User reviews

Pretty reasonable overall but about 3 episodes too long. Story is rather weak but there are quite a few action scenes and reasonable character development.

Production and casting ok but on balance I wouldn't watch it again.

This show is decent in terms of plot and acting, but it's basically B-Grade. A young Norwegian girl visiting Israel is captured by Isis along with her friends, an Israeli brother and sister. Her mother, who comes to find her, enlists the help of an unlikely ally, and dot dot dot....

There are some strong players in this show, along with good scenery and production, but it's very formulaic and the characters fall flat in large part because of the choice to make all the main players converse in English. It makes sense, since the Norwegian mother is fluent in the language and even participated in the Oslo talks, as did the main Israeli touch-point. The daughter who is kidnapped is fluent too. As is, apparently, the head of of the Palestinian Authority in Gaza. And a Palestinian doctor she befriended at the time.

But it doesn't work. Because the actors are not fluent, and that's fine, and should have stayed that way.

After a few episodes of this, I felt like I was was watching the SNL "Norwegian Playhouse" sketch. The mother tells someone her plan will pay off "Big Time." He replies "Don't Mess With Me" (OK I made up the second part, but it's basically apt). It ends up sounding ridiculous. The scenes with subtitles work much better, especially those that feature the hostages and their captors, all of which are sufficiently tense.

Anyway, this is a weird mash-up of Scandinoir and "Fauda." It's OK, but not great.

Pia is a young Norwegian girl who hasn't told her parents that she has gone to Israel on holiday. While there she goes on a day trip to a beach in Egypt's Sinai Peninsula with an Israeli brother and sister. As they return through the desert their car is stopped by armed ISIS terrorists; their driver is killed and they are taken hostage. The terrorists demand the release of several prisoners; most are in Israeli jails but one is being held in Norway. Neither country wants to give in to terrorists but Pia's father, a lawyer, agrees to represent the man being held in Norway. Meanwhile her mother, is in Israel trying to pressure anybody who might be able to help to do what they can. Most prominent of these is the Israeli Intelligence Minister who she had got close to when he attended the Oslo peace talks in the early nineties some of her actions may make things worse.

I thought this was a fairly solid thriller; the tension is high whenever we are with Pia and her fellow hostages. Things aren't quite as strong when we are with her parents, in particular her mother whose actions don't seem like those of somebody who worked as a diplomat... everything she does seems to potentially make matters worse or harm other people. The acting is decent enough; annoying characters are more down to writing than acting. I did like the settings; especially the bleak deserts where much of the drama takes place. Overall a decent enough series; not a must see but good enough.

These comments are based on watching the series in Hebrew/Norwegian/Arabic with English subtitles; much of the conversation is in English as it is the language used by characters who don't speak other's native languages.

It has all the trimmings of an engaging political thriller with the powder keg that is the Middle East as backdrop. In fact, it harkens to the failed 1993 Oslo Accords. It is where the two protagonists Alex Bakke and Arif Shor meet for the first time.

Some viewers might consider the motivations of Alex for doing what she did as extreme, irresponsible or even implausible but we can suspend disbelief here and give her a pass considering that she's a desperate mother who only wants Pia to be rescued and be freed.

The directors are able to turn up the tension steadily as the story progresses. The viewer can appreciate the complicated situation faced by the protagonists although we glean that they, too, are practical individuals. The dynamics between Daesh and Hamas is quite interesting. This adds excitement to the film.

There are dramatic moments. One scene in particular tugs at the heart: when Nadav is reunited with his mother and estranged father.

The actors are good. Aside from Annake von der Lippe whose strong performance as Alex is admirable, credit should be given, too, to Raida Adon who portrays Layla al Kelani. Those who are fans of Fauda might recognize Shadi Mar'i and Boaz Conforty in this series. They play the roles of Walid al Abed and Avichai, respectively, in Fauda.

The viewer appreciates the locations of the series---from Oslo to Sinai. Perhaps, this is one rare film that makes copious use of wide-angle shots of biblical Sinai with its barren peaks.

Watch out for Season 2. The last scene of Episode 2 sets up the incoming new season.

Normally a fan of Israeli based shows but this has to be one of the worst shows on Netflix. Can't believe how the makers allowed Alex's character (Pia's mother) to be unbelievably toxic!

I liked this abd I'm picky. Interesting story line showing different world views and cultures. Most new releases are unbearable and I Watched the entire season of this in 1 day.

Yes. The mother drove me bezerk watching this. If you were a top politician/negotiater before, how come you get braindead 20 years after?

The girl. Everytime something happens she screams like a hurt pig. If something happens, you concentrate to get your ass outta there and quiet. Dont think the writer/author likes women.

When it comes to the story it is a bit simple. Israelis have made really excellent series before, but this was not a great moment. If you want to watch somethin while you wait for your pizza its ok.

There is a lot that is wrong with this series. The characters annoyed me. Especially the kidnapped daughter Pia and her pain in the butt mother. Maybe do yourself a favor and watch episodes 1 & 2 then reward time is due, skip to the last one episode 10.

I don't get the negative reviews here, but maybe I'm just not that familiar with the middle east and how things are over there. Regardless, if you like suspense, this one had me biting my nails. I'm glad it's several episodes, because it gives me something to look forward to in the evenings. There are disturbing scenes and frustrating ones, but I didn't find anything wrong with the acting. I am a very picky viewer and won't even tune into anything if it's not well done, so I honestly don't understand why others didn't appreciate it. Norwegian programs are usually far better than silly American stuff. Try Witch Hunt (with subtitles, of course) for another absorbing Norwegian program, although I did like this one better. Happy viewing!

Good acting tells a story full of suspension and unexpected twists and turns in the plot.

Shame thought, that some of the plot's facts - in some cases crucial to the plot's validity - are unrealistically weaved in, or impossible to be true, making the plot seam exaggerated or shallow. This shaved off some points from the rating.

Nonetheless, fantastic and lacking of authenticity as it is , you'll find yourself at the edge of your sit untill the last frame.

In case you have watched Fauda than you can watch this series. You may not find this series any where near to Fauda. Still it is watchable due to its excellent cinematography . Story telling is interesting but story it self is outdated in present context. Acting of most the actors is ok to good. In case you have not watched Fauda I will suggest you watch Fauda and than if you have extra time than you can watch this series.

As the credits rolled on the final episode of The Girl From Oslo, I found myself both satisfied and yearning for more. This Norwegian-Israeli thriller, now streaming on Netflix, deftly weaves together espionage, family drama, and heart-pounding action,bringing fiction and current reality to an unbelievable co-existence.

Plot Summary: The story kicks off in Oslo, where Alex Bakke (played brilliantly by Anneke von der Lippe) and her husband Karl (Anders T. Andersen) embark on a desperate quest to find their daughter, Pia (Andrea Berntzen). Pia has vanished in Israel, and her mysterious disappearance leads Alex to confront old friends, buried secrets, and the shadowy world of intelligence agencies.

What Sets It Apart: The Girl From Oslo stands out for several reasons:

Character Depth: The characters are more than mere pawns in a geopolitical chess game. Their emotional struggles, personal histories, and complex relationships add layers of authenticity.

Twists and Turns: Just when you think you've figured it out, the plot takes an unexpected detour. The show keeps you guessing, and the revelations hit like a well-aimed punch.

International Flavor: The split setting between Norway and Israel provides a refreshing change. The scenic beauty of Oslo contrasts with the tense streets of Jerusalem creating a rich visual tapestry.

Parental Anguish: Anneke von der Lippe's portrayal of Alex's desperation is gut-wrenching. As a mother fighting against time and terror, she delivers a performance that resonates.

Moral Dilemmas: The show grapples with tough questions. Should governments negotiate with terrorists? What sacrifices are justifiable for a loved one's safety?

Minor Quibbles: While some critics argue that the plot is predictable, I appreciate that The Girl From Oslo doesn't shy away from tackling real-world issues. Yes, it occasionally leans on familiar tropes, but it does so with conviction.

The creators did not explain anywhere who is who in the desicion making forum in Israel as portraied by the various participants.

The character of the Israeli chief of the general staff of the IDF is pathetic and humiliating making him obsolete.

Final Verdict: If you're a fan of shows like Homeland and Fauda, give this one a shot. It's a binge-worthy ride that balances heart-pounding action with emotional depth. And remember, sometimes the most dangerous secrets lie closer to home than we realize.

The Girl From Oslo may not be flawless, but its strengths far outweigh any shortcomings. So grab your popcorn, settle in, and let the suspense unfold.

I liked this overall,swings quite a bit,up and down but overall got into it..maybe because i was in the sinaii long time ago,landscapes....acting a bit much..not an uncommon phenomena...worth a watch...episodes go fast...pace!(peace too!)

Loved it except for Pia's Mum Alex. The actress who played that role truly ruined it for me. Overacting most of the time.... What's with the eye flicking to and fro like nystagmus when talking to a person next to you??????

..... and underwhelming when it needed to be.

Never a goldilocks moment with this actress.

Take her out and the rest was really good. Bit like Fauda.

I thought the other characters were played exceptionally well. Especially Arik. I don't know his name but he played the character so well. I do not think anybody could've done better. Then there's Yousuf's character and his Mum. All played their parts well except for Pia's Mum.

Quite enjoyed it. However loses stars and ratings as the mother has to be one of the worse annoying And irritating ones I've ever seen on tv or screen.

I was truly chocked when I saw the bad reviews. Both me and my girlfriend got hooked from the very first episode and we have recommended this series to friends and family. The acting is outstanding and the tension is there all the time. Whenever an episode ends you want to see the next right away. This series should deserve a 7-9 grade. I give it a 9.

I dont know if the actress, who had the re of mother of Pia, had to play a very unsympathetic irritating stupid woman.

If she had to.... Great performance!

But I dont think so, because she was a very important diplomat. She made nothing of it. Also her husband was far from convincing. 2 Norwegian actors, I know Norway dóes have good actors.

But: Very good camera work, its thrilling, interesting and the other actors are profs. The story is not always close to reality, that's a pity.

Bad and far from convinving acting especially the Norwegians. The plot is in someway good but the stereotypical ideas drawing the Arabs as savages and uncivilized is quite clear. Even when it comes to the religious, the Jews are the good ones the Muslims are the violent. Whereas it is usually the case for Scandanavian shows to be more secular when it comes to people of beliefs.

The civilian victims in Gaza are intentionally ignored.

In brief, this series is far from objective. I've seen Israeli shows that are far more objective that this one.

Some people have reviewed and said something about using inexperienced actors ..possibly true but every actor has to start someware for amatuers its worth the watch ..fed up of all star casting and great so see new faces instead of the same old faces.

Bortfort (or 'Girl from Oslo') is a watchable albeit un-earthshattering Israeli drama of the Fauda genre.

It doesn't force any feelings one way or the other for either side and just let's you feel the pain of what each person is going through and the difficulties of their individual journey. Realpolitik, how things will be perceived, as well as personal mistakes and weaknesses from the past all play a part in the characters' stories.

Not going to change your life but easy to watch drama. If you're going to choose one of the two though, Fauda is much more action-packed.

Maybe this would have been passable, as a movie, in the 90s but not for 2021. An unrealistic storyline and also quite boring. Non of the characters are likeable. It would easily be forgettable as a movie but they had to prolong the torture and turn it into a series.

Nothing exceptional in the story but full of beautiful landscapes from the Israeli desert.

Interesting Netflix cooperation with Norway and Israel film production. Some good suspense and sentimental moments. The story helps perhaps a bit better understand what is going on between the organization of Hamas and Daech.

The actors played all good the characters and congrats to the direction. 6/10.