Realizing that the urban legend of their youth has actually come true, two filmmakers delve into the mystery surrounding five missing children and the real-life boogeyman linked to their dis... Read allRealizing that the urban legend of their youth has actually come true, two filmmakers delve into the mystery surrounding five missing children and the real-life boogeyman linked to their disappearances.Realizing that the urban legend of their youth has actually come true, two filmmakers delve into the mystery surrounding five missing children and the real-life boogeyman linked to their disappearances.
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- Awards
- 1 win & 1 nomination total
- Self - Professor of Folklore, Penn State
- (as Dr. Bill Ellis)
- Self - Reporter
- (archive footage)
- Self - Reporter
- (archive footage)
- Self - Reporter
- (archive footage)
- Self - Holly Ann Hughes's Brother
- (archive footage)
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CROPSEY himself is part real, and part urban legend, in that the original killer has become a larger than life boogeyman. Through interviews and archival news footage, the filmmakers present the facts, as well as some of the theories the public latched onto in order to make sense of the case. Not-so-shockingly, Satanism was suspected!
As a side note, the origin of the name CROPSEY is never explained. Personally, I've only ever heard the name used in the movie THE BURNING, about a vengeful, teen-murdering camp caretaker. The usage here is interesting indeed...
The film, for it's subject matter, is entertaining in a perverse way to watch. Much in the same way you might shiver at a campfire tale or watch a train-wreck with morbid curiosity. And it does provide some thrills and chills for the audience, particularly with some bizarre scenes in which it is proposed that Rand was in cahoots with, or knew members of human- sacrificing, Satanic cults. (Although, like most things in the film, this goes nowhere real fast.)
But the film feels too much like exploitation. From using the "Cropsey" urban legends and stories in a way that doesn't quite fit in well with the film (at least to me, it felt like a bit of mudslinging), to the fact that nothing is accomplished in the runntime. Nothing gels together, nor is it particularly compelling to watch.
No answers are given to any of the burning questions that the film proposes (which becomes the documentary's taunting theme- "We don't know..."), and to be honest, it makes you question everything way too much. From moment to moment, you'll hate Rand, then feel sympathy, then question if he's the real culprit, then hate him again. It's too much of a roller-coaster ride for the complete lack of payoff, and it leaves you feeling thrilled, but empty.
I give "Cropsey" a 6 out of 10. It's an eerie watch, and does have some good moments, but it doesn't accomplish anything major. It just exists for the sake of existing.
Two filmmakers delve into the mystery surrounding five missing children and the real-life bogeyman linked to their disappearances.
Nothing really new here, but it puts everything together in one place. Goes on a bit long. The filmmakers try to suggest the killer was supplying kids to devil worshipers to to a group of abusers. The killer denies everything of course even though he was the last person seen with all the victims.
I would have preferred way more information on the killer than just random conversations with cops and residents trying to remember what happened 20+ years ago.
So net net is the documentary could have been way better than it is. And the fact that they could not get an interview with the killer sort of creates a big dud.
But instead of focusing on the origins of Cropsey it instead focus's on the true story of Andre Rand a man suspected of abducting and killing a number of children with learning difficulties. A living, breathing Cropsey.
The team give a history on the man and the lost children, interviews experts and those involved in the case as well as the usual incorporation of archive news footage and stock interviews.
Its all well made, but considering how little they actually have to go on much of it feels like filler and it's all assumptions leaving the viewer with unanswered questions and I found that a tad frustrating. This isn't a water tight case and therefore they could never provide 100% certainty but for this reason it felt like rather flawed subject matter.
Regardless the archive footage is very moving and the man in question is rather fascinating. The viewer is left to make up their own mind as to what they believe happened based on evidence presented.
Passable stuff, but Zeman's later works are superior.
The Good:
Well made
Great archive footage
The Bad:
Feels like too much critical information is missing
Too short
Did you know
- TriviaWas awarded Hammer to Nail's Grand Jury Prize for best documentary at 2009's Tribeca Film Festival.
- Quotes
Joshua Zeman: Growing up on Staten Island, Barb and I had often heard the legend of Cropsey. For the kids in our neighborhood, Cropsey was an escaped mental patient who lived in the tunnels beneath the old Willowbrook mental institution, who would come out late at night, snatch children off the streets. Although we didn't know each other as children, Barb and I had both shared versions of the Cropsey legend, as it filtered through our separate neighborhoods, and seeped into our collective fears. Sometimes Cropsey had a hook for a hand, other times he wielded a bloody axe, but it didn't matter, Cropsey *was* out there lurking in the shadows, waiting to get us.
- ConnectionsFeatures Willowbrook: The Last Great Disgrace (1972)
- How long is Cropsey?Powered by Alexa
Details
Box office
- Gross US & Canada
- $52,476
- Opening weekend US & Canada
- $6,306
- Jun 6, 2010
- Gross worldwide
- $52,476
- Runtime1 hour 24 minutes
- Color