Game Changer

'Game Changer' is a very ordinary political commercial entertainer that is carried completely by Ram Charan's performance and Thaman's BGM at times.

The first half is pretty mediocre with a boring love track and ineffective comedy but gets interesting leading up to the interval. The second half starts on superb note with a 20 minute flashback that reminds us of Vintage Shankar. However, after this portion, it again turns back into a run of the mill political movie that turns melodramatic and tiring towards the end.

The film uses similar tropes to many political movies in the past which gives it an outdated and tiring feel at times. The heart and soul of the film is a 20 minute flashback. RC is absolutely superb as Appana in this flash back and will remain as another feather in his cap. The rest of RCs character is a regular IAS role that is a cakewalk for him. Thaman's music is an asset for the film whenever it doesn't enter the overly loud mode. The production values are good especially in the songs.

This is easily better than Indian 2, however, it can't be considered as a comeback for Shankar as his writing and taking is below par and is completely carried by the music and Charan. Just Ok!

Rating: 5/10.

A director coasting on former glory meets an actor coasting on PR hype and you get GameChanger. Basically there is a faint whiff of a story which is presented as a series of meaningless but rich visuals . The songs that cost 1/4 the budget are so ill placed .There is a female lead whose purpose is unknown .So many elements which are serial level cringe - like how and why and where the heroes mother ends up . This marks the end of Shankar. Ramcharan escaped scrutiny over his ultra disaster acharya that came after rrrr but there is no escaping the rightful ridicule that comes his way for this self proclaimed global star ! AVOID in OTT also.

I am a fan of the director and even I couldn't bear the poorly made movie. Looks like they sat together the night before the shooting started and put together a story and script in a rush. No comedy and music was also not something we get in a Shankar movie. It also felt like watching a few of Shankar's old movies like Mudhalvan, Indian and Anniyan. Ram Charan is the only saving grace. It's a shocker that they wasted Sunil. The volume was too loud and jarring and that part I am unsure if it was specific to my theater or the recording itself but was such. Also the scenes felt so disconnected. First movie where I didn't have a single laugh or didn't get emotional in any scene.

What a stupid film to watch in 2025! A bare plot for an entertaining film. No intelligent storytelling approach has been applied in this film. Just wasted money for color grading and set designs. The directorial unit only thought about cheap claps from witty, conventional dialogues and attitudes. Sadly, that did not work. If the directors nowadays still think that the audiences will love their work just because they checked not to forget mixing all the emotional tablets in every seconds of their film to fool the audiences, then they are wrong, and they obviously need to change their vision. These types of movies are enough to kill any actor's career.

While this isn't as terrible as Indian 2 overall, the entirety of the first hour is some of the worst bits of filmmaking I have seen from the once-iconic director. The comedy sucks (Sunil and Vennela Kishore characters desperately need the "DELETE" button), the intro fight & song combo is horrendous, the romance between Charan and Kiara's characters is so poorly written, and SJ Suryah does eccentric SJ Suryah for the millionth time. Yeah, I should stop looking at this as a Tamil film, because it clearly isn't aiming to be one.

Almost every song is a bathroom break, though I like some of the beats in Dhop (along with its vibrant picturization). It was difficult to connect with the protagonist - an IAS officer + IPS officer + Election Officer + Angry Dude in College + whatever the hell the writing needs him to be. We connected with Shankar's protagonists in some of his earlier films because most of them weren't default superheroes. Very often, the circumstance creates one, and that formula worked for him for nearly 2 decades. But gone are those days. I'm not sure what ideas Karthik Subbaraj fed Shankar in the initial stages-ultimately, Shankar chose to give it the same screenplay treatment as Mudhalvan, Sivaji, and the likes.. in 2025. Plus, the only time I bought the performer in Ram Charan was during the short flashback portion, and even that's less impactful.

Kiara Advani is drop-dead gorgeous, though she's mostly relegated to being a song-and-dance prop in the film. Anjali gets a meatier presence than expected, and is fine in the flashback (..not the present). Jayaram is disposable, and Srikanth plays the guy Samuthirakani or Sachin Khedekar usually takes up. My biggest gripe, however, is with the action sequences. I don't remember Shankar directing action this terribly, like EVER. Peter Hein and Anbariv are involved, but to what avail? Every set piece is wholly forgettable. The "Hari-fication" of Shankar is well and truly underway, as far as the pacing is concerned. I don't have any faith in his upcoming projects. God save the Velpari adaptation.