Braquer Mussolini

This film tries to be a free run quoting old films like Mario Monicelli's "Soliti ignoti" and other films that were successful comedies of the glorious past of Italian cinema. It also feels free to use music of more recent times, willing to be walk back and forth of time. All this could be good, but at the end it doesn't work. Why? Because the characters are not well designed and the actors are lost in their grotesque representation. An expensive film with a lot of noise and action that does not excite and leads nowhere. You could take just as fun action, but it fails to do so and the narrative gets lost in the attempt to amaze the viewer. I wish Netflix could focus on more meaningful films!

This is, in many ways, Renato De Maria's Italian version of Quentin Tarantino's Inglourious Basterds. It is a historically based piece of film fiction where the premise involves the use of Mussolini and the Italian Fascists as the basis for the story. A group of men discover a plan by Mussolini to flee Italy with his his country's riches as the war is coming to a close. The plot is to steal the gold and escape pic h and free men. The movie is well scripted, shot, and directed. The cinematography and costumes are very good. The acting is good. Matilda de Angelis, the star of HBO's The Undoing, is very good in this. The film is good and I love that so many war films focus on Germany and Hitler, but this one uses Mussolini and the Italians as a focal point. While it is good, it is not as compelling, well filmed, or well scripted as a Tarantino film. That is okay. Many films do not.

The quality of the cinematics is good and the historical details too. The faces all match the characters and the acting is good - all but for Castellitto Jr who is kind of unwatchable so bad he is this spoiled brat!

The best character who made the movie interesting is Maccio's.

The best acting is that of the fascist general, who is a new face for me in Italian cinema, but very interesting.

The song arrangements were also good and, let's say, 'innovative classics'!

A bit predictable development and ending, but still better than the usual action hollywood movies of the past 15 years.

I feel that there are excess of Nazi based movies in the history of cinema and too few Fascist based movies because of one big reason: with the Nazis, hollywood can show Americans fighting evil, but with Fascist they would have to acknowledge the big role of Socialist freedom fighters! Usual obscurantist hypocrisy.

Don't take this so seriously and don't expect too much. The actors delivered a very good performance. The substance of the story lacks and some cheesy holes let's questions open.

The spoken language is cool and the music remembers at times the war movies of the sixties. I don't think this movie is based on true events. The way they attacked the head quarter was really too easy to get in.

The costumes and sceneries were well created.

Nice landscapes at the end and who knows if there wil ever be a sequel.

Finally I spent anyway an entertaining time cause I have for the moment really not more options to see on Netflix.

5/10.

This is a fun movie if you don't take it too seriously. Without question, it borrows from all kinds of other movies. The characters are more like caricatures than rounded characters. The main plot involves a heist of gold and other treasures hoarded by the Mussolini regime to fund his war campaign when they were still allies of the German Nazis. The story takes place during the last days of the Second World War, just prior to Mussolini's dethronement.

The movie features elements you may recognize: Among the good guys: the heist organizer, the sharp-shooter, the alluring young lady, the acrobat, the code-breaker, the race-car driver, and the anarchist.

Among the baddies: the sadistic fascist officer, his wife, a washed-up Hollywood-type actress, and his henchman.

The settings: an officer's palace, a hideout, a militaristic compound with its prisoners and hoard of treasure.

Pietro Lamberti is the amoral entrepreneur who has been trying to sell arms to different militaristic factions with albeit mixed results. His code breaker, Amedeo, intercepts a transmission that Mussolini's hidden treasure might be lifted and taken to Switzerland by one of his high-ranking officers. They know they're going to lose the war, so why not take the money and run? Pietro decides, instead of trading in arms, maybe they can steal the gold.

In true Ocean's 11 style, we hear Pietro's voice-over as he describes the different people he wants to recruit for the heist. Each has a brief scene which tells us who they are, more or less. Sound familiar? There's even a scene which is a throw-back to Sergio Leone's "The Good, the Bad and the Ugly".

True to these kinds of movies, Federal Secretary Borsalino, a sadistic high-ranking officer in Mussolini's regime, runs the Dead Zone. The Dead Zone is a military complex where not only the gold is stashed but where prisoners, both political and military, are incarcerated, some awaiting execution. Borsalino is having an extra-marital affair with a young singer, who also happens to be the lover of Pietro! He is planning to take the gold and the girl no less for himself.

His estranged wife, Nora Cavalieri, is a throw-back to Old Hollywood, but now her career is on the skids because she's older and can no longer play young female characters. She also knows about the gold and the younger woman.

The result is an entertaining and enjoyable fantasy flick where all the different nutty characters interplay. A few twists and turns make the story a bit unpredictable. And as I said at the beginning, if audiences don't take it too seriously, it's 90 minutes of entertaining cinema. Is it based on a true story, as implied? Probably not.