BearCity

Not totally awful since there are a few hot guys scattered throughout the film. But a weak script with even weaker acting and very sluggish direction do not make much of a film. Yes, In know it is an indie, but let us stop making excuses for indie films. The film revolves around the Tyler character and his coming out in the bear scene. Everyone in the film is so crazy over this Tyler guy but he just is not all that. Highpoint of he film, if that is what you want to call it, is a hilariously bad scene of Tyler learning how to bowl. The marketing department promotes this film as channeling the Sex in the City series. Not even close. Another subplot has to to with a character who wants to get his stomach stapled. And yet another subplot is about a bear couple trying to decide if they want to "open up their relationship." All in all, the is movie that goes nowhere and is deadly boring along the way. My advice: go rent anything but this film

A movie is good when a script is plausible, the directing taking risks while making smart, wise choices, the actors loose themselves and find an inner voice, and the music, wardrobe, location and atmosphere comprehensively transport me from my personal reality to the reality of the "living" movie. It is under this simplified rendition of how I watch movies, that judge whether a movie is good.

I do not project my past onto the art of the movie makers.

I go to movies to escape from my here and now and to go on the creative journeys others provide. The only question is: Is the movie a complete trip, as described above, to sustain my journey, my escape.

So, did BearCity take me on a journey? Yes! All the necessary pieces were in place. There was humor and anger, laughter and louder laughter, and with each scene, the plot and tension pulled me in deeper and deeper. There were no serious or minor missteps that made me remember I was escaping.

At movie's end, I - like 80 percent of the audience who journeyed with me - stood and applauded. So, while my life and the lives of the character's may not be trace the same biographical story, the movie itself provided me with a journey into another life, another world where I could wholly believe in life. 9 out of 10.

It's nice to see a movie about Bears. There are not that many out there. The scene stealers were Brian Keane and Stephen Guarino. If the movie was just about them, it would've gotten a ten. They were extremely funny and very cute together. They had the best scenes. I love the shower/threesome scene; that had my husbear and I reeling with laughter. I didn't quite understand the whole attraction with Roger's character. Tyler would've been better off not having anything to do with Roger. Also, it was a little too sickly sweet with Carlos and Michael, but I still liked it. All in all, an extremely enjoyable film. I am looking forward to the sequel.

BearCity is a movie that not hiding about talking topic like gay and it goes deeper than that it's explore the 'Bear' in gay culture which is kind a popular actually.

The thing i like about this film is it's exploring the unique topic like not being just gay but being gay while loving older men or so call 'Bear' and goes to explore problem of these kind of relationship which the main problem actually is the age gap different which cause different opinion and physical problem like health .

the problem is the directing and script is just mediocre script is cliché and every conflict seems too easy to solve without much problem not counting the fact that almost every conflict in this movie is just shallow while the directing is just bland i mean it's not like boring but it's just nothing unique at all makes the movie unmemorable which is a shame since this kind of topic is really unique unfortunately the execution is not that great .

BUT it's still a decent movie though it's a fun movie that has unique on it's own with fun laugh and real life issue even it's has a lot of flaws.

Cute with the typical amateurish qualities that make gay films of this nature either charming or painful, depending upon your sensibilities. The acting is earnest but decidedly nonprofessional. The only standout is Gregory Gunter, whose character (Michael) is utterly compelling and which Gunter plays with pathos and humor but not self-pity. Gerald McCulloch as Roger is large unwatchable, though it's hard to tell whether it's because his character is such a d***head or because the actor's own ego kept popping through. (If you watch his endless interview after in the DVD highlights, you'll see what I mean.) It's tough to make a film centered around bar culture without making it seem petty, vulgar, soul-crushing, and at least occasionally self-destructive; and it's an open question whether the directors nudged a bit to highlight those aspects or whether they were simply recording cinéma vérité. With all the sweetness that comes through in the struggles of the film's couples (complete with serious and often over-the-top drama), the film's central mystery remains what Tyler (Joe Conti) could possibly see in Roger, a smarmy, shallow, ego-bloated scene queen who not once but half a dozen times snubs Tyler to his face because Tyler isn't bear enough or muscley enough (or something enough) for the superficial, middle-class-white-boys-with-gym-memberships crowd by which Roger judges himself and his actions. Or, to put it another way, you may never understand why Tyler falls for and pursues Roger (to the extent of giving himself a makeover –a move that likely guarantees the doom of any relationship) and you'll certainly find yourself asking whether he has a shred of self-esteem in his body. The fact that Roger isn't what anyone could reasonably call a bear only adds to the confusion. Personally, I'd have gone for a little less Jennifer Anniston-esque comedy and paid a little more attention to the serious and genuinely dramatic (as opposed to simply flamboyant) issues that the film skates over like thin ice before turning safely back to shore: self-esteem issues among big men and the difficulty of cultivating and maintaining a positive body image in a gay "culture" ruled by gym Nazis and diet maniacs; the painful issue that's raised in the Michael-Carlos couple when Michael considers getting lap-band surgery (is he going to wind up so thin that Carlos won't be attracted to him anymore?); the double "coming out" required of non-bears who are attracted to men who are hairy and/or fat and/or older than they are and who face ridicule for their desires; and the uneasy co-existence of working-class bears and their middle- to upper-class counterparts who wear similar drag and occupy the same physical spaces in which "bear culture" is practiced but who, arguably, are essentially antagonists. _Bear City_ seems to intend to be a coup against the slavish cultural propaganda promulgated by so many "gay" indie films, but it's more of a bitch slap than the good hard sock in the jaw that's needed. Still, the film deserves credit for its beau geste and for starting a conversation within a medium that tends to pretend it doesn't understand the question.