IMDb RATING
4.6/10
1.7K
YOUR RATING
Six friends who turn the deserted the tower block they lived in as kids into a pirate radio station soon learn they are not alone, as a resident psychopath begins hunting them down.Six friends who turn the deserted the tower block they lived in as kids into a pirate radio station soon learn they are not alone, as a resident psychopath begins hunting them down.Six friends who turn the deserted the tower block they lived in as kids into a pirate radio station soon learn they are not alone, as a resident psychopath begins hunting them down.
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
OK, I get why this Comedown only rated a 4.6 here at IMDb, as it is true it's a stock premise, that is, teenagers somehow exposed getting hunted down one by one in the tradition of numerous other slasher flicks. I'm giving it a 10. Comedown is a truly excellent slasher flik. The psychopath is truly creepy, and chillingly prepared for his night of slaughter, and the Director's handling of how he is introduced carefully scene by scene is a championship of editing. The murders are brilliant, each one carefully choreographed, with great shock value. Some classic horror images here. The tension is palpable. Even before the kids are in danger the delicate dynamics of their social wiles just kind of screams 'this is trouble'. It was a great way to lead in. The actors are all accomplished. The characters themselves are not easy to enjoy, but they are very authentic, helped along by a jabbing script. Then there is the grand set itself, with the lighting and texture throughout being powerful. The sense of danger is just screaming off the walls. This movie has all the heart pounding guts of a really, really outrageous dare, and I loved every minute.
A grimy & gritty low-budget London based urban slasher where a bunch of vile street rats get killed off one by one in a rundown abandoned Block of flats & it's a pretty bad film because the gang are vile & the type in real life you want to get killed off!!!
An all British urban version of an American Slasher & here i rooted for the KILLER!!!!
An all British urban version of an American Slasher & here i rooted for the KILLER!!!!
COMEDOWN is a low rent British horror film set entirely within the confines of a deserted tower block. The gritty realism and the setting made me hope for something along the lines of TOWER BLOCK or ATTACK THE BLOCK, but unfortunately this is nothing like those two (great) movies. Instead it's a cheap slasher, almost entirely devoid of imagination.
Headlining the cast is Jacob Anderson, best known to audiences for his role as Grey Worm in GAME OF THRONES. Anderson and his buddies, including a pregnant girlfriend and an obnoxious type (Adam Deacon, playing firmly to type) hole up in a run-down building to help run a pirate radio station, but their drug-fuelled highs come crashing down when a killer starts picking them off one by one.
COMEDOWN must feature one of the least menacing bad guys ever, and when you learn of his motivations you'll laugh out loud, they're that slim. The kills, which are what most horror fans will watch this for, are relatively tame, and there just isn't much in the way of suspense built along the way. It doesn't help that the dialogue is moronic throughout and that every twist in the script is well-choreographed. Add in some quite terrible cinematography, meaning 95% of this takes place in near blackness, and you have a quite unworthy film.
Headlining the cast is Jacob Anderson, best known to audiences for his role as Grey Worm in GAME OF THRONES. Anderson and his buddies, including a pregnant girlfriend and an obnoxious type (Adam Deacon, playing firmly to type) hole up in a run-down building to help run a pirate radio station, but their drug-fuelled highs come crashing down when a killer starts picking them off one by one.
COMEDOWN must feature one of the least menacing bad guys ever, and when you learn of his motivations you'll laugh out loud, they're that slim. The kills, which are what most horror fans will watch this for, are relatively tame, and there just isn't much in the way of suspense built along the way. It doesn't help that the dialogue is moronic throughout and that every twist in the script is well-choreographed. Add in some quite terrible cinematography, meaning 95% of this takes place in near blackness, and you have a quite unworthy film.
... Makes another deeply unpleasant film that borders on being unwatchable
Yes the director of KIDULTHOOD is back and this time he tries his hand at horror in an inner London setting . This type of horror has been done before in ATTACK THE BLOCK , a film I personally despised because the anti-heroic protagonists deserved to get eaten by alien hordes . This film is no different and is a film I despise for the same reason as ATTACK THE BLOCK
If you're going to have a film where the protagonists are going to be fighting for their lives at least craft some type of characterization that will have the audience empathize with their predicament . Here I didn't know anything about the villain in the background stalking the teenagers . All I knew was that he was probably doing the gene pool a massive favour
Some commentators have criticised the " Estuary English / chav speak " dialogue but if we had the Royal Shakespeare Company speaking in pedantic Queens English this wouldn't have made any difference because most of the dialogue is downed out in a poor sound mix with some very dire muzak on the soundtrack just to remind the audience that this is a horror film
In summary this is one of those films that will alienate and outrage everyone from the most rabidly right wing reader of The Daily Mail to the most left leaning Guardinista . When you're watching a horror film and the most likable character is the villain that must be seen as a fundamental failure
Yes the director of KIDULTHOOD is back and this time he tries his hand at horror in an inner London setting . This type of horror has been done before in ATTACK THE BLOCK , a film I personally despised because the anti-heroic protagonists deserved to get eaten by alien hordes . This film is no different and is a film I despise for the same reason as ATTACK THE BLOCK
If you're going to have a film where the protagonists are going to be fighting for their lives at least craft some type of characterization that will have the audience empathize with their predicament . Here I didn't know anything about the villain in the background stalking the teenagers . All I knew was that he was probably doing the gene pool a massive favour
Some commentators have criticised the " Estuary English / chav speak " dialogue but if we had the Royal Shakespeare Company speaking in pedantic Queens English this wouldn't have made any difference because most of the dialogue is downed out in a poor sound mix with some very dire muzak on the soundtrack just to remind the audience that this is a horror film
In summary this is one of those films that will alienate and outrage everyone from the most rabidly right wing reader of The Daily Mail to the most left leaning Guardinista . When you're watching a horror film and the most likable character is the villain that must be seen as a fundamental failure
Comedown is a horror movie filmed in the UK about a group of teens who go into an abandoned apartment tower and end up being terrorized by a killer. The film starts out pretty slow. It takes about 30 minutes for something to finally happen, which seems to be consistent with most of the horrors I've watched in the past few weeks. As much as I love movies and television that comes from the UK, sometimes the accents are really hard to understand. This is one of those movies. Although Comedown takes a while to get going, it gets better, but not by much. It's your basic "trapped in a place while a killer as he picks off all the characters, one by one" type of films. Some of the killings are pretty good, but it still falls pretty short of originality. I did appreciate the scene where one of the girls fights back really hard, that was probably my favorite scene, although it was pretty short. I would say that Comedown is a "take it or leave it," type thriller/horror. Overall, it's just OK.
Please like me on Facebook! We love getting suggestions and warnings on everything horror: http://www.facebook.com/pages/I-Heart-Horror/338327476286206
Please like me on Facebook! We love getting suggestions and warnings on everything horror: http://www.facebook.com/pages/I-Heart-Horror/338327476286206
Did you know
- SoundtracksTurn It Around
Written by Chris DeMello, Rebecca Ainsworth, and Karl Forshaw
- How long is Comedown?Powered by Alexa
Details
Box office
- Budget
- $2,000,000 (estimated)
- Gross worldwide
- $39,624
- Runtime1 hour 30 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
Contribute to this page
Suggest an edit or add missing content