User reviews

Well, I certainly wanted to see this till the end. And I was really pleased that it was tautly written and directed in six episodes rather than the usual eight.

The actual premiss was not credible - a psychopathic serial killer of such magnetism that he made women swoon for him even when they knew what he had done and what he was capable of. However, once one got over that it was easy to lose oneself in the plot that gathered in intricacy as the episodes rolled by.

At the same time, lead Inspector Sonja Becker was struggling with the after effects of a violent crime that had been committed against her. This led her into some sort of affinity with the killer who was correspondingly fascinated by her.

The final part of the last episode was a shocker and not particularly convincing in the winding up of both storylines. Nonetheless this was a good few hours of escapism.

This is a standout German crime series that manages to elevate familiar genre tropes into a high-stakes, emotionally charged thriller. Spread across six tightly written episodes, the series follows Sunny Becker (played with impressive nuance by Friederike Becht), a State Criminal Police Office investigator returning to duty after surviving a traumatic rape. Now, she's thrust into a manhunt for escaped murderer André Haffner (Felix Klare), a charismatic yet chilling figure whose obsession with Sunny becomes central to the cat-and-mouse game that unfolds.

While the premise-an investigator haunted by trauma chasing a killer who seems always one step ahead-feels reminiscent of many Western crime dramas, director Florian Baxmeyer injects fresh intensity into the narrative. Through striking visuals and an ever-tightening script, the Series builds an atmosphere of relentless suspense.

The psychological complexity of the characters is a real strength here. The killer, though written with arguably exaggerated magnetism, becomes a mirror to Sunny's own internal battle. The writing peels back emotional layers over time, and this slow reveal lends the show a richness that keeps viewers engaged well past the first episode. The team dynamics within the Police Office also add tension, as trust begins to fracture and hidden motives surface.

Though the Series falters slightly with an implausible final twist and a rushed resolution, the journey remains gripping. It's a rare case where the cliché setup is more than redeemed by smart direction, stylized tension, and a powerhouse lead performance. The decision to keep it to six episodes rather than stretching to the usual eight also works in its favour.

All in all, Schneller als die Angst is a dark, well-acted thriller that dives into trauma, obsession, and survival with a surprising level of sophistication. It may not break the mould, but it sharpens every piece of it into something compelling.

Wants to be edgy and cool but is just predictable nonsense. And the director is obviously a big fan of Tony Scott what makes his camera work hard to endure. So do yourself a favor and don't even start this charade in 6 parts watching...