Les Trois Mousquetaires: Milady

Once again a tremendous spectacle, served with a bunch of very fine actors ("la fine fleur" of French actors) in all their glory, who make most of the scenes of the movie a tasty delight to savour... In particular the highly charismatic Eva Green and François Civil, who both have this magnetic presence that makes you wanna follow each of their adventures (each of the moments they share are captivating)...

The staging and overall design of the movie is as majestically pleasing as in the First Part (both movies were shot at the same time) with very gorgeous framings and lightings (wonderfully mastered)... The action and stunts do the job (in spite of this recurring shaky camera), with a few cool bits (hats off to the final confrontation).

Of course the stakes -even if already pretty high at some point in the First Part- are even higher here... Numerous events in this Second Part mirror events recounted in the First Part ; the situation is pretty tight for the main players, and the whole -mysterious- intrigue gets thicker and tastier as it evolves... With Milady playing a pivotal role in everything ; even when she is not here, her shadow never is very far... But things, during the entire movie, don't really go as expected, twists after twists...

In the end, this two-parter story definitely is a pretty gem in the long history of French Cinema, because it shows the nice will to produce a pleasing cinematic piece, à la française ; but in a fashion that uses some of the welcome contempory/modern tools.

A fine and tasty adventure to watch, and potentially a Third Part to come (?)

Part 2 of the current film adaptation is by no means a bad film, thanks to the actors, budget and, of course, the literary source material. Nevertheless, it falls well short of its predecessor, not least because of the high expectations following the first film. What's missing this time? A certain freshness, the haunting presence of the protagonists, their actually indispensable interaction, memorable climaxes. Content now rules here, almost too much for the running time, instead of fun.

Eva Green gives an outstanding performance in her parade role as the femme fatale, this time making the important and correct decision that less is often more.

"The Three Musketeers" by Alexandre Dumas comes to life in the cinematic adaptation, which, while deviating in some details from the book, manages to preserve the original work's essence. The story follows D'Artagnan and his loyal friends, Athos, Porthos, and Aramis, in a captivating 17th-century setting. Political intrigues, thrilling duels, and secret romances intertwine as they battle against the cunning Cardinal Richelieu and the enigmatic Milady de Winter. Although poetic licenses result in more battles than in the book, the film successfully captures the spirit of adventure, action, and romance that has made this classic swashbuckling tale endure.

It's good to return to the big screen, connect again with the magic of the dark room and much better to do it with a film that captivates you from beginning to end.

The second part of the great project led by Martin Bourboulon is much more vibrant, fast-paced and entertaining, with a narrative rhythm that does not falter at any time, but does not leave plot gaps either. The dramatic arc of the characters is much more solid and clear, Vincent Cassel as always does not need many minutes to demonstrate his stage presence, François Civil finishes shaping a rising D'Artagnan, but who steals the screen every time he appears is Eva Green, who from start to finish makes a truly impeccable hero-villain game.

A real pleasure to enjoy an epic film project far from the great arms of Hollywood.

The Three Musketeers: Milady completes the first chapter of their adventures with another exciting story full of political intrigue and action. It comes so close to being wholly satisfying but just can't help itself so at the last minute it ends on another massive cliffhanger. With the promise of another instalment being so far away and not entirely guaranteed, it makes it harder to stomach.

François Civil, Vincent Cassel, Romain Duris, and Pio Marmaï remain a wonderful core four. The witty dialogue gives them plenty of opportunities to showcase their strong chemistry and it feels like they spend a lot more time together in this one, which is a huge bonus. Eva Green was and still is perfect casting. Her enthusiasm is so visible as she revels in the villainy whilst still bringing some nuance.

Martin Bourboulon's direction keeps the one takes for the majority of the action which gives all the swashbuckling a lot of energy without being hindered by obvious joins (again) and there's a generally epic feel thanks to the beautiful locations where the biggest dramatic moments take place. Guillame Roussel's score is suitably rousing with a winning commitment to making everything as serious as possible.