Metacritic reviews

Damsel lives and dies by the performance of Elodie and thankfully, Millie Bobby Brown establishes herself as the new Mother of the Dragons. She expertly finds the balance between a terrified woman thrown into an unthinkable circumstance, and a fighter unwilling to give up when things get tough.

What matters most is whether we believe Brown in the role, and the “Stranger Things” star has no trouble embodying the kind of quick-thinking independent mind it takes to survive such an adventure.

What follows is misdirection, flashbacks, visions, and wooden dialogue. At least the action is good, and Brown is game as ever.

Rather than embracing the more nuanced themes, the film shies away from deeper introspection.

Fresnadillo’s film puts on fewer airs of disruption than other versions of this story, so the narrative comes off as less self-satisfied. Still, it struggles to sustain an inspirational tenor.

Damsel is evidence that studios still don’t realize that a “strong female lead” is not enough to make a movie good. More is required: a strong set of supporting characters, a strong plot, a strong sense of what makes a movie interesting to an audience.

Damsel is a lifeless experience. The filmmakers have assembled all the constituent parts of an interesting fantasy adventure film — genre-bending premise, a starry cast, locations with character, and some creative creature design — but the connective tissue is paper-thin.

A weak script and boring performances make the Netflix fantasy film Damsel a real slog, torpedoing its attempt to be a subversive spin on classic adventure tales. Any sense of wonder or magic is diluted by cheap-looking CGI and its overly repetitive action sequences.

There’s one unalloyed good thing to be said for Damsel: It marks the end of Millie Bobby Brown’s apprenticeship. Her child actress years are over. She’s grown up and ready to star in movies that audiences can take as seriously as she does.

Rather than being any particular person’s bright idea for a girlboss fantasy revenge caper, this lousy romp was obviously hatched by an algorithm, and might just as well have been directed by AI.