Complices

"Complices" is a rather depressing work ,depicting a world which is exploiting the young ones ,treating them as sexual objects :it's revealing that two "clients" are a (female) lawyer and an ophthalmologist.The two miserable heroes come from difficult backgrounds:we never see Vincent's parents and the boy lives in a trailer with his pimp ,a jealous gay who cannot stand his girlfriend Rebecca.As for the girl ,she is left to her own devices ,her mother being almost always absent and she's hardly eighteen (we learn she is to take her HS diploma this year).The boy prostitutes himself and he leads Rebecca into bad ways ( the bisexual clientèle).Not exactly the romantic story of your dreams.Although the director does not spare the sordid details ,partly thanks to his actors (particularly Descours ,who remains natural and whose youthful look reveals a shattered innocence -the actor was 26 ,whereas he is supposed to be 19 in the movie) he makes his principals endearing.

The movie is a long flashback but,and it is the director's main quality,we never have the feeling of watching flashbacks .It's so rare in the movies it has to be underlined : present and past are so tightly linked that we have the strange feeling that Rebecca and her dead lover are still living their love story while the two cops are investigating.

This is not the rosy world of Eric Rohmer.It's a cruel world ,the world of those "dirty" sites on the net ,of the double life of the prostitutes and their clients .The boy ,eating candies after making love with a (probably) well-respected man ,shows the child still inside of him.As for Rebecca ,who is not a very attractive girl,she's naively looking for someone to love .Par excellence doomed lovers.However, the ending is finally ,in its own particular way,some kind of happy end ,and ,it's another quality of the movie,the cops are not caricatured and show some compassion.

"Complices" (2009) unfolds in two separate time zones, easy to tell apart instanly because they are photographed with two different brightness levels: in the darker "present" two detectives investigate the murder of a 19-year-old male hustler, while in the "brighter" past we see how the hustler draws his sweet new girlfriend into his sordid world. Despite the salacious subject matter, the film is low-key and elegantly made. It is competent, watchable, if unremarkable, with the ending adding the most interesting note. Nina Meurisse makes a promising feature-length debut in a leading role. **1/2 out of 4.

This movie was dark, and not like other high paced detective movies. It steered toward some familiar scenarios done elsewhere, but turned away from them at just the right time. The plot is complex, but not over bearing. The script was excellent in that the story flowed perfectly, every event discovered at the right time, the dialog between characters engaging at all times. The entire cast did an excellent job! I loved the relationship between the two Detectives, their lives were intertwined, but very separate. The boy and girl were perfect. She is like many of our Daughters, innocent outwardly but yet? The ending is absolutely perfect considering the story of the two Detectives. I'm very sorry I just saw this a few years later.This is a very well made movie! I will definitely be looking up the actors and actresses to find more of their work. Thanks to the Cast and Crew-Definitely a 10 out of 10!

Interesting movie. Starts off looking like a whodunnit crime-drama, but pretty soon it is obvious that it is much more than that. Turns out to be a gritty human drama, with romance and murder thrown in.

Good plot. Decent direction, though there are a few periods where it drifts a bit. Good performances, especially from the young leads - Cyril Descours and Nina Meurisse.

An advantage that American audiences have when viewing Euro films is that you regularly come across brilliant performances from actors you've never heard of. This rarely happens in Hollywood products because almost every popular American actor began as a child star. (DiCaprio, Gosling, dare I add Bale) Even the semi-talented kids get discovered & groomed early by Nickelodeon, pop music producers or the gazillion teen sitcoms, so by the time they appear on movie screens in a substantial role, you've seen their familiar faces countless times.

In Complices, we know from the start we'll see solid performances from veterans Melki & Devos, but who knew Descours & Meurisse would carry the film? And such excellent casting doesn't stop there. Even the smaller roles from Preiss, Ponsot & Kapone are on point.

I'm so tired of hearing other reviewers compare any film with a dead body to Twin Peaks. Films began with dead bodies long before David Lynch was even born. And the body that begins Complices makes Laura Palmer look as believable as Howdy Doody. Hats off to Hipaux & the effects crew for giving us a good corpse.

Mermoud & Arnold tell a simple but engaging story full of subtlety & subtext, only hinting at the character currents underneath. Watch Complices for the exquisite performances, but also to catch a glimpse of how tiny the French make their washing machines.