Fisshu sutôrî

A comet hurtles towards Earth, and Tokyo is abandoned as people head to high ground. A cynical one-time guru comes across two otaku, a record shop owner and his customer, who believe an obscure seventies song, Fish Story, will save the world. Many years earlier, a timid young man laments his inability to stand up for himself. Some years after that, a narcoleptic high school girl finds herself trapped on a hijacked ship, where a pastry chef is her best hope for a champion for justice.

Director Nakamura fashions a likable, engaging human drama here, but deserves most credit for the naturalistic performances he elicits from his actors. Too often Japanese films are sunk by TV-style mugging from the principles, but here, there is a subtlety and nuanced portrayal evident throughout the ensemble cast. In the band, leader Atsushi Ito and Vocal Kengo Kora have betrayal and remorse to deal with between them. The tension is played out in a series of looks and never over-cooked. Kiyohiko Shibukawa as the drummer takes a while to speak, but when he does, it is with reason and tact. It would be so easy to have proto-punk band members sink into spats and histrionics. These portrayals resonate and convince. Gaku Hamada is especially effective as the meek friend who loses the girl (a spooky, sexy Mai Takahashi) to his overpowering alpha-male 'friend.' His tormenting of himself in the car after that particular episode is tragic and comic in equal degree, and proves the trigger to his redemption.

The portmanteau structure is an over-used trope these days and detracts from the drama here. However, the film succinctly ties it all up at the end, and visually too - the lack of expository dialogue here as compared to other J-cinema is refreshing. A wonderful soundtrack tops it all off, the best use of a song for thematic purpose since Gimme Heaven. "Summer Days" is now the anthem to my August.

Smart and witty movie about how a forgotten punk rock song (with a mystery within the song) links the lives of several characters who mostly never meet each other. The elements include, of course, a failed punk rock band in the late 1970's, a meek college student in the 1980's, a doomsday cult in 1999, a ferry hijacking in 2009, and a trio of people in a used record shop in a deserted city awaiting a comet strike in 2012. Plus some flashbacks to post WW2 Japan. Much of the movie revolves around the idea of a "champion of justice"

The movie is paced with a natural style so despite the sci-fi aspect the whole film is very low key. Virtually no special effects. That's not to say that there are no hidden pleasures, especially during the ferry hijacking which has excellent action scenes. The film is well-shot, well-acted and well-written. The music is good as well.

An unexpected little gem.

This story is about a comet which is due to hit the earth in a matter of hours and how a song from 1975 called "Fish Story" will save the world in 2012. How? Thats part of the fun in watching the film. The film has some comedic moments in that you have references to superhero(ine) series from Japan, as well as other cultural mores. You see what appears to be a series of unconnected events somehow gel. The song itself is a proto punk song, recorded before the Sex Pistols, and its actually a good song. The acting goes all over the map, as there are flashbacks with disparate characters, but it is pretty much all good. Whatever the ending, you have to stay for it to see how things tie together. The world could come to an end (Japan would be pretty much submerged) if the comet hit, so just watch. It has a kind of new wavish sensibility, especially the scenes with the band who recorded "Fish Story". Not perfect, it drags slightly at times, but its worthwhile. I recommend it.

In 1975, an unpopular punk band releases Fish Story. In 1982, a young man saves a young woman from a strange man. He listened to Fish Story before he saves. In 2009, a high school girl and chef meet on a ship. The ship is seajacked. In 2012, the limit of earth is 5 hours because of a comet. At a music shop, 2 men listen to Fish Story.

I am a fan of the original author of this film. I like coincidence which he writes. I had read the original book once before I watched the film. The story crosses several date. Therefore film is easier to understand than book. I was caught up in the scene which the story was related to the end. I could clear my head. The song, " if my loneliness is a fish…", is not far from my head. I think that the author is good at writing daily lives. I recommend everyone to watch the other films of the writer.

A punk song with some very obscure lyrics ends up saving the world: a fishy story indeed, and in the beginning, I was afraid that 'Fish Story' would turn out as one of those wilfully bizarre Japanese films which seem to be driven by nothing more than the director's desire to make something odd, no matter how little sense it makes. But the idiosyncratic charm of Yoshihiro Nakamura's movie soon grows on you. An odd combination of low budget movie, comic book story and sci-fi, set over 40 years, it nonetheless feels surprisingly unforced, and the longer I watched it, the larger the smile on my face. I even liked the song.