3 Backyards

Was such a waste of time .No Aim , no sound track , no connections , not even philosophical.I wish I could buy back the time I wasted watching this film.You will get board waiting for something interesting to happen.There was one scene when Falco was trying to find out whether the lady who was in the restaurant was the same lady who got hit with the car accident and you say oh here it comes , this is the threshold of the film.The scene ends suddenly with no explanation , and absolutely no connection to the next scene. This film is really a shame on the film industry and a disrespect for all viewers because it does not respect their time.

I found this beautifully crafted movie a welcome relief from most of what's out there these days, both from big Hollywood blockbusters and pretentious, shticky indie films.

I was amazed at the depth and power of these very small stories. For me, it's all about the power of film working on every level, like a perfectly orchestrated piece of art. I thought about it for days after seeing it.

There is just something so haunting and beautiful about 3 Backyards, like a poem or a short story. And technically it's just a wonder. The word "impeccable" keeps coming to mind: impeccably acted, impeccably shot, impeccably scored, impeccably directed.

It's a very grownup, sophisticated movie. It reminded me a lot of a 70s movie.

Definitely one of my favorites of the last few years. I hope it gets seen beyond New York City.

Eric Mendelsohn is a new name in the movie industry. He both wrote and directed this very quiet little film that for many will be a frustrating sense of on linear storytelling or it could be criticized for having no story at all. It is a a mood piece, an isolated day somewhere on Long Island where we meet three different characters in unrelated situations except that each character unveils an aspect of humanity that is as quietly real as is unnoticed. Somehow the result of seeing these three stories leaves the audience feeling more fragile and more vulnerable, as though someone knows some of the secrets that hide in each of us.

The film opens at 3:30 in the morning with John (Elias Koteas) sitting at a table opposite his asleep wife (Kathryn Erbe). In silence John packs his suitcase, looks lovingly at his asleep daughter, and as he is quietly leaving the house his wife confronts him with his lack of communication: we are observing a marriage that is failing. John is leaving for a business trip but his flight is cancelled and rescheduled for the next day. John decides to accept the airline's offer stay over in the airport hotel and while checking in he sees a young African woman in a blue dress (Danai Gurira) being turned away when she asks for employment. John checks in and then walks to a diner where he again encounters the African girl applying for a job as a waitress: she is dismissed and yet leaves a tip for the grouchy waitress (Pam La Testa) who has mistreated her. John at first ignores the situation then a note of empathy strikes and he follows the girl with the idea of giving her some much needed money. A tragedy occurs and John's sensitivity is changed and we see him meeting his wife in a parking lot.

Simultaneously a young girl Christina (Rachel Resheff) is playing with her mother's birthday present (a gold charm bracelet) when her school bus arrives and, missing it and unable to get the bracelet off, she takes a short cut through a yard, seeing signs on trees for a missing poodle, and encounters a young man in an embarrassing situation and she runs to school. At school she realizes her charm bracelet is not on her arm. After school she retraces her steps, finds the lost poodle, and again encounters the mysterious young man who has found the bracelet and Christina is able to retrieve it, frustrated about her actions and about the fact that the bracelet is not hers to keep.

And at the same time a friendly neighborhood painter Peggy (Edie Falco) is asked by a new neighbor, the actress (Embeth Davidtz) to take her to the ferry. The actress is a stranger and on the way to the ferry the excited Peggy tries to become a friend but discovers that actress is a solitary women who breaks down in tears. Despite Peggy's need to be a should to cry on the actress treats her with distance, leaving Peggy without her dream of getting to know another world and being hurt at being dismissed.

Each of these seemingly meaningless stories carries an afterburn that is so subtle that the messages may be missed. But these are coincidences that are unexpected and have a brief life of their own and then end abruptly. The film leaves the viewer with a lot of food for thought about how happenstance our lives can seem. It is a very small film, enhanced by a lovely musical score by Michael Nicholas and written and directed with uncanny sensitivity and subtlety.

Grady Harp

Of the 2 rating - one is for Edie Falco, who plays the only character that has any (in this film) and whose vulnerability isn't accompanied by a musical score that is reminiscence of Psycho and/or the Perils of Pauline! I liked the neighbor, too. (Note to Edie - You should have tossed her a-- out of the car.)

The other is for the beautiful images and photography,in this indulgent waste of time.

The rest of the characters were mere contrived vehicles for emotional manipulation and senseless studies in unrealistic settings. NIMBY!

I resented being taken for such a ride, but what really infuriates me, are self-impressed reviewers who have the "magic" to see into the true and deeper meaning of the film and rave about it. Yuck!

I will never receive a sufficient explanation as to what ties together these three very boring and time-consuming vignettes. For example A man observes a woman trying to get a job in a café. He watches her as she unsuccessfully attempts to do so. This man who was previously indifferent to his own wife is now suddenly absorbed with overwhelming sympathy for a person he has known for exactly 3 minutes. He then proceeds to traipse through a very dangerous and substandard neighborhood looking for her. Are we supposed to buy this notion?

A neighbor jumps at the opportunity to take a mysterious Hollywood personality for a ride to catch the ferry. An unforeseen interruption of her day is insignificant compared with the possibility of ingratiating herself with the new VIP in the village. She is spurned. She then is transformed into a rock!

Utterly contrived and unbelievable.

This is a dreadful film, a terribly dreadful film. I alert all those who may read these reviews to avoid it if you're looking for a productive way to spend a couple of hours. A total waste of time.