IMDb RATING
4.6/10
1.7K
YOUR RATING
Six friends who turn the deserted the tower block they lived in as kids into a pirate radio station soon learn they are not alone, as a resident psychopath begins hunting them down.Six friends who turn the deserted the tower block they lived in as kids into a pirate radio station soon learn they are not alone, as a resident psychopath begins hunting them down.Six friends who turn the deserted the tower block they lived in as kids into a pirate radio station soon learn they are not alone, as a resident psychopath begins hunting them down.
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Some people just need to get off their high horse. This is a new generation of good British Drama. It's the emergence of a younger generation cultivating their own language, therefore the dialect is true to type of certain communities. Traditionalists are in denial that this section of society exists, and that their language has found its way into the movies.
The movie hosts a mix of teen crime, mischievous behaviour, youth cult and culture. It's the result of all growing up in a Tower Block in the same area, where the likelihood is that they all attended the same schools and went through the UK schooling system, and gang warfare - but these were not gangs - these were just a group of friends with 'attitude'.
The movie hosts a mix of teen crime, mischievous behaviour, youth cult and culture. It's the result of all growing up in a Tower Block in the same area, where the likelihood is that they all attended the same schools and went through the UK schooling system, and gang warfare - but these were not gangs - these were just a group of friends with 'attitude'.
OK, I get why this Comedown only rated a 4.6 here at IMDb, as it is true it's a stock premise, that is, teenagers somehow exposed getting hunted down one by one in the tradition of numerous other slasher flicks. I'm giving it a 10. Comedown is a truly excellent slasher flik. The psychopath is truly creepy, and chillingly prepared for his night of slaughter, and the Director's handling of how he is introduced carefully scene by scene is a championship of editing. The murders are brilliant, each one carefully choreographed, with great shock value. Some classic horror images here. The tension is palpable. Even before the kids are in danger the delicate dynamics of their social wiles just kind of screams 'this is trouble'. It was a great way to lead in. The actors are all accomplished. The characters themselves are not easy to enjoy, but they are very authentic, helped along by a jabbing script. Then there is the grand set itself, with the lighting and texture throughout being powerful. The sense of danger is just screaming off the walls. This movie has all the heart pounding guts of a really, really outrageous dare, and I loved every minute.
... Makes another deeply unpleasant film that borders on being unwatchable
Yes the director of KIDULTHOOD is back and this time he tries his hand at horror in an inner London setting . This type of horror has been done before in ATTACK THE BLOCK , a film I personally despised because the anti-heroic protagonists deserved to get eaten by alien hordes . This film is no different and is a film I despise for the same reason as ATTACK THE BLOCK
If you're going to have a film where the protagonists are going to be fighting for their lives at least craft some type of characterization that will have the audience empathize with their predicament . Here I didn't know anything about the villain in the background stalking the teenagers . All I knew was that he was probably doing the gene pool a massive favour
Some commentators have criticised the " Estuary English / chav speak " dialogue but if we had the Royal Shakespeare Company speaking in pedantic Queens English this wouldn't have made any difference because most of the dialogue is downed out in a poor sound mix with some very dire muzak on the soundtrack just to remind the audience that this is a horror film
In summary this is one of those films that will alienate and outrage everyone from the most rabidly right wing reader of The Daily Mail to the most left leaning Guardinista . When you're watching a horror film and the most likable character is the villain that must be seen as a fundamental failure
Yes the director of KIDULTHOOD is back and this time he tries his hand at horror in an inner London setting . This type of horror has been done before in ATTACK THE BLOCK , a film I personally despised because the anti-heroic protagonists deserved to get eaten by alien hordes . This film is no different and is a film I despise for the same reason as ATTACK THE BLOCK
If you're going to have a film where the protagonists are going to be fighting for their lives at least craft some type of characterization that will have the audience empathize with their predicament . Here I didn't know anything about the villain in the background stalking the teenagers . All I knew was that he was probably doing the gene pool a massive favour
Some commentators have criticised the " Estuary English / chav speak " dialogue but if we had the Royal Shakespeare Company speaking in pedantic Queens English this wouldn't have made any difference because most of the dialogue is downed out in a poor sound mix with some very dire muzak on the soundtrack just to remind the audience that this is a horror film
In summary this is one of those films that will alienate and outrage everyone from the most rabidly right wing reader of The Daily Mail to the most left leaning Guardinista . When you're watching a horror film and the most likable character is the villain that must be seen as a fundamental failure
I would like to start by saying the only reason this movie made it to 3 stars, is solely because it has Jessica Barden. I actually enjoyed the acting and setting in this movie, everything else pretty much missed the mark. I want to say the directing in this movie wasn't good. It seemed fairly predictable and not very suspenseful. I feel like I already knew what was going to happen before it happened. The story had potential but lacked so much detail that it was hard to understand why things were happening. I think it is worth the watch, but only if it's out of boredom, not to entertain.
A grimy & gritty low-budget London based urban slasher where a bunch of vile street rats get killed off one by one in a rundown abandoned Block of flats & it's a pretty bad film because the gang are vile & the type in real life you want to get killed off!!!
An all British urban version of an American Slasher & here i rooted for the KILLER!!!!
An all British urban version of an American Slasher & here i rooted for the KILLER!!!!
Did you know
- SoundtracksTurn It Around
Written by Chris DeMello, Rebecca Ainsworth, and Karl Forshaw
- How long is Comedown?Powered by Alexa
Details
Box office
- Budget
- $2,000,000 (estimated)
- Gross worldwide
- $39,624
- Runtime1 hour 30 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
Contribute to this page
Suggest an edit or add missing content