IMDb RATING
6.3/10
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An adaptation of the classic tale of a wealthy aristocrat with a blue beard.An adaptation of the classic tale of a wealthy aristocrat with a blue beard.An adaptation of the classic tale of a wealthy aristocrat with a blue beard.
- Director
- Writers
- Stars
- Awards
- 1 win & 1 nomination total
Lola Créton
- Marie-Catherine
- (as Lola Creton)
Daphné Baiwir
- Anne
- (as Daphné Baïwir)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Blue Beard (2009)
* 1/2 (out of 4)
Incredibly disappointing adaptation of Charles Perrault's fairy tale has sisters Marie-Catherine (Lola Creton) and Anne (Daphne Baiwir) being taken out of a rich school after the death of their family. Moving back with their mother, the three are now desperately poor and this is when they're invited to the castle of Lord Bluebeard (Dominique Thomas) and soon after Marie-Cathrine agrees to marry him. This story has been told countless times before but I had high hopes going into this one because I'm always impressed with the work of director Catherine Breillat. I'm sure some might be able to say this film spoke to them or that it was deep in some fashion but to me it was just a complete mess from start to finish and the worst thing is that it's totally lifeless. I'm really not sure what the director was trying to do here but no matter what the goal was it certainly didn't succeed. I was rather shocked to see how lifeless the picture was as it doesn't contain a bit of energy and after a while the viewer just grows tired of the slow pacing. Even worse is that this thing clocks in at 78-minutes, which feels twice as long. It was impossible to care about either of the sisters and all the flashbacks to a couple girls playing in an attic just doesn't work or add anything to the picture. The one thing I did like about the film were the performances. I thought Creton was very effective in the role of the strong sister who will stop at nothing to get what she wants. I also thought Thomas was extremely good as the ogre Bluebeard. He brought a certain sympathetic nature to the role that I thought worked very well. With that said, the film is a major letdown and it's a real shame because it should have been much, much better.
* 1/2 (out of 4)
Incredibly disappointing adaptation of Charles Perrault's fairy tale has sisters Marie-Catherine (Lola Creton) and Anne (Daphne Baiwir) being taken out of a rich school after the death of their family. Moving back with their mother, the three are now desperately poor and this is when they're invited to the castle of Lord Bluebeard (Dominique Thomas) and soon after Marie-Cathrine agrees to marry him. This story has been told countless times before but I had high hopes going into this one because I'm always impressed with the work of director Catherine Breillat. I'm sure some might be able to say this film spoke to them or that it was deep in some fashion but to me it was just a complete mess from start to finish and the worst thing is that it's totally lifeless. I'm really not sure what the director was trying to do here but no matter what the goal was it certainly didn't succeed. I was rather shocked to see how lifeless the picture was as it doesn't contain a bit of energy and after a while the viewer just grows tired of the slow pacing. Even worse is that this thing clocks in at 78-minutes, which feels twice as long. It was impossible to care about either of the sisters and all the flashbacks to a couple girls playing in an attic just doesn't work or add anything to the picture. The one thing I did like about the film were the performances. I thought Creton was very effective in the role of the strong sister who will stop at nothing to get what she wants. I also thought Thomas was extremely good as the ogre Bluebeard. He brought a certain sympathetic nature to the role that I thought worked very well. With that said, the film is a major letdown and it's a real shame because it should have been much, much better.
I was curious about a new adaptation of this classic story. After all, there is nothing like a good old story to sustain a movie. As i watched, i was more and more surprised. I kept wondering how can a film maker do such a bad job and let it out for the public to see... I tried to give it a chance, hoping that it will improve, but i was too optimistic. I wouldn't want to criticize something to the point of convincing others to avoid it, but in this case it felt like a civic duty. To put it briefly, bad scenario, awful dialogues, unremarkable camera work, unbelievably bad cinema; a pittiful adaptation. I'm sorry to say such bad stuff about other people's work. I'm sure they didn't want to do a bad job, but sometimes that's how things go. Wish them better luck next time. OK now. Time to forget this disappointment. Don't waste time on this one.
If you are familiar with some of director Catherine Breillat's previous works, you might enter this with a certain expectation to see genitalia and penetrative sex. But in her adaptation of the fairy tale of Blue Beard there is thankfully none.
In olden days, when two young sisters are removed from the private school after their father dies they return to live with their mother and circumstances look dire. A local Lord, known as Blue Beard has a reputation for the ladies and rumours abound that his previous wives and lovers, now missing, were murdered by him. After an invite to a gathering at his castle, one of the young sisters befriends the giant Lord and their marriage is arranged. Marie loves to the cold stark castle aware of the reputation her new husband has and demands that due to her age she sleep in a separate room until she is of age to consummate the marriage. Blue Beard travels away on occasion leaving Marie to her own devises. Amongst this we have in more modern times two young sisters play in an attic and the younger taunts her older more sensitive sister by reading her the story of Blue Beard which she finds scary.
This adaptation is at times very clunky to watch. The cast seem very amateurish and some scenes look like it's been made by a student production. Whilst not familiar with the story, it appears to be quite dark and yet there never really is a sense of foreboding in the film and it never really enters in really dark territory which doesn't work in it's favour. Only near the end does the film show a darker element as Marie faces the consequences of her actions and the modern tale of the two sisters takes an unfortunate turn.
The younger cast do quite well, especially the young girls in the modern part. In fact they provide the only real enjoyment throughout the film as the younger tease and taunts her sister and some of their conversations are priceless. Yet at first these scenes when they appear add confusion to the story as it's not immediately apparent what is happening. The castle settings, in fact the whole setting looks overly baron and cold and it looks odd, especially as there is no contrast between Marie's poor family home and the Lord's sumptuous castle.
Overall the film feels a little stagnant that even at 80 minutes running time feels over long. It is a good story, but save for some nice performances and a few laughs from the two modern sisters, this seems like a bad attempt at film making that clearly shows it's low budget.
More of my reviews at iheartfilms.weebly.com
In olden days, when two young sisters are removed from the private school after their father dies they return to live with their mother and circumstances look dire. A local Lord, known as Blue Beard has a reputation for the ladies and rumours abound that his previous wives and lovers, now missing, were murdered by him. After an invite to a gathering at his castle, one of the young sisters befriends the giant Lord and their marriage is arranged. Marie loves to the cold stark castle aware of the reputation her new husband has and demands that due to her age she sleep in a separate room until she is of age to consummate the marriage. Blue Beard travels away on occasion leaving Marie to her own devises. Amongst this we have in more modern times two young sisters play in an attic and the younger taunts her older more sensitive sister by reading her the story of Blue Beard which she finds scary.
This adaptation is at times very clunky to watch. The cast seem very amateurish and some scenes look like it's been made by a student production. Whilst not familiar with the story, it appears to be quite dark and yet there never really is a sense of foreboding in the film and it never really enters in really dark territory which doesn't work in it's favour. Only near the end does the film show a darker element as Marie faces the consequences of her actions and the modern tale of the two sisters takes an unfortunate turn.
The younger cast do quite well, especially the young girls in the modern part. In fact they provide the only real enjoyment throughout the film as the younger tease and taunts her sister and some of their conversations are priceless. Yet at first these scenes when they appear add confusion to the story as it's not immediately apparent what is happening. The castle settings, in fact the whole setting looks overly baron and cold and it looks odd, especially as there is no contrast between Marie's poor family home and the Lord's sumptuous castle.
Overall the film feels a little stagnant that even at 80 minutes running time feels over long. It is a good story, but save for some nice performances and a few laughs from the two modern sisters, this seems like a bad attempt at film making that clearly shows it's low budget.
More of my reviews at iheartfilms.weebly.com
I can't tell you how disappointed and bored I was while watching this movie.
I kept hoping with all my heart that it will pick up its feet at some point and start delivering some feeling, magic, action or whatever. But alas, that was all in vain.
It keeps the same slooooooow pace from start to end, the actors keep showing the same inexpressive faces and delivering the same emotionless dialogs.
That is when they bother to speak. In the rest of the time they keep staring in some more or less distant point for quite long periods (I suppose it's meant to show us how deep they feel or think).
I don't know how the book ends... but the end of the movie looked pretty fuzzy and stupid to me.
You're never told why Blue Beard did all those horrible things or how did the little girl managed to escape.
The only good things in this movie were the costumes and locations, I guess.
All in all, if you expect some bit of fairy-tale, of magic, of fantasy or anything at all which would glue you to the chair in front of the screen, I think you'll be pretty disappointed.
I kept hoping with all my heart that it will pick up its feet at some point and start delivering some feeling, magic, action or whatever. But alas, that was all in vain.
It keeps the same slooooooow pace from start to end, the actors keep showing the same inexpressive faces and delivering the same emotionless dialogs.
That is when they bother to speak. In the rest of the time they keep staring in some more or less distant point for quite long periods (I suppose it's meant to show us how deep they feel or think).
I don't know how the book ends... but the end of the movie looked pretty fuzzy and stupid to me.
You're never told why Blue Beard did all those horrible things or how did the little girl managed to escape.
The only good things in this movie were the costumes and locations, I guess.
All in all, if you expect some bit of fairy-tale, of magic, of fantasy or anything at all which would glue you to the chair in front of the screen, I think you'll be pretty disappointed.
The tale of blue beard told with beautiful visuals. But sadly the story and the film is marred by two unforgivable things. Mainly, the acting is so wooden you think the actors might catch fire from the open fires. It is impossible to discern any emotion at all from the actors. And secondly, the story is drawn out by being read by two young girls in a more contemporary setting, it does not add much but extra time to an already too long film. I watched the film anyway, hoping for a new twist, for some emotion from the actors, for some clue as to the relationship between Bluebeard and his new wife, but ultimately I was only disappointed. This is not a film for watching, this is a film for lying down and avoiding.
I also noted a jarring anachronism, everything in the story has the look of a medieval setting, but in this setting there are 17th century musketeers. Guess the filmmakers took any prop they could get their hands on.
I also noted a jarring anachronism, everything in the story has the look of a medieval setting, but in this setting there are 17th century musketeers. Guess the filmmakers took any prop they could get their hands on.
Did you know
- GoofsWhen Marie-Catherine is saying her goodbyes to her father's corpse, you can clearly see his chest rising and falling with each breath.
- ConnectionsVersion of Barbe-bleue (1901)
- SoundtracksKyrié Eleïsson
Performed by the Limousin Youth Choir with the direction of Annette Petit
- How long is Bluebeard?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Barbe-bleue
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $2,400,000 (estimated)
- Gross US & Canada
- $33,490
- Opening weekend US & Canada
- $8,370
- Mar 28, 2010
- Gross worldwide
- $38,696
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