A controlling, manipulative father locks his three adult offspring in a state of perpetual childhood by keeping them prisoner within the sprawling family compound.A controlling, manipulative father locks his three adult offspring in a state of perpetual childhood by keeping them prisoner within the sprawling family compound.A controlling, manipulative father locks his three adult offspring in a state of perpetual childhood by keeping them prisoner within the sprawling family compound.
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- 21 wins & 21 nominations total
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For me, this guy's movies are hit & misses......mostly misses, if I'm being honest. I think the reason I continue to watch them is because I feel it lets me peek into how someone insane behaves in real life.
This particular movie is amongst the worst and it irritated me that I watched it until the end. But it's one of those things where you want to hang in there hoping it gets better or starts making sense at some point (it doesn't).
The concept was good - the execution: not so much. He continues with his normal dead pan characters (which are becoming quite boring) and tediously plays along the edges of the grotesque; seemingly for effect I'm assuming.
I will still watch Poor Things, but with reservation and some wonder as to why I keep subjecting myself to this man's work.
This particular movie is amongst the worst and it irritated me that I watched it until the end. But it's one of those things where you want to hang in there hoping it gets better or starts making sense at some point (it doesn't).
The concept was good - the execution: not so much. He continues with his normal dead pan characters (which are becoming quite boring) and tediously plays along the edges of the grotesque; seemingly for effect I'm assuming.
I will still watch Poor Things, but with reservation and some wonder as to why I keep subjecting myself to this man's work.
If you are easily offended by bold unusual film-making especially in the areas of sex and violence do not see this film. That said I just saw this at the Palm Springs International Film Festival and thought it was a very interesting and very brave film. Well worth seeing if you can like strong, unusual films. Probably close to 30% of the audience walked out, but I was encouraged by the 70+% that remained, especially since most of the audience were 60+ Americans. The 20-somethings I talked to on the way out were very enthusiastic. The woman sitting next to me said "What did it mean? I don't understand" but to me there were enough deep meanings and points to ponder on a 30-minute drive home and I can't wait to tell friends about it. Everything from the dangers of creating a "perfect family" to "the mechanization of capitalism and upper middle class life" to metaphors for the dangers of repressive families and governments. At it's simplest, it proves that people, especially young ones, are in so many ways what their parents make them. This is not a film you will forget!
I was expecting some kind of "The Village" film... Just to avoid spoiling.. The lights turned on, the credits were running and everyone was quiet and searching for answers in others looks. Its best surprise that I've got in years. You don't have to be special to watch it, just sit and you'll end it living it, even that it isn't your life. I appreciate latter how good the movie was when I realized that all the scenes didn't need background violins to drive your emotions to a certain field. Everything goes by itself naturally. I just registered to post this, as I couldn't believe those bad reviews. I'm a normal guy that doesn't read reviews, but this movie is different and I was curious about how would other people feel about it. Maybe its one of those that you just love or hate, but at the end you'll feel something that isn't indifference.
Good camerawork and visual style don't make up for getting too many different themes like growing up and influences of belief mixed and muddled up. It is hard to pin down what exactly the writers were trying to say here.
On the other side we have a too slow pacing from start to finish and almost a non ending.
Rating: D
Rating: D
I must confess that I didn't understand 'Dogtooth', a film that has been billed in some quarters as a "satire"; but I fail to see what it is supposed to be satirising. A couple raise their children in isolation from society, and feed them a diet of false facts about the world; in apparent accordance with their parents' desires, the children grow up with a highly unusual set of behaviours, morals and perceptions. The false picture painted by the parents is frankly bizarre, but their offspring have no external knowledge by which to judge it. But I never got any sense of what motivates the parents to behave themselves in such a strange manner, and they seem to live a similar, fairly joyless existence to their kids. Presumably this film is meant to be about something; but to me, it just felt like a pointless oddity.
Did you know
- TriviaThe inspiration for the film came about because of a discussion Yorgos Lanthimos was having with some friends who were about to get married. When Lanthimos expressed doubts about the institution and family itself, he was struck by the idea about what would happen to a man who went to the ultimate extreme of protecting his family.
- GoofsWhen the boy brushes his shoes it is seen he touches the carpet with the brush, but the carpet stays clean.
- Quotes
Older Daughter: Mom, what is a "cunt"?
Mother: Where did you learn that word?
Older Daughter: On a case on top of the VCR.
Mother: A "cunt" is a large lamp. Example: The "cunt" switched off and the room got all dark.
- SoundtracksFly Me to the Moon
Written by Bart Howard
Performed by Frank Sinatra
Arrangement by Quincy Jones (uncredited)
Details
Box office
- Budget
- €275,000 (estimated)
- Gross US & Canada
- $110,248
- Opening weekend US & Canada
- $6,686
- Jun 27, 2010
- Gross worldwide
- $721,914
- Runtime1 hour 37 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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