Il faut sauver la maison de Noël

What a wonderful movie to get you in the jingle mood. Katie Leclerc brought so much life to her character and the plot itself. Good plot with no holes. Lovely setting (very visually pleasing). Would recommend for anyone looking for a good Christmas movie to watch this year.

I've now watched more than 800 romantic movies and this one is one of the best. The story line is not so uncommon but the execution is excellent. The acting by, specially, Katie Leclerc and Brent Baily shines and they develop the romance in a believable way, not in a hurry but you feel that there's a connection from their childhood. The conflict between the siblings are also well done without being too dramatic or brushed aside. As a romantic move this one is well worth your time.

Being East European, I am very atached by family home. So, I empatize with Margot in each reaction of her attitude about this delicate subject. And, no doubts, I love the end.

I liked the Christian painting, reminding me the atmosphere of Somewhere in Time by Jeannot Szwark.

And I appreciated the fine performances of Katie Leclerc and Brent Bailey. Maybe, the supporting actors are not in their most optim acting but the childhood flashbacks are nice and a clever idea for define the main characters.

The problem - maybe the very egoistic pressure on poor Christian for the illustrations of future book. Not asked, not informed, front a sort of sentimental blackmail . But it is only a detail from a real nice film.

You might feel, as I do, that the art of making a movie is not in the value of its themes, but in the way they are developed, expressed, and conveyed. Some movies may have a strong content of intents or values, yet they are rendered awkwardly or flatly. Great expectations are turned into an irritating waste of everybody's time. In other productions, like the present one, the plot is unoriginal, the story is simple and has no great ambitions. Yet, it works, being presented with the proper tones, a gentle touch, and care for details. Here we have the story of young woman, Margot, who is opposed to selling her family house, in contrast with her siblings, and reunites with her childhood best friend and first crush. Far from an innovating idea! Katie Leclerc manages to express all her conflicting emotions, the attachment to her memories, the disagreement with and love for her family, her growing feeling for Christian, with poise and grace, very convincingly. The rest of the cast supports her performance with equal restraint and subtlety. The result is a movie that highlights family values, real sentiments, and .. a touch of Christmas spirit. The beautiful scenery of the surrounding nature visually adds to the narrative.

This is how to create uplifting, family-friendly and engaging entertainment. As for Katie Leclerc, she shines in her role and seems to become more beautiful and charming with the going years.

This is a charming movie for the holiday season. The romantic coupling between the two leads Margot (Katie Leclerc, best known for Switched at Birth) and Brent Bailey (various supporting TV roles) is gently heartwarming without devolving into an overly schmaltzy Hallmark TV movie.

The story revolves around Margot's return to her family home in Cape Cod which is now being sold after the passing of her parents. Margot's greedy siblings are anxious to cash in on their inheritance by selling to a buyer who insists on closing the deal before Christmas. Since Margot lacks the finds to buy out our brother and sister, she is forced to go along with the sale.

The real drama however is that between Margot and Brent which develops in a gentle way without seeming forced or cloying. Their banter is as entertaining as it is sensitive, and this is the kind of movie that you can enjoy late one night over a cup of hot cocoa, tucked up under the duvet, either alone or with a loved one. Their romance has its ups and downs although and we are kept guessing as to why their budding love story never seems to gain traction.

The only real weakness of the film is the misleading title. It is supposed to be a Cape Cod "Christmas" tale. Except the lush Autumn foliage suggests that shooting took place in October rather than late December! Or it is simply the warmest Cape Cod winter on record. But if one is willing to allow for the suspension of disbelief that the filmmakers ask of us, then the story will endear itself to all but the most cynical of viewers.