A cop becomes a union leader for the police force. He has to balance between protecting the police force as well as take out the dirty cops in the force.A cop becomes a union leader for the police force. He has to balance between protecting the police force as well as take out the dirty cops in the force.A cop becomes a union leader for the police force. He has to balance between protecting the police force as well as take out the dirty cops in the force.
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I liked the shield, life and like castle and burn notice. But the bridge is just so, so bad. The writing is uninspired as is the acting. Are series like this paid for by the police in order to try to make us believe they are here to help us? This must be a gov't sponsored series with lots of grants and freebies, otherwise no one would buy into it. The Stacy Keach series, Mike Hammer, look like Shakespeare. I've watched four episodes and find it strange that it can get sponsors. Every character is uni-dimensional, every plot, hackneyed.
It is a pity when good shows, like Life, are canceled and we are forced fed this tripe. What a waste of film.
It is a pity when good shows, like Life, are canceled and we are forced fed this tripe. What a waste of film.
I loved the show, Its SMART, exciting and touching, not at all your average cop show .. It also has a great cast that I am already attached to. In response to the comment on "de-Canadianization". TV shows actually need PERMISSION from the city they are filming in to depict it as that. It may very well be that Toronto denied that permission, as well as other major cities in Canada ... why? This show is a controversial one based on the life and experiences of a former Toronto Union Leader, who at times did exactly as the program shows ... ruffled the feathers and made waves in the political pool. There are still people in office who might not want it on the air at all so of course any roadblocks to detour production would be put in place ...Dont be quick to jump to the conclusion that we are ashamed to be Canadians if we are not flashing our national monuments and flags across the TV screen. Iv read so many articles about this show and every single one says loud and proud that this is a Canadian program based on the experiences of a Canadian police union leader .. lets knock the chip off our shoulders and support our Canadian talent, you want to be patriotic heres your chance. How about support talent in general because a lot of very talented people put their heart and soul into this show in the hopes that we the viewer might be entertained and enlightened, and I think they did a great job, I truly think this one of the best series Canada has ever produced .. WE SHOULD BE PROUD!!
Sooooo...we see in the listings this title on a Saturday night on CBS here in the States...we assume (wrongly?) that this is either a summer replacement show or a tease at something coming in the fall. We realized 10 minutes in that it was one of the shows with an unnamed city, no name of city on police cars, fuzzed out license plates, etc. This, alone, made us suspicious. Then, as to the plot: we were frankly confused as to who we were supposed to root for. Yes, we GET it -- cops are sometimes portrayed wrongly by the press and public. But this seems to be out to make cops look incredibly whiny and pathetic. A walk out??? We honestly think that kind of action here in the states is illegal. We have heard of a "sick out" to protest something, but for cops to just walk off the job because they don't like something or they don't get their way is too weird. That's when I got up from the couch, came to computer, and checked out IMDb on this show. I needed a little background, and I got it. Not sure what CBS is going to do with this -- it just wasn't very appealing. Acting wasn't great, situations were just odd, and oh by the way, any woman in a uniformed service here in the states has to have her hair up off her collar. Being military, this irked me! Can't explain why -- it just looked so weird to see all your model-quality policewomen with their hair flowing down their uniforms. And when old cop died -- yeah, doubt if he would get a formal police funeral here in the states, no matter what the union did.
Bottom line -- we GET it -- we just didn't like it. Made cops look whiny, petulant, and controlled by their union.
Bottom line -- we GET it -- we just didn't like it. Made cops look whiny, petulant, and controlled by their union.
I thought that maybe, just maybe, this would be different. Why, could you ask, why would this be different?
I projected credibility and honesty into the main character, because he played a similar role - dedicated to get his job done - as he did in Battlestar Galactica.
Now we are approaching the halfway mark for the series, and I am sorry to say... You've lost me. I will not follow the series anymore.
The reason? What began as an interesting story about a cop becoming head of the union of copes, not in uniform, not legally a cop, but still in soul and dedicated to both helping his many colleagues and do occasional police work... There is a lack of realism in the series. He doesn't grovel to anyone. This is realistic in any world. I have no faith in a union boss having ultimate say over anything - even if this is portrayed as very tough deals with his commissioner, to who he also loses once in a while. He is simply too strong, played, portrayed too strong. I would say it's a miscast.
I am fed up with the police world, talking about anybody as if they are citizens or scum, no in-between, or hero or coward... grow some hair on your chests, scriptwriters and watch some The Wire. But you had to accept the job that demanded action. Bang Bang, people dead, heroes here, witnesses her, victims here, and scumbag stupid motherfracker here. It is tedious, we want people. Feeling, not bleeding. No, I want - I want cost, consequences, real consequences, everything that interacts with a job like the one a policeman has. Like the one the criminal has. People.
The Bridge tries. It tries to be The WIre, and CSI and Heroes without superpowers at the same time. Strong man leading the flock. Strong man can admit his mistake Strong man has unbridled libido. It hints at feeling and human interaction, but is constantly interrupted by strategic talks, where the support actors feed the main character. ABit tiresome tiresome tiresome.
It's not even BG. It deserves new writers, or it deserves to die. It is beginning to stink of mediocrity. That is waste of bandwidth. And support.
I projected credibility and honesty into the main character, because he played a similar role - dedicated to get his job done - as he did in Battlestar Galactica.
Now we are approaching the halfway mark for the series, and I am sorry to say... You've lost me. I will not follow the series anymore.
The reason? What began as an interesting story about a cop becoming head of the union of copes, not in uniform, not legally a cop, but still in soul and dedicated to both helping his many colleagues and do occasional police work... There is a lack of realism in the series. He doesn't grovel to anyone. This is realistic in any world. I have no faith in a union boss having ultimate say over anything - even if this is portrayed as very tough deals with his commissioner, to who he also loses once in a while. He is simply too strong, played, portrayed too strong. I would say it's a miscast.
I am fed up with the police world, talking about anybody as if they are citizens or scum, no in-between, or hero or coward... grow some hair on your chests, scriptwriters and watch some The Wire. But you had to accept the job that demanded action. Bang Bang, people dead, heroes here, witnesses her, victims here, and scumbag stupid motherfracker here. It is tedious, we want people. Feeling, not bleeding. No, I want - I want cost, consequences, real consequences, everything that interacts with a job like the one a policeman has. Like the one the criminal has. People.
The Bridge tries. It tries to be The WIre, and CSI and Heroes without superpowers at the same time. Strong man leading the flock. Strong man can admit his mistake Strong man has unbridled libido. It hints at feeling and human interaction, but is constantly interrupted by strategic talks, where the support actors feed the main character. ABit tiresome tiresome tiresome.
It's not even BG. It deserves new writers, or it deserves to die. It is beginning to stink of mediocrity. That is waste of bandwidth. And support.
I will start by saying some of my favorite shows are Damages, Dexter, The Good Wife and Lie To Me, but this one is now my favorite of them all. The writers are incredible and the acting superb. I can't understand how a network like CBS would put a show first run on a Saturday night one of the worst nights for TV. I'm sure had it been on during the week in prime time the results would have been much different. Hopefully they will come to their senses and give it another shot or maybe some other network will pick it up.
The only real problem with the show is they go by too quickly. There is never any dead time between scenes. The director has done a fantastic job keeping continuity. The main thing you need to understand is that this is not a reality show but fiction. Some people will say this is the way things really are or should be while others will be totally disgusted by the portrayal of how big city police might be.
At any rate I am sure if you get a chance to watch it you won't be sorry.
The only real problem with the show is they go by too quickly. There is never any dead time between scenes. The director has done a fantastic job keeping continuity. The main thing you need to understand is that this is not a reality show but fiction. Some people will say this is the way things really are or should be while others will be totally disgusted by the portrayal of how big city police might be.
At any rate I am sure if you get a chance to watch it you won't be sorry.
Details
- Runtime1 hour
- Color
- Sound mix
- Aspect ratio
- 1.78 : 1
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