drought lately. Is it a good movie? Not really. Is it a bad movie? No. The plot line does catch your interest as you watch the two very different back stories of the young traveler and the motel manager unfold. The narrative of the film makes the viewers expect the inevitable connection, which is mildly interesting once revealed. However the entire conceit of the movie is nearly immediately obvious. I suppose in a world where twisty thrillers have been around for so long, it is far more difficult to pull off true surprise. Yet I feel that the director/writer Chad Feehan missed the opportunities to misdirect the audience. One can only hope Chad was not trying for an M. Night Shyamalan production.
The film used so many clichés, that it could have been the product of a university class on the genre: the isolated motel in the Midwest and the slightly off motel manager are photocopied directly from Psycho. The jukebox that plays the same song over and over is also lifted. (Didn't we see that in a number of Rod Serling productions?). Yet all is not as grim as this review seems. Mr. Feehan studied well, and utilized these and other familiar elements effectively.
So a sense of mild suspense persists throughout the movie. The ending is a bit of a let down -- but the journey was fun.
Bottom line: If you like this genre, this movie is serviceable. I certainly wasn't sorry I watched it, although I thought that the motel manager needed to be cast with a stronger performer. If you have nothing to do on a Saturday afternoon, punch this one up. Keep your expectations low and you might enjoy it.
Did you know
- TriviaOriginally entitled "Wake" before being renamed to it's current title.
- GoofsWhen we first see the wrecked car at the motel, it's windshield is cracked but still attached. But in the accident, the windshield completely flies off the car.
- ConnectionsReferences Shining (1980)
- SoundtracksDevil In His Heart
Written by Richard Drapkin
Published by Rockland Music (BMI) and You Look Good Music Publishing (BMI)
Performed by The Donays
Courtesy of Time Records Inc.
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- Beneath the Dark
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- Runtime1 hour 42 minutes
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- 1.85 : 1