Dev.D

Well I had been waiting for over two months for this film to release. And It has been worth the wait. Anurag Kashyap's Dev.D is a contemporary take on the immortal Devdas, whose boldness will dazzle you, to say the least. The direction and screenplay, as expected, are top-notch. The music is terrific, and has been used creatively to take the story forward. The performances are excellent too, with Abhay Deol delivering a brave, powerful performance that won't be easy to forget. Mahie Gill and Kalki are very impressive too. Watch this movie also for some gems- Paro going in the fields to get laid with Dev with mattresses tied to her bicycle and Chanda and Dev in the sauna-there are many more I promise. AK has successfully ironed out the flaws in the original Devdas, and that's what makes this dark film also a feel-good film at times. AK has handled sexuality and some real-life incidents (MMS scandal, BMW hit- and-run case) in a very mature manner, without being sensationalist. Don't miss it for anything. Watch it for its sheer audacity.

"I give a 10/10 and two thumbs up for AK's newest piece of art."

Well this was one of the most awaited movies for people who like different kind of cinema.Dev d a story about modern Devdas is a good adaption from the previous versions.The movie setup up in north of India brings up something new and unique as a build up to the character.The story is how a boy destroys his life for his childhood love.

The darkness of the movie can be seen after he loses the girl and takes a road to utter disdain and destruction of his life.Dev meets Chanda a prostitute who also falls for his charm.Her story is completely different and well put up.The performance by all the actors is laudable and up to the mark.The camera-work and and direction is excellent and audiences will notice that after they watch the movie.The director makes a very good attempt to create a more dark ambiance once the Dev loses his love.

The background score of the movie is good considering the dark ambiance.Drinks,smoke,drugs you will see all this in abundance as it leads to destruction of his life.

This is not a movie for people who cant take dark films as it just leaves u a bit sapped after you watch it.

Go for Dev D if you want something different from commercial cinema.I would rate the movie a 8/10 and say go for it.

I've been waiting for this movie since the past 2 months. I had gone to see another movie around 2 months back and there was a poster of Dev. D. It starred Abhay Deol. From that moment, I knew this movie is gonna be one of a kind. It takes place in the modern era. The instances shown in the movie are very life-like. The story deals with a loser ( Abhay Deol ) and how he deals with his life. Its like a modern rip-off from Devdas.

Everything about this movie is top notch. Right from the direction to the sets, its stunning. The screenplay is impeccable & the cinematography couldn't get better. The visuals are delightful. The music score is exceptional. Even though it is a slow movie, the pace seems very fast. The editing also is so well done. The dialogues are perfect, used in a really vulgar tone. The story is set in & around Delhi. The locations shown are ideal.

I really don't remember the last time I had seen such a good bollywood movie. But this flick is not one that will please all audiences. Only connoisseurs of movies will respect & admire this class act. Hats off to Anurag Kashyap. Legend.

Let me helm AK as the new czar of motion picture extravaganza ...

With a conforming applaud to the concept visualization by Abhay Deol himself , AK and co-writer Vikramaditya Motwane concoct a tale foretold adding the backdrop and zing of contemporary Ludhiana , Delhi !

The beauty of narrative is that it doesn't speak in dialogs but rather gratifies on the senses of the viewer . The editing is brisk and is noteworthy of its nuances to help add the necessary twists in the plot.Fresh music with loads of it helps to contemplate the emotions of the protagonist.

It isn't banal or prudish ..the dialogs are witty and minimalist !

For those who have watched the archaic DevDas , it's overwhelming to match "loosely based original characters " to our new era real life DevD( trying to empower his childhood love or trying to understand what love really is ), Paro ( Very Indian but yet liberating and sexually charged and also at par with the ultimate Indian "aadarsh" Bahu agnostics ) , Chandramukhi ( A thumbs up to the Sex industry which preaches what the whole world tries to echo in darkness and unlike the world which then raises fingers of indignation and loathe - CMon India did preach Kamasutra long back )not to forget Chunni( an amiable friend but a pimp of the sorts ).

The ensemble has done a worthy job . Newcomer : Mahie Gill easily transitions from a vulnerable lover girl to a mature responsible lady , Kalki Koechlin epitomizes the naiveness of a teenage girl whose social stigmata con-volutes her essence of life into an awry ordeal which she readily accepts and moralizes as a state of "Trying to move on .." And Abhay ( I read him being at someplace learning Wood Carving during the release of this movie ) - ( is purely a treat to watch ..the way he triumphs in being a sole loser who worships Vodka and doesn't chastise himself rather acclimatizes himself to the corner of the world called "SELF" -- the virility shown by his hairy bod -- a pungent antonym to chest waxed embellishments -- 10 kg's lost for this role -- shows the kind of efforts put on screen )

All of this with a maverick Director's surreal vision ( trademarks being his liking for water and snow .. he uses them as props and landscaper's to unearth the beauty of the far .. No Smoking had loads of it) is a cinematic milestone in itself ...

If your above 18 then go with a heart of redemption, lust , despair striving to the ultimate nemesis with oneself --- you shall be a winner !!!

This movie is 'not' a remake of Devdas. Probably, Anurag Kashyap wanted to borrow the base story from there, but I repeat if you are a big fan of Devdas then this movie isn't for you. But then again this is one of the most insane movies to come out of Bollywood. You might probably end up with a headache after watching it, but its completely worth it. There are few movies with such exceptional cinematography and music which blends completely with the movie.

The characters are well defined, but also over the top. Abhay puts in a real perfect act of a self-sympathetic fool, who drinks and does drugs just in the obsession of Paro. He becomes completely lost and finally ends up in the arms of Chanda. Paro has apparently never known the words 'shy' nor 'blush'. Chanda has seen a lot of pain and is the only character who slowly becomes sure of herself.

This movie is more about how they have painted the characters rather than the characters themselves. This is a first in Bollywood and I have never heard such dark, yet at times beautiful music. Its loud at times, but Amit Trivedi's work is a sheer genius one. If you do end up liking the movie, you would give half the credit to the music.

Anurag and the entire team have poured in their heart for this movie. Most of the work and the ideas are genuine and is not picked up from some other random movie. It is an 'its own movie'.