Capra cu trei iezi

A very good film with few actors.

Very well played, the script is simple and effective.

Maybe for some who watch the movie it seems too harsh.

Ion Creanga's story is really hard, many have probably overlooked it.

I read again the story, the text in the movie is almost identical to the one in the story.

Maybe some people want spectacular effects, this movie is not for them.

I hope more films like this are made, it is needed.

The footage is very good, of high quality, despite the low budget of the film.

It is only a beginning for such films, it has been shown that it is also possible.

I watched the director's interview, it has potential.

Of course, there will also be active hatters, who probably criticize any film, nothing satisfies them.

Movie trigger warnings: bullying, sexism, (mild) domestic abuse, sexual assault.

Number of jumpscares: 0.5 (literally barely a jumpscare once)

Review: Honestly one of the best pieces of Romanian cinema I've seen until now, and just a really good horror/thriller movie. It captures really beautifully what it meant to live in the 19th century rural Romania, along with the accurate traditional house, cutlery and clothes.

The two main actors are absolute legends, and the kids do an amazing job.

The filming is pretty well done, with very desaturated colors pushing the difficult lifestyle of the poor family.

Editing is decent, a few fast cuts here and there, but nothing to be offended by.

Sound design is pretty good, the soundtrack being played on traditional instruments, only note would be that at times you can't hear the dialogue due to the music being quite loud.

All in all, a pretty dope watch, biases aside, a solid 8/10.

The stories of Ion Creanga are an obligatory read for every Romanian kid. We grew up with his tales, one of the most famous being Capra cu trei iezi. Only later, as adults we truly understand this is hardly a children's story and more a horror/thriller one. Victor Canache and his team did an amazing job on this story, honoring Romanian folklore yet bringing a breath of fresh air on a tale as old as time. The music creates and eery setting and contributes to the thrill. Maia Morgenstein is incredible as always and Marius Bodochi's rendition of the wolf is guaranteed to scare the **** out of anyone. Congrats and we are looking forward to more from the director.

In my case, the kick to see this film was the hard work , the impressive perseverance of Victor Canache to make it. A beautiful effort, two well known Romanian actors, two local boys from village offering a decent job, one , Antonio Gavrila offering a nice surprise for his good acting and inspired music and cinematography.

It is adaptation, faithfull in good way to a so familiar folk story by Ion Creanga. A story absolutely creepy in details, part of many Romanian childhood memories.

I am far to consider this film a masterpiece or be very critic about it. I am doubts than it is a real horror. Yes, the dialogue sounds not so good but , being a familiar one, it is just difficult to impress. But it represents more than good intentions. It is, in essence, a good first step , the potential of Romanian folk literature, fairy tales or balads being just generous.

Is it a orror ? I am not real convinced about this few scenes being more crowned by my smiles.

But it is more than a decent film and, for few reasons, it can be defined as temerary.

It is a honest perspective about social realities, offering decent portrait of single mother of isolated place, the realistic image of alliance relative hoping conquer the heart of widow and, rejected being, his terrible, sadistic revenge.

In some measure, the revenge, against fate, against the answer of woman affecting the ego of pretender, the revenge of painful mother are the basic pieces defining this film.

The good memory, for me, about the film, is represented by the first scenes - the fire affecting the grenary as first sign of a story of sufference.

The kids are just good, maybe better than Maia Morgenstern and Marius Bodochi, captives of their theatral skills and front to not very easy text for its stringency.

Critics - the mixture of pieces of popular clothes from different regions of Romania. The cross on wall, covered by blood and Lupul making a gesture who reminds shfeshtania in Greek Orthhodox confession , having the status very closed by blasphemia in this case.

In hort, with not so reduced reserves, a sort of well done for Victor Canache and his team, for their significant sacrifices to made this film .

Everything was of quality in this film: the soundtrack, the direction, the acting, the scenography. It left room for the continuation of the mental game, for suspense and for the viewer's imagination. The movie is very good, what was missing is a bit of special effects. The goat's dream could have shown a face of the wolf monster, for example. He could have added screams of children who are lost in the distance... it's the style of The Silence of the Lambs, where the image of a sadistic cannibal takes shape. Otherwise, I really liked it. I hope that the future film made by this director will have 1-3 million euros for special effects as well.