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6.6/10
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Fascination spirals into Faustian bargain after an ambitious female film director meets-and obsesses over-a younger femme-fatale screenwriter.Fascination spirals into Faustian bargain after an ambitious female film director meets-and obsesses over-a younger femme-fatale screenwriter.Fascination spirals into Faustian bargain after an ambitious female film director meets-and obsesses over-a younger femme-fatale screenwriter.
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Fantastic script and acting, fascinating story. It's like watching a train wreck in slow motion. You just know it's not going to end well but you must keep watching. Give it a try.
This pulled me in, then ended up as a train wreck. I actually stopped watching the last episode. I am walking away from this, without understanding the conclusion, BECAUSE I DON'T CARE. Seriously, the last two episodes became idiotic.
"Sophie" is NEVER particularly "interesting." She is supposed to be some "Lolita." She's basically an annoying "millennial."
It really angers me, when I waste my time watching a series like this. It started out fantastic, then just butchered it all.
Again, A TOTAL waste of time, Apple+.
"Sophie" is NEVER particularly "interesting." She is supposed to be some "Lolita." She's basically an annoying "millennial."
It really angers me, when I waste my time watching a series like this. It started out fantastic, then just butchered it all.
Again, A TOTAL waste of time, Apple+.
Another flawless Israeli production.
A peculiar story because it approaches the world of audiovisual direction from the inside with ease and a certain suspense. A very well run psychological drama, without fanfare, very sincere.
But the most important thing about this series is the great work of Ayelet Zurer. Kornowski's, too. But the first one "eats" the screen. His character is fascinating because it is real, human, credible.
Well done by Sigal Avin. A very nice and velvety color palette in the image.
The series has a certain "air" with Lynchian environments.
A peculiar story because it approaches the world of audiovisual direction from the inside with ease and a certain suspense. A very well run psychological drama, without fanfare, very sincere.
But the most important thing about this series is the great work of Ayelet Zurer. Kornowski's, too. But the first one "eats" the screen. His character is fascinating because it is real, human, credible.
Well done by Sigal Avin. A very nice and velvety color palette in the image.
The series has a certain "air" with Lynchian environments.
I just watched the first three episodes and I can't wait for more. The acting is superb. The storyline is provocative and engaging. I'm so glad AppleTV is streaming this show. It's beautifully done and I really hope it gets the recognition it deserves. I've always loved Ayelet Zurer. She's an actress of immeasurable talent and a captivating beauty. I recently watched her play Milada Horáková in the film Milada. Her performance in this movie blew me away.
Some reviewers are complaining about the spoken language. And that they have to help themselves by subtitles. Do they realise that not the whole world is speaking English ? I'm Flemish, speaking a kind of Dutch. Since our whole live we always watch a non-Dutch spoken thing by subtitles. Always ... We sometimes do understand, and speak some other languages, where under English. So please, be aware of what you criticise concerning the native language of a film or serial. It's a kind of being respectful. About 'Losing Alice' itself : we just watched the first episode. It's hard stuff. So, we wait with an final opinion until we've seen more.
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- 迷途愛麗絲
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