A young man consumed by vengeance, Yudhra infiltrates a ruthless cartel to avenge his murdered parents, only to discover a dark truth about his past that will test his limits.A young man consumed by vengeance, Yudhra infiltrates a ruthless cartel to avenge his murdered parents, only to discover a dark truth about his past that will test his limits.A young man consumed by vengeance, Yudhra infiltrates a ruthless cartel to avenge his murdered parents, only to discover a dark truth about his past that will test his limits.
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Just another typical bollywood action flick. Predictable, most the time. Cinematography was good but music was below average, you literally want to leave the theatre when songs hit the screen. Everyone acted well but the poor storyline failed this movie. It starts very well and had the potential till the jail scene but it looses the grip with time and ends up plain with a predictable plot. The protagonist was not clear in his motives as well, at one scene you'd feel that he'll do anything for someone and on the other scene he's just not interested. It's not worth your time, better watch a regular decent Netflix action thriller at home.
Yudhra (2024) :
Movie Review -
Ravi Yudyawar's action drama Yudhra has proved again that not every action film with gore violence be "Animal" or "Kill." The action and violence aren't the only two materials that complete the film, but there are some things called the director's vision, passionate performances, and honest storytelling that fulfill the film's potential to prosper. Yudhra fails on every single front there. Siddhant Chaturvedi and Malavika Mohanan's action thriller turns out to be headless trash that you can hardly afford to watch.
Yudhra Rathore (Siddhant Chaturvedi) struggles with anger issues that have everything to do with his genetic trauma after his father and mother's accidental deaths. From childhood, he can't control his anger, and even his foster father can do nothing to stop him. Yudhra and his childhood friend, Nikhat (Malavika Mohanan), fall in love, but then Yudhra loses his temper yet again and is sent to prison. There, he learns the truth about his father's death and embarks on a mission to find the killer to seek revenge as well as help the nation's security. Will he be able to complete the mission?
The screenplay of Yudhra drags every 15 minutes because it hasn't got anything to hold the viewers. Every 15 minutes you have a useless scene that damages the tempo built by the previous 15 minutes, and then the same story repeats in the next interval. The first half goes into the introduction of messy characters that fail to make a connection with the audiences. Be it Yudhra, Nikhat, Firoz, or Shafiq, you don't feel attached to any of them, and they just keep wandering on the screen to grab your attention-all for zero results. The romance between Yudhra and Nikhat is terribly presented and is strictly for roadside romeos, but sadly it is portrayed by educated students belonging to medical and army streams. Wow, such stupidity! Unlike Kill, where the simplicity of the character drags you into the narrative even if it's set in a single place, Yudhra is far more diverse but extremely disturbing with the locations and characterizations.
Siddhant Chaturvedi grabbed everyone's attention with Gully Boy, and he was indeed very good there. But what's he doing after that? Or rather, how can you go so wrong after that? Bunty Aur Babli 2, Phone Bhoot, Kho Gaye Hum Kahan, and now Yudhra, what's this? Bro, this is not what I want from you. Be more sensible with the choices because we have seen your potential in Gully Boy. Malavika Mohanan looks hot, and that seems to be the only compliment from my side, because acting and all, sorry, wrong number! Raghav Juyal fails to create the Kill magic here and how! Raj Arjun plays a deadly villain, Ram Kapoor is dated but decent, Gajraj Rao was okayish, and Shilpa Shukla is wasted.
On the technical front, Yudhra has a decent sound design and background score. The music is unnoticeable, the cinematography isn't good, and the editing is poor. 142 minutes for the story, which doesn't even deserve 42 minutes of your time, seriously? Either we need better stories or we need better editors who know how to engage audiences for two hours. Shridhar Raghavan has written average stories like "War" (2019) and "Pathaan" (2023) in recent times, which were uplifted by huge scale and the director's vision of larger-than-life cinema, but Yudhrat lacks that. Ravi Udyawar is not Siddharth Anand, nor does the film have any big superstars to survive. Ravi's outdated vision hampers Yudhra more than anything, and the production value also looks compromised. As a whole, it's a big mess, but more than that, it's close to a headache point. Please stay safe at home.
RATING - 3/10*
Ravi Yudyawar's action drama Yudhra has proved again that not every action film with gore violence be "Animal" or "Kill." The action and violence aren't the only two materials that complete the film, but there are some things called the director's vision, passionate performances, and honest storytelling that fulfill the film's potential to prosper. Yudhra fails on every single front there. Siddhant Chaturvedi and Malavika Mohanan's action thriller turns out to be headless trash that you can hardly afford to watch.
Yudhra Rathore (Siddhant Chaturvedi) struggles with anger issues that have everything to do with his genetic trauma after his father and mother's accidental deaths. From childhood, he can't control his anger, and even his foster father can do nothing to stop him. Yudhra and his childhood friend, Nikhat (Malavika Mohanan), fall in love, but then Yudhra loses his temper yet again and is sent to prison. There, he learns the truth about his father's death and embarks on a mission to find the killer to seek revenge as well as help the nation's security. Will he be able to complete the mission?
The screenplay of Yudhra drags every 15 minutes because it hasn't got anything to hold the viewers. Every 15 minutes you have a useless scene that damages the tempo built by the previous 15 minutes, and then the same story repeats in the next interval. The first half goes into the introduction of messy characters that fail to make a connection with the audiences. Be it Yudhra, Nikhat, Firoz, or Shafiq, you don't feel attached to any of them, and they just keep wandering on the screen to grab your attention-all for zero results. The romance between Yudhra and Nikhat is terribly presented and is strictly for roadside romeos, but sadly it is portrayed by educated students belonging to medical and army streams. Wow, such stupidity! Unlike Kill, where the simplicity of the character drags you into the narrative even if it's set in a single place, Yudhra is far more diverse but extremely disturbing with the locations and characterizations.
Siddhant Chaturvedi grabbed everyone's attention with Gully Boy, and he was indeed very good there. But what's he doing after that? Or rather, how can you go so wrong after that? Bunty Aur Babli 2, Phone Bhoot, Kho Gaye Hum Kahan, and now Yudhra, what's this? Bro, this is not what I want from you. Be more sensible with the choices because we have seen your potential in Gully Boy. Malavika Mohanan looks hot, and that seems to be the only compliment from my side, because acting and all, sorry, wrong number! Raghav Juyal fails to create the Kill magic here and how! Raj Arjun plays a deadly villain, Ram Kapoor is dated but decent, Gajraj Rao was okayish, and Shilpa Shukla is wasted.
On the technical front, Yudhra has a decent sound design and background score. The music is unnoticeable, the cinematography isn't good, and the editing is poor. 142 minutes for the story, which doesn't even deserve 42 minutes of your time, seriously? Either we need better stories or we need better editors who know how to engage audiences for two hours. Shridhar Raghavan has written average stories like "War" (2019) and "Pathaan" (2023) in recent times, which were uplifted by huge scale and the director's vision of larger-than-life cinema, but Yudhrat lacks that. Ravi Udyawar is not Siddharth Anand, nor does the film have any big superstars to survive. Ravi's outdated vision hampers Yudhra more than anything, and the production value also looks compromised. As a whole, it's a big mess, but more than that, it's close to a headache point. Please stay safe at home.
RATING - 3/10*
Despite stylish direction and good performances, Yudhra is let down by poor writing, forgettable music, and weak storytelling. It falls flat due to weak screenplay and a lack of coherence in its execution. Directed by Ravi Udyawar, the movie starts with promise but quickly devolves into a long, bumpy ride that leaves viewers dejected and exhausted by its 142-minute runtime. While the action is visually engaging, it can't save the lackluster script, which lacks depth and clarity.
The cast delivers commendable performances, with Siddhant Chaturvedi standing out as a convincing action hero. His physicality and commitment to the role are apparent. Malavika Mohanan delivers a fine performance as well, particularly in the action scenes where she shines. Raghav Juyal, while stronger in his previous roles in "KILL" and the thriller series "Gyaarah Gyaarah," plays a terrific villain here, even though the film's writing doesn't do him justice. Supporting actors like Gajraj Rao, Raj Arjun, and Ram Kapoor are solid in their respective roles.
The dialogue feels forced and the screenplay is equally weak, meandering aimlessly without a clear sense of direction or purpose. Unfortunately, the editing does little to remedy this, and tighter cuts could have significantly improved the flow of the story. The music is another letdown. Quite forgettable, the songs fail to leave any lasting impact and feel out of place. With poor music and a sluggish script, the film struggles to find its rhythm.
Direction 2.5/5 Acting 2.5/5 Dialogues 2/5 Story 1.5/5 Screenplay 1.5/5.
The cast delivers commendable performances, with Siddhant Chaturvedi standing out as a convincing action hero. His physicality and commitment to the role are apparent. Malavika Mohanan delivers a fine performance as well, particularly in the action scenes where she shines. Raghav Juyal, while stronger in his previous roles in "KILL" and the thriller series "Gyaarah Gyaarah," plays a terrific villain here, even though the film's writing doesn't do him justice. Supporting actors like Gajraj Rao, Raj Arjun, and Ram Kapoor are solid in their respective roles.
The dialogue feels forced and the screenplay is equally weak, meandering aimlessly without a clear sense of direction or purpose. Unfortunately, the editing does little to remedy this, and tighter cuts could have significantly improved the flow of the story. The music is another letdown. Quite forgettable, the songs fail to leave any lasting impact and feel out of place. With poor music and a sluggish script, the film struggles to find its rhythm.
Direction 2.5/5 Acting 2.5/5 Dialogues 2/5 Story 1.5/5 Screenplay 1.5/5.
This is an absolute garbage fest. The writer should be ashamed of himself. The movie is full of plotholes and inconsistencies. It cannot even follow it's own logic. In one scene, the hero takes a lot of time to go from location A to location B and in the very next one, he just teleports from one place to another. Sometimes the hero instantly heals from his wounds and other times he is seriously injured.
Now, I know that this is one of those switch off your brains kind of movie but even then, there is absolutely nothing interesting happening on the scene. The action is fine. The fight choreography is average, nothing the audience hasn't seen before. The romance is non existent. The less said about the plot, the better. And don't even get me started on the music. It is an absolute nightmare. I feel as if two second-graders have written this movie, and even that is an insult to the creativity of second-graders. This movie has the god awful lyrics of "Hat jaa baaju mein! Aane de Hawa" as the main song underscoring the entry of the villian and the hero. The first proper action song and this is what they give us.
The only reason I can think of as to why someone would pay to make this movie is to elevate the level of other Indian Releases. They want to be able to market average movies, and hence they are making the public used to the bottom of the barrel. Don't watch this movie, even for free.
Now, I know that this is one of those switch off your brains kind of movie but even then, there is absolutely nothing interesting happening on the scene. The action is fine. The fight choreography is average, nothing the audience hasn't seen before. The romance is non existent. The less said about the plot, the better. And don't even get me started on the music. It is an absolute nightmare. I feel as if two second-graders have written this movie, and even that is an insult to the creativity of second-graders. This movie has the god awful lyrics of "Hat jaa baaju mein! Aane de Hawa" as the main song underscoring the entry of the villian and the hero. The first proper action song and this is what they give us.
The only reason I can think of as to why someone would pay to make this movie is to elevate the level of other Indian Releases. They want to be able to market average movies, and hence they are making the public used to the bottom of the barrel. Don't watch this movie, even for free.
Yudhra is undoubtedly one of the best action movies I've seen! From start to finish, it's a full paisa vasool experience. The stunts and fight choreography are exceptional, showcasing Siddhant Chaturvedi's incredible talent. His dedication to the role shines through, and he has truly become a new action star in Bollywood. The chemistry between him and Malavika Mohanan is palpable, making their scenes together enjoyable and engaging. Raghav Juyal, as the menacing villain, adds a fantastic twist to the film, making it a must-watch for anyone looking for a thrilling cinematic experience. Don't miss this one!
Did you know
- TriviaRaghav's second negative role after Kill.
- How long is Yudhra?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Юдхра
- Filming locations
- Coimbra, Portugal(bike chase)
- Production company
- See more company credits at IMDbPro
Box office
- Gross worldwide
- $82,749
- Runtime2 hours 22 minutes
- Color
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