On the windswept Suffolk mudflats creaks a bird-hide, inside which hovers Roy Tunt, a prematurely aged, mildly obsessive-compulsive birder. With one more sighting - the elusive sociable plov... Read allOn the windswept Suffolk mudflats creaks a bird-hide, inside which hovers Roy Tunt, a prematurely aged, mildly obsessive-compulsive birder. With one more sighting - the elusive sociable plover - he will have 'twitched' the entire British List. Tunt has his shortwave radio, packed... Read allOn the windswept Suffolk mudflats creaks a bird-hide, inside which hovers Roy Tunt, a prematurely aged, mildly obsessive-compulsive birder. With one more sighting - the elusive sociable plover - he will have 'twitched' the entire British List. Tunt has his shortwave radio, packed-lunch and a portrait of his ex-wife Sandra for company. Suddenly, in the midst of a conve... Read all
- Awards
- 2 wins & 6 nominations total
- Roy Tunt
- (as Alex MacQueen)
- Dave John
- (as Philip Campbell)
- Pumpkin
- (voice)
- D.I. Weston
- (voice)
- Dennis
- (voice)
Featured reviews
This is a wonderfully low-key little film with a wonderfully simple set-up that slowly but surely ratchets up the suspense as it goes along. What powers it so beautifully is the acting, which is just stunning. Phil Campbell, new to me, at first exudes weary menace which gradually gives way to a greater sadness, and Alex MacQueen, as Roy, deserves awards to be showered upon him for the performance he pulls off here. Better known for playing stuffy and/or supercilious characters on TV, here he plays Roy with a dweebishness and deadpan humour but keeps a deeper vein of underlying tension bubbling under before it erupts entirely. He manages to be both irritating, vulnerable, clueless, tragic and frightening all at the same time, and delivers some real laugh-out-loud moments amid the suspense.
Unfortunately, when the truth comes to the surface, the film begins to lose its power: The motives, once revealed, are outlandish and unconvincing and the film subsequently slips into the melodramatic. But, even then, the acting from both of them is never less than top-notch, the chemistry between them lights up the screen, and the finale, deftly delivered, stops the heart.
I'll be honest: I was expecting something fairly mediocre and cheap-looking but I was very pleasantly surprised. It didn't look cheap at all with great cinematography of the Suffolk countryside and the general colour and tone of the film was perfect and felt really authentic.
Both actors do very well - especially considering the whole cast consists of just them. Phil Campbell's performance was occasionally quite wooden and unnecessarily clichéd as the 'mysterious dark stranger' character; but "occasionally" is a key word there, as he - with MacQueen - really shines toward the end. I was impressed with Alex MacQueen, especially as I've only ever seen him in very minor roles in various sitcoms such as "The Inbetweeners", but his character is complex and brilliantly pulled off.
The film starts off well and captivatingly with great dialogue in the interaction between the two leads, with mystery and suspense surrounding the two as 'Roy Tunt' is clearly intimidated somewhat by Dave. Unfortunately, the film then becomes rather slow until the last half an hour or so - and the clips of the crows feasting on flesh become tedious after a while. But "The Hide" climaxes with a surprising twist and a great dénouement revealing why both characters find themselves in this remote mudflat. The very final scene is a particular favourite of mine, ending on a sharply shocking note.
Overall, it's a decent little film, which is slow in parts but ultimately rewarding. A solid debut from Marek Losey.
7.5/10
It is different and eccentric, wonderfully atmospheric, a little slow to build, but delivers a splendid denouement.
It is certainly not a film for those who want pyrotechnics and prestidigitation.
It is dark, contains some excellent use of language, and some very funny (though admittedly obscurely so) moments.
The "twist" can be seen some little way off but that does not detract from the enjoyment of it and of the film - and the very best is saved for the very last piece of dialogue and really does drive the plot home. Sure I saw what was coming, but I didn't understand it to THAT extent.
In summary if you are WOWED/DULLED* by Hollywood's ever more SMART/CRASS* outpourings then this film IS CERTAINLY NOT/MOST CERTAINLY IS* for you.
* delete as appropriate.
Did you know
- SoundtracksThe Last Days of May
Written and Performed by Sister Bliss
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Sır
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- £100,000 (estimated)
- Gross worldwide
- $2,313
- Runtime1 hour 22 minutes
- Color