Intent on shaking up the ultimate 'sacred cow' for Jews, Israeli director Yoav Shamir embarks on a provocative - and at times irreverent - quest to answer the question, "What is anti-Semitis... Read allIntent on shaking up the ultimate 'sacred cow' for Jews, Israeli director Yoav Shamir embarks on a provocative - and at times irreverent - quest to answer the question, "What is anti-Semitism today?"Intent on shaking up the ultimate 'sacred cow' for Jews, Israeli director Yoav Shamir embarks on a provocative - and at times irreverent - quest to answer the question, "What is anti-Semitism today?"
- Awards
- 6 wins & 7 nominations total
- Self
- (as Rabbi Hecht)
- Self - Minister in Charge of Anti-Semitic Affairs
- (as Isaac Herzog)
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Featured reviews
to me, any time Norman Finkelstein is allowed to go on camera and give his noxious views, that's a good thing. in fact, the whole movie affirmed the idea that "anti-Zionism" is just an excuse for anti-Semitism. I think this is the opposite of what the filmmaker wanted to prove, but there it is.
if you do see this film, please remember to take it with a grain of salt. example: Finkelstein says that there is no American anti-Semitism but there IS anti-Muslim feeling. according to FBI statistics, anti-Jewish hate crimes occur 8 TIMES AS OFTEN as anti-Muslim crimes. but Finkelstein doesn't back up his assertions with facts, since he wouldn't be able to.
the problem of anti-Semitism has been with us for thousands of years, and it isn't going away any time soon. this movie contributes to the conversation if watched with an open but skeptical mind.
The Anti-Defamation League really show their true selves in this video and do not even seem to notice. Complaints sent to them seem to be largely about Jewish folks not getting days off for holidays. That is not anti-Semitism. That is a work policy.
Interestingly, Norman Finkelstein is shown raw here, too. Finkelstein is a great scholar and critic of the Jewish lobby. Here is shown making statements that do not present him in a favorable light. While his underlying point is correct, he comes off like a ranting lunatic, which hardly helps his cause.
The filmmaker has a point of view, but he does not jam it down your throat. He humanizes the people he disagrees with, while exposing the flaws of those he does agree with. He presents the issue of perceived anti-semitism in all it's complexity but still draws the viewer to a real conclusion.
I thought the narration was a bit distracting because the filmer has a strong Israeli accent. Also, it was difficult to understand a few of the exchanges between he and his interviewees.
Still, it was fine work.
The movie benefited from the personal reflections of the director on the movie's subject, but on the other hand I often felt the movie relied too much on colorful depictions of individuals and groups and too little on a more "objective" and data-based examination of the question of whether and how much actual (and not just imagined) anti-Semitism results in harm to people around the world.
A longer, more carefully researched film could probably have matched the depictions offered in this film with data about and the testimony of people who have been the brunt of truly injurious anti-Semitic prejudice.
That said, I do feel the attitudes and beliefs illustrated by the individuals and groups depicted in this film are--as the film suggests--probably very often more at the root of concern about anti-Semitism than any real incidence of the latter.
But, still, that's a very sweeping generalization and would need to be "documented"--something this documentary doesn't seem to do a great deal of.
However, this was a very interesting and colorful film about a number of issues central to Jewish identity (especially the identity of "secular" Jews), and could be very valuable in sparking sharper thought and discussion about those issues. And also in encouraging more research on the actual extent, or lack thereof, of anti-Semitism around the world.
For instance, Shamir accompanies a group of Israeli youth on a trip to Poland, the goal of which is to help open the eyes of the youngsters to the realities of the Holocaust. Yet, the kids have been so primed by their leaders to fear the worst from the local citizenry that they wind up seeing anti-Semitic attitudes where none may actually exist. And it is a testament to Shamir's commitment to the truth and his integrity as a documentarian that he allows such potentially controversial and meme-undermining scenes to remain in his film. In a similar fashion, when he interviews a rabbi in the Crown Heights section of Brooklyn – a neighborhood notorious for its long-running tension between Jews and African–Americans – the religious leader, much to Shamir's amazement, actually accuses the heads of the Anti-Defamation League of having professional motives for ascribing anti-Semitism to incidents and crimes where that may not in fact be a primary factor – or a factor at all.
If nothing else, Shamir provides a balanced view on his subject – though if anything he tends to give a somewhat more sympathetic hearing to the people in the Jewish community who take on organizations like the ADL for their more conservative views on anti-Semitism and the State of Israel. For instance, Shamir interviews Norman Finklestein, a highly controversial Jewish professor at the DePaul University in Chicago, who argues that a certain part of the Jewish establishment makes "cynical use of the Holocaust," and that whenever any policy or action performed by Israel is legitimately criticized, the underlying cause somehow always gets attributed to anti-Semitism – a condition he refers to as "pathological narcissism." For giving voice to this viewpoint, Finklestein has been labeled a "self-hating Jew," a "Holocaust-denier" (even though he lost his parents in concentration camps), and a "madman." He eventually lost his position at the university – due to pressure from the Jewish lobby he claims – and was denied entrance into Israel on the grounds of being a potential "security hazard.' Abraham Foxman, the National Director of the ADL who gets interviewed extensively for the film, responds by saying that actual anti-Semites use criticism of Israel as an excuse to legitimately articulate their hatred of Jews – to give that hatred a patina of social respectability as it were.
Shamir lays out the conflict between the Jewish left and the Jewish right in the United States – the former calling for peace between Israel and the Palestinians and accusing the right of favoring Israel's interests over those of the United States, and the latter working to keep Israeli issues front and center in the national dialogue.
And back and forth it goes.
Of course, this is not to in any way suggest that anti-Semitism doesn't exist in the world today or that Shamir never finds any evidence of it in his searching. For instance, he investigates a case of rocks being thrown at a Brooklyn school bus filled with Jewish children and another instance of a knife-wielding man stabbing people in a Moscow synagogue. Yet, interestingly, even many of the Jewish people involved with that latter incident pooh-pooh the idea that anti-Semitism was the cause and even go so far as to castigate Jews in general for using anti-Semitism as a convenient scapegoat for their own failures or misfortunes in life.
Although he doesn't seem to have started out with that intention, Shamir has produced an amazingly provocative and controversial work, one that is guaranteed to get tempers flaring and people talking on both sides of the issue. And it's a much-needed eye-opener for anyone regardless of viewpoint.
Did you know
- Quotes
Uri Avneri: None of them fights anti-Semitism. They fight criticism of Israel. These are two totally different things. There's hardly any anti-Semitism in the US. It's a myth.
Details
Box office
- Budget
- €1,000,000 (estimated)
- Gross US & Canada
- $12,038
- Opening weekend US & Canada
- $4,725
- Nov 22, 2009
- Gross worldwide
- $17,309