Metacritic reviews

Dupieux, a director who has always been attuned to the absurd humor and casual beauty of the every day, effortlessly aligns us with Alain’s perspective.

Incredible But True has a wacky premise that Dupieux very possibly had no idea how to develop. And yet I found myself laughing quite a lot of the time. The sheer silliness and zen pointlessness is entertaining.

What makes it quite fun, and definitely funny in spots, is how realistically Dupieux depicts events, turning the outlandish into something entirely credible, at least for the main characters. We never doubt the sincerity of their actions, which makes us believe things even when they can’t be true.

Coming in at a tight and talky 74 minutes, Incredible but True is a sweetly absurd time-travel comedy that coats its lunacy in a touching poignancy.

Incredible but True is a fun little trinket that unmistakably comes from Dupieux’s far-out perspective, but if you find yourself chiming more than usual with its quixotic quandaries, who’s to say whether that’s because Dupieux has mellowed, or because the past couple of years have driven us all so nuts that now we’re meeting him halfway.

Like nearly all of Dupieux’s previous work, Incredible but True stretches a high-concept, low-execution premise about as far as it can go, wrapping things up the nanosecond before they outstay their welcome. But unlike his previous work, this film leaves the viewer with a pleasant, and almost bittersweet aftertaste; it almost leaves you wanting more.

A minor but still fun-in-parts addition to his wacky oeuvre.

All in all, Incredible but True remains an unmissable movie for Dupieux fans. And for those worried about getting lost in the filmmaker’s passion for nonsense, the movie might be his most accessible work yet.

It only manages a couple of big laughs, but its droll, judgy tone and some fun performances put it over.

Quentin Dupieux’s latest endlessly draws out every stilted interaction for maximum deadpan effect.