The Line

When I first sat down to watch this show I was expecting another formulaic, "fast and loose with the rules but always just on the right side of the line" cop show. I must admit that I was pleasantly surprised.

Dark Blue is indeed refreshingly dark; the characters are predictably tortured souls with an interesting mix of personalities and histories that add to the depth of the plot lines, they are all superbly written and acted to the degree that sometimes the plot becomes something of a happenstance as we follow the personal journeys of the protagonists.

the plots themselves have all been seen before in numerous guises, but Dark Blue puts a new and slightly twisted slant on them that can fool you into thinking that you have never seen them before, but it is worth remembering that the case is not really the important thing here; it is what the case does to the characters that defines the show.

All in all, I would recommend this show to anyone who wants to watch a new and gritty take on a genre that has not yet been pushed to these limits.

This format works for other shows like NYPD Blue, CSI, Law & Order, etc. but I think it really limits a cop show about undercover police officers. Even more so because "Dark Blue" also promises to focus regularly on the characters' personal lives. I don't see how they can do this effectively if they rush through each and every episode. The pilot episode felt so rushed that I felt as if I could hardly keep up with what was happening. The Franzine character, who according to Detective Shaw was "a jack of all trades", could've easily lasted for several more episodes before being wiped out. The writing and the dialog seemed off! I hope the writers realize they can cover a lot more ground with story lines and characters by stretching things out a little.

I'm always wary of any production that has Jerry Bruckheimer attached to it - I never know if things will turn out for the best (CSI: Las Vegas) or for the worst (Transformers 2). When I heard Dylan McDermott was going to star, I decided to give the pilot a chance...and I'm glad I did.

The show centers around Lt. Shaw's (McDermott) undercover unit, comprised of himself and two other cops, Curtis (Hardwick) and Bendis (Marshall-Green). Along the way, Shaw recruits a bright-eyed street cop with a dubious past, Allen (Aycox). The unit walks the line between committing felonies that could land them in jail for a considerable amount of time and nailing the criminal enterprises they have infiltrated.

The writing is sharp, if a little predictable when it comes to the "Federal Bureau of Intimidation," but the show works. I hope it becomes serialized like 24 and The Shield, and not procedural like NYPD Blue, as I think that'll give the show more of a chance to delve into the psychology of what it takes to be an undercover cop and remain the person you were when you entered into a cover.

All in all, a good start with a lot of potential. I hope they focus on the characters as much as they do on plot in the episodes to come.

8/10

This is a undercover cop show that truly takes action where its supposed to be, right back to the streets.

Carter is the head of an undercover unit of cops that are more like rogues then cops which is exactly what is needed to get the job done. False identities, resumes, all the perks you would have if you were put undercover the right way, he works entirely off the grid which makes his job both easier and harder.

This show brings to light a lot of elements which a lot of cop shows seem to miss. First and foremost they have a solid cast, people who really know what criminals/UC's would act like. Second the stories bring the characters to life making you want to both sympathize and yet see the reality of their situations. Finally there's an element mystery around every episode which makes this the show to watch. I give it a solid 10/10 for having all the key elements to a good show.

The script is not bad, the directing and all not bad either ... but although Dylan McDermott was brilliant--if not perfect--in playing his character in every setting in The Practice, Lt Carter Shaw in Dark Blue is one role which should never have been offered to him/which he should never have accepted.

Let us face it, nearly every actor/actress has roles they cannot possibly play convincingly--Streep can pull off Sophie's Choice, The Devil Wears Prada and Mamma Mia, but that does not mean that everyone else can.

If you adore Dylan McDermott even if he just sat there watching paint dry, then there is no reason for you not to enjoy Dark Blue. But if you are the type of viewer who is distracted by actors playing roles which do not suit them--as in Michael Weston in BURN NOTICE Season 3-Episode 5 "Signals and Codes"--then you will be distracted throughout much of Dark Blue.