Pintu Terlarang

I recently watched the Indonesian film 🇮🇩 The Forbidden Door (2009) on Shudder. The storyline follows a doctor who is drawn to visions of an abused child and something horrible happening to his family. As he delves into determining if his dreams might be reality, he discovers he may only be able to help one-the boy or his family.

This film is directed by Joko Anwar (Impetigore) and stars Ario Bayu (Java Heat), Tio Pakusadewo (The Raid 2), Verdi Solaiman (Shackled), Fachry Albar (Dead Time), and Marsha Timothy (The Raid 2).

This is a long, methodical slow burn, and just as you're wondering why you watched it, there's a perfect conclusion to close the picture. The acting is solid and feels authentic, especially from the child actor. The kid's backstory is sad but very well done. The horror elements are very good, with solid stabbing, throat slashing, and blood splatter sequences. As I previously mentioned, the journey is slow, but the end is rewarding.

In conclusion, The Forbidden Door is a movie you spend the entire time wondering why you watched it, but in the end, you're glad you did. I would score this a 6.5/10 and recommend it to horror genre enthusiasts only.

As another breakthrough in thriller genre that has just grown in Indonesian cinema, Pintu Terlarang (Forbidden Door) goes far beyond the genre's boundaries. Based on the novel by Sekar Ayu Asmara, this psychological mind-thriller has re-shaped with Joko Anwar's very own absurdity. Here, that stylish Indonesian director, Joko Anwar, who brought us Janji Joni and the mesmerizing adventure fantasy, Kala, has once again takes his audience to another world and mind-bending dimension with his absurd way of storytelling, vintage-noir art direction and scores that make you fly with it.

The famous pregnant woman sculptor, Gambir (Fachri Albar) starts losing his world after getting strange same messages from an abused little boy. With everyone around suddenly act strange, his paranoia then leads the shocking findings that may opens the door to his deepest fears.

Beautifully shots, acted and wrapped, Joko leaves his audience wonders, questioning and even arguing every clues he used just like opening the encrypted codes to a secret files. A gory-ness disturbing scenes that comes without compromise, a complex plot that even screw your minds, high-style art directing, intense acting that put the highest credits to Fachri Albar, haunting atmosphere all over the movie, brilliant scores, comes along together as one must-see Indonesian movie of the decades. Just like one movie that could rolls puzzling through your minds, Pintu Terlarang/Forbidden Door is truly, beautifully disturbing and violently haunting. It's a one hell-ride of your life!

I have just recently had the opportunity to watch this movie even though I have noticed the surround positive reviews of the movie for some time. And after watching it just yesterday, it would be fair to say that this picture by far is the best modern picture made by Indonesian filmmaker.

It is a bold, horrifying, intense and mean noir psychological horror. The horrid surreal atmosphere and chilling gore very much remind me of Lynch's and Aronofsky's style which is outstanding. Watching this movie really gives you a more complex horrid feeling than any kind of Indonesian horror with excessive portion of demon and ghost appearance more than you beg for of which you can't help but to smirk. And fairly said, this movie has put back faith in me that indeed Indonesian filmmaker can so do much better than only of those sex exploit movies and series of ridicule horror.

Finally said, this movie is very recommended as an introductory to a fine piece of Indonesian modern cinema. And despite the plot may not be very original at all and at some point the gory scene may need a little extra stomach to bear, but to skip this modern horror experience would be a sin to every horror/thriller movie lover.

A less horrific thriller than I would have expected, and so much the better, the film shines with its unusual themes and mystery.

Although some elements of the plot are predictable or even dont make sense even after the end of the movie, it is a real pleasure to see the evolution of the main character until the end screen, which even if it disappoints me slightly, remains an interesting point of view.

I cannot stand any movie which shows violence towards kids.

I saw this only cos of its director Joko Anwar but this one is a big disappointment.

There is no tension, no suspense n no atmosphere but just an annoying actor with his annoying hair.

It has some killings but that too towards the end.

Inspite of the movie being a bit dark, there is zero nudity n zero sex scene.

Revisiting John Cusack's Identity is a better option than this.

Big fan of Joko Anwar but now i think he is more of a hit n miss kinda director.

I didn't enjoy The Queen of Black Magic which Anwar didn't direct but he is the writer.

I was generous with his Impetigore which has unnecessary gore n squirmy stuff.

Loved his Gundala.

Enjoyed his Satan's Slaves n found it to be creepy, scary n very atmospheric.

Waiting for Satan's Slaves part 2.