Blueback

Celebrated Australian novelist Tim Winton is one of those literary figures whose work just never quite seems to translate wholly successfully from the page to the screen. Arguably Simon Baker's 2017 adaption of Breath, may be the exception. But Robert Connolly's Blueback, follows Gregor Jordan's 2020 adaption of Dirt Music, in being a terrific film to look at, whilst simultaneously lacking dramatic heft. And this is despite Winton himself being given a co - screenwriting credit along with director Connolly, whose last film, The Dry, I loved.

The cinematography both above and under the water is exceptional. The acting is competent without anyone particularly standing out. Ostensible lead Mia Wasikowska as the adult Abby Jackson is rarely ever challenged to get out of first gear, as is Eric Bana, in very much a support role as Mad Macka. Radha Mitchell perhaps contributes most obviously in her energetic portrayal of activist mum of Abby, Dora, in her younger years. I personally found the largely classically - inspired musical soundtrack too reminiscent of countless mid twentieth century Disney wildlife documentaries. But the big weakness was rather ironically perhaps considering the screenwriters, the storyline. With just a few exceptions, this is a film in which not a great deal happens during its 100 minute running time, despite constant time shifts and flash backs.

Whereas the mother / daughter* relationship is way overplayed (*In the book Abby is Able ... a boy.) Erik Thomson's "villain" Costello, is so lightly treated and gets so little screen time, we never fully understand the enmity between the Jacksons and him. BTW Abby only seems to have been made female in order to experience an interracial teenage romance, which again, doesn't seem to go anywhere in terms of the general narrative. It just serves as filler content, which didn't appear in the literary source.

It's only fair to add that the film, despite the changes mentioned, does stick very closely to its source material's welcome environmental and domestic relationship themes. Thankfully too, it does manage to coalesce into a genuinely moving climax. It's just that Blueback's storyline unwinds at such a languid pace, there are precious few thrills and unexpected excitements in getting there.

Blueback is a frequently charming and completely inoffensive and wholesome family film. (I have no idea why its Australian Classification is M - mature audiences.) But for this punter, its lack of a genuinely engaging screenplay, made for an overall underwhelming cinematic experience.

Abby, a young woman working as a marine biologist, recalls her teenage years with her mother in Western Australia. She is introduced to the diverse marine life in the bay she grew up in, makes friends with a blue groper and helps her mother fight to protect the bay's marine life from encroaching property developers.

A straight-forward, heart-felt film with a pleasant, leisurely pace about pursuing a passion to protect something you care about, aimed at a young audience. The flash-back narrative structure is nostalgic and makes clear why the adult Abby is working to protect the bleaching coral reef, but it obviates any emotional or dramatic impact from either time-period. The underwater photography of the ocean life, and the actors interacting with it, is very beautifully shot, tranquil and convincing of the film's thesis, to protect ocean life. Though short on depth and complexity the film successfully depicts the simplicity and integrity of spending your life caring for your immediate environment.

The foremost criticism of Blueback is the same one everyone makes when they've read the book first: why are some things left out (to save time, supposedly), then other things added in. This is a general thing that's annoying about movies, so not singular to this movie. With that out of the way, it's a pretty good adaptation of Tim Winton's book. It conveys the story accurately, has the main scenes you're waiting to see, has the same message, etc. The cinematography is excellent. Breathtaking natural footage, which really fits with Winton's message, that the ecosystem here is beautiful and should be cherished and cared for. Bravo.

Blueback is a film adaptation of Tim Winton's 1997 novel of the same name, directed by Robert Connolly and starring Mia Wasikowska, Eric Bana and Radha Mitchell. The film tells the story of Abby, a young girl who befriends a wild blue grouper while diving in the pristine waters of Western Australia. As Abby grows up, she learns about the threats facing her marine friend and her home, and decides to take action to protect them.

The film is a visually stunning ode to nature, with breathtaking underwater scenes that showcase the beauty and diversity of life in the ocean. The film also explores themes such as family, identity, activism and environmentalism, with a strong female perspective. Wasikowska gives a nuanced performance as Abby, who evolves from a curious child to a passionate woman. Bana and Mitchell are also convincing as her supportive father and mother, who share her love for the sea.

Blueback is a moving and inspiring film that celebrates the bond between humans and animals, and the importance of preserving our natural heritage. It is a film that will appeal to audiences of all ages who care about our planet.

I have enjoyed previous Tim Winton book adaptations for the screen, but BLUEBACK is disappointing. While the film stays true to the book's messages of environmentalism and empowerment, it took too long to get there and didn't offer a deep enough story to keep me invested. BLUEBACK follows the journey of a young girl, Abby (Mia Wasikowska), who discovers a wild blue grouper while diving and is inspired to take action towards preserving Australia's coral reefs from destruction. She becomes an enthusiastic crusader for protecting the delicate ecosystem and its inhabitants.

The visuals are stunning, with beautiful shots of the ocean and its creatures, but they don't make up for the simplistic narrative. The movie focuses heavily on Abby and Dora's relationship, yet there is not enough development or depth to it. There could have been more exploration of the other characters who play significant roles in the story.

BLUEBACK failed to make an impression on me with its lack of narrative complexity. While its messages of environmentalism and empowerment will appeal to some viewers, its slow pacing and lack of story make it an overall underwhelming experience.