Single, Out

An Australian YA gay coming out and relationship comedy-drama series. A good film or series starts with the script and this one is hit and miss, some episodes work and others flop. The dialog is the same, hit and miss. There are funny parts, but basically it meanders along without a lot of focus.

When it works it's because of Will Hutchins who is young and cute and funny and the camera loves him. The camera also loves Adam Mountain who plays Josh. The rest of the cast is hit or miss, it doesn't have a cast of seasoned acting professionals. This is a low budget series that has become popular because of the LGBT themes.

"Love, Victor" and "Heartstopper" shouldn't feel any threat, they had better scripts and cast.

Single, Out is outrageously good at what it's doing, writer director Lee Galea clearly has an extremely articulated and experienced grasp on the world and emotions he's creating and putting on the screen. The visuals and the writing are procured in such a way that allows everyone and everything to shine, leaving you wanting more at the end of every episode.

The real fun of this series is the great performances within it, Will Hutchins and Steven Christou just to name a couple bring such sensationally dynamic and layered characters to life, which makes every scene such a joy to watch.

The series doesn't seem to be slowing down anytime soon which is extremely exciting for the world!!

I was introduced to "Single, Out" during a Qantas flight, and from the very first episode, I was hooked. This series beautifully delves into the intricate journey of coming out, the complexities of forging new relationships, and the ever-evolving dynamics within families. What struck me most about it was its ability to tackle these serious themes while maintaining a perfect balance of humor and heart.

My admiration for the show was so strong that when the opportunity arose to see it on the big screen, I couldn't resist. I'm delighted to report that the magic of "Single, Out" remained intact, even on the second viewing. It's a testament to the show's quality that it can captivate its audience time and time again.

The ensemble cast is a breath of fresh air, each member bringing a unique charm to their character. Their on-screen chemistry is palpable, especially during the emotionally charged scenes, where their performances shine the brightest.

"Single, Out" is a hidden gem that deserves far more recognition and a broader audience. Its ability to address important LGBTQ+ themes with authenticity and grace while keeping the viewers entertained is commendable.

If you ever come across the opportunity, I wholeheartedly recommend giving "Single, Out" a watch. It's a heartfelt, funny, and insightful series that shouldn't be missed.

Single, Out is a rare sort of show when it comes to its portrayal of queerness. It is both realistic and quirky, fun and sentimental, and ripe with nuances not typically portrayed in coming-of-age stories about the queer community.

Single, Out tells the story of Adam, a young man trying to balance his hidden sexuality, ambitions and complicated family life. The show does not fall into the familiar tropes of similar shows, as it is so much more than a "coming out" show. It takes time to explore the complications of each character in a realistic and relatable light after Adam has outed himself.

A wonderful cast, consistently terrific writing and beautiful direction make for a cinematic experience as one follows Adam in his journey to find romance, explore himself and connect with the people he cares most about. The raw empowerment the show presents in each episode make for a binge worthy series you won't soon forget.

I really wanted to like this series, but its shortcomings are just too severe. In the past I have enjoyed many comedies from Australia (Rosehaven remains an all-time favourite), but this series is hindered by weak writing and some shockingly poor acting. Each season seems progressively worse than the last. The first season was the strongest, season two quite a bit weaker and season three is painful to sit through. The dialog is long winded and often pointless, and the actors are clearly untrained and inexperienced, making many scenes difficult to endure. I understand the patriotic support by some Aussie reviewers, but this is no Heartstopper. Not even close.